A fascinating historical tour of 475 Thoroughbred memorials commemorating legendary Thoroughbred racehorses buried in Central Kentucky. The memorials, dating from the 1870s to present day, range from simple markers to elaborate and ornate cemeteries. Zeh brings to life the names carved in granite, from Domino, the great 19th Century champion, to Secretariat and Mr. Prospector. Richly illustrated with over 100 photographs.
Full-color, illustrated photographs that describe fifty inscribed monuments from across America that pays tribute to events and people throughout the nation's history, including the Lincoln Memorial, World War II, Korean, and Vietnam memorials, the Murrah Federal Building display in Oklahoma City, and September 11 memorials.
The document known as The Ten Commandments, more formally referred to as The Decalogue, remains among the most controversial and complicated passages in the Hebrew Bible. Even today, the twentieth chapter of Exodus continues to serve as a major religious and ethical icon within popular culture and religious communities, despite its many unexplained elements. Lawsuits over the display of Decalogue Tablets have occupied courtrooms in more than half the states of this country. And yet, few people understand that there is not one, but three versions of what are usually called "The Ten Commandments." Moreover, when their ideological underpinnings are examined closely, these versions prove to be quite antithetical to one another. Even fewer are aware of the probability that these documents were written very late in the history of biblical literature-indeed, so late as to constitute a literary afterthought in the development of Israelite ethnic self-definition. In Etched in Stone: The Emergence of the Decalogue Tradition, Aaron examines the question of when the Decalogue versions were written and why. The main focus of this book is the literary phenomenon known as "the tablets" and how it functioned within the broader narrative. Aaron argues not only that the inclusion of the Decalogue texts was quite late in the development of the Pentateuch's canon, but that their integration preserves vestiges of highly charged ideological conflicts that were inadvertently neutralized by the rather bland and generic ethical precepts coined among its verses. Etched in Stone provides a paradigm for merging a variety of critical methods (source criticism, tradition criticism, ideological criticism, redaction criticism) and literary approaches that have heretofore been under-explored. In this sense, Etched in Stone will be read by scholars for its far-reaching conclusions and used by students (undergraduates, seminary, graduate) for learning approaches to the sequencing of biblical materials.
Two-time Governor General's Award nominee Teresa Toten is back with a compulsively readable new book for teens! When Adam meets Robyn at a support group for kids coping with obsessive-compulsive disorder, he is drawn to her almost before he can take a breath. He's determined to protect and defend her--to play Batman to her Robyn--whatever the cost. But when you're fourteen and the everyday problems of dealing with divorced parents and step-siblings are supplemented by the challenges of OCD, it's hard to imagine yourself falling in love. How can you have a "normal" relationship when your life is so fraught with problems? And that's not even to mention the small matter of those threatening letters Adam's mother has started to receive . . . Teresa Toten sets some tough and topical issues against the backdrop of a traditional whodunit in this engaging new novel that readers will find hard to put down.
From childhood, archaeologist Jayna Monroe has been obsessed with all things Egyptian. Joining an archaeological dig in search of a mysterious Egyptian pharaoh, Jayna discovers the Great King Amony's tomb. But the thrill of her discovery is short lived as Jayna becomes trapped inside the four-thousand-year-old burial chamber. As she lay dying, Jayna reads the hieroglyphs and realizes Amony was brutally murdered by his green-eyed Queen. What had Amony done to cause his wife to kill him? Death claims Jayna before she can find an answer in the ancient pictures. Only Jayna hasn't died. She's been swept back in time to Ancient Egypt where she learns she not only inhabits the murderous, green-eyed Queen's body, but, unlike the Queen, Jayna's both physically and emotionally drawn to Amony. But does she dare use the Queen's body to satisfy her own desires, even if by doing so she can save Amony's life? Caught up in the Queen's search for vengeance and court treachery, Jayna soon wonders if there's more going on than she'd first suspected. Has she really been thrown back in time? Or has she been drawn back to a previous life to kill the man she'll love forever? As Jayna searches for the answers, she finds herself fighting for her own life as well as Amony's. But can she change a past that for four thousand years has been...Etched in Stone.
For 39-year-old Johnelle Morrissey, the American Dream is a successful career in medical technology, a stately home in historic Charleston, South Carolina, and happy times with the people she loves most—her husband Dwight, their teenage son Ian and her oldest friend Alice Choate. That dream shatters on an airport runway when her plane goes down, leaving her with only clouded memories of her former life. Devastated by the tragedy, Alice teams with the family to help Johnelle recover. For hours on end Alice shares memories of the moments that formed their friendship over the years, but she holds back one secret—that she’s been in love with Johnelle for as long as she can remember. Johnelle struggles to reassemble her past—college life, her wedding day and the joys of raising her son. Once her physical injuries heal, her family expects life to go back to the way it was. But the love she must have once felt for Dwight remains deeply shadowed, eclipsed by yearning for a new life…with Alice.
Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.
Despite the recent history of violence and destruction, Bosnia-Herzegovina holds a positive place in history, marked by a continuous interweaving of different religious cultures. The most expansive period in that regard is the Ottoman rule that lasted here nearly five centuries. As many Bosnians accepted Islam, the process of Islamization took on different directions and meanings, only some of which are recorded in the official documents. This book underscores the importance of material culture, specifically gravestones, funerary inscriptions and images, in tracing and understanding more subtle changes in Bosnia’s religious landscape and the complex cultural shifts and exchange between Christianity and Islam in this area. Gravestones are seen as cultural spaces that inscribe memory, history, and heritage in addition to being texts that display, in image and word, first-hand information about the deceased. In tackling these topics and ideas, the study is situated within several contextual, theoretical, and methodological frameworks. Raising questions about religious identity, history, and memory, the study unpacks the cultural and historical value of gravestones and other funerary markers and bolsters their importance in understanding the region’s complexity and improving its visibility in global discussions around multiculturalism and religious pluralism. Drawing upon several disciplinary methods, the book has much to offer anyone looking for a better understanding of the intersection of Christianity and Islam, as well as those with an interest in death studies.
