From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Maranatha Et in Arcadia Ego is a treasure hunt book with a prize fund of one million pounds (Sterling). Written in a treasure hunt style, this book is the first in a series of four books. The treasures revealed in the Maranatha series are the culmination of more than 12 years of research. Anyone can win the prize. A reader does not have to have prior knowledge of the subject matter. All the clues are in the pages of the book. The publication itself is divided into two halves, one half filled with direct historical knowledge and the second half is a simple coded passage that offers the start of a journey for a genuine truth. Maranatha Et in Arcadia Ego is not offering theory it presents only facts.The first person to de-code the book will not only have discovered the 'Key' but will have learned how to claim the prize of #1,000,000.Charity Declaration: One third of Priory Publications GB Limited net profits are donated to registered worldwide charities.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
From Booker Prize-winner Ben Okri: a voyage into the enduring myth of Arcadia and the mysterious painting it inspired. A lyrical novel about art and enlightenment that takes the reader from Waterloo Station in London to Paris and a four hundred year old enigma, the painting by Nicolas Poussin known as 'Et in Arcadia Ego'. 'We never write the book we think we are writing. We never read the book we think we are reading' BEN OKRI.
This play takes readers back and forth between the 19th and 20th centuries. Set in a large country house in Derbyshire, a cast of characters from each century play out their respective dramas.
Poetry. Written under the spell of a medieval Welsh poetic form, the poems in Anthony Madrid's incantatory second book, TRY NEVER, each offer up their own strange world. They're full of erudition, humor, and rare magnificence. A single poem can contain "bottles and cans," Mount Everest, an upset stomach, Texas rain, a hawk, the evil queen, a "twice- mended lid," and Ralph; as if to say, anything's possible.
A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.
Schoolboys are disappearing all over Aberystwyth and nobody knows why. Louie Knight, the town's private investigator, soon realises that it is going to take more than a double ripple from Sospan, the philosopher cum ice-cream seller, to help find out what is happening to these boys and whether or not Lovespoon, the Welsh teacher, Grand Wizard of the Druids and controller of the town, is more than just a sinister bully. And just who was Gwenno Guevara?
An investigation into the lost treasures of Jesse James and the Freemasons and their connections to the Templars, Rosicrucians, and the Founding Fathers • Explains how Jesse James used techniques involving sacred geometry, gematria, and esoteric symbols to hide his treasures and encode maps • Provides instructions for using the encoding template employed by Jesse James and the Freemasons to hide and recover treasure and sacred relics • Shows how the encoding template confirms the existence of treasures on Oak Island and Victorio Peak and can be traced to a 16th-century book containing a secret map of the New World and the “hooked X” of the Knights Templar Jesse James left behind secret diaries and coded treasure maps. Working to decrypt these maps, Daniel J. Duke--the great-great-grandson of Jesse James--reveals hidden treasures yet to be recovered as well as connections between the infamous train robber and Freemasonry, the Knights Templar, the Founding Fathers, and Jewish mysticism. The author explains how Jesse James faked his death and lived out his final years under the name James L. Courtney. He uncovers James’ affiliation with the Knights of the Golden Circle, a secret society that buried Confederate gold across the United States, and shows how the hidden treasures coded into James’ maps were not affiliated with the KGC but with the Freemasons, the Knights Templar, and the treasure of the Temple Mount. Using sacred geometry, gematria, and the Kabbalistic Tree of Life symbol, the author explains the encoded map technique used by the Freemasons to hide and later recover treasures, an esoteric template known as the “Veil”. He shows how the Veil template confirms the locations of Jesse James’ recovered treasures in Texas as well as other suspected treasure locations, such as the Oak Island Money Pit and Victorio Peak in New Mexico. Tracing knowledge of the Veil template back through the centuries, the author reveals the Veil hidden on the cover of a 16th-century book that contains a secret map of the New World and the “hooked X” symbol of the Knights Templar. He shows how the template was used not only to hide treasures but also sacred knowledge and relics, such as within the Bruton Vault, which originally contained secrets tied to Francis Bacon, the Freemasons, the Rosicrucians, and the founding of the United States. Applying the Veil template alongside the esoteric secrets of Poussin’s famous painting, Et In Arcadia Ego, and Cassini’s Celestial Globe, Duke shows how the template reveals other Templar and Freemason treasure sites scattered throughout America and around the world.
In Paris in 1954, a young man named André Baudry founded Arcadie, an organization for “homophiles” that would become the largest of its kind that has ever existed in France, lasting nearly thirty years. In addition to acting as the only public voice for French gays prior to the explosion of radicalism of 1968, Arcadie—with its club and review—was a social and intellectual hub, attracting support from individuals as diverse as Jean Cocteau and Michel Foucault and offering support and solidarity to thousands of isolated individuals. Yet despite its huge importance, Arcadie has largely disappeared from the historical record. The main cause of this neglect, Julian Jackson explains in Living in Arcadia, is that during the post-Stonewall era of queer activism, Baudry’s organization fell into disfavor, dismissed as conservative, conformist, and closeted. Through extensive archival research and numerous interviews with the reclusive Baudry, Jackson challenges this reductive view, uncovering Arcadie’s pioneering efforts to educate the European public about homosexuality in an era of renewed repression. In the course of relating this absorbing history, Jackson offers a startlingly original account of the history of homosexuality in modern France.
