Essentially Canadian

Essentially Canadian

Author: Gordon McLeod

Publisher: Wilfrid Laurier Univ. Press

Published: 1982

Total Pages: 149

ISBN-13: 0889201129

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Allan Sullivan wrote over forty works of popular fiction between 1890 and 1940; today it is difficult to find even one copy of many of these works. A well-known and widely read author in the first half of this century, Sullivan wrote thrillers, historical romance, children's stories, and novels set in the north (The Great Divide, The Fur Masters, Cariboo Road). Now there is no complete collection of his published works anywhere in the world. In this literary biography of Alan Sullivan, the author interweaves Sullivan's life story and his literary career. Drawing on published and unpublished material as well as on information supplied by Sullivan's four children, McLeod traces the influence on Sullivan's writings of his early years in Sault Ste. Marie and in mining and construction camps, of society life in Toronto, of visits to the Arctic and Europe, and residence on an English country estate. Sullivan is seen as a man whose essential characteristics are those of Canada, and whose literary work is parallelled by the paintings of the Group of Seven artists. His literary works are discussed and evaluated in the light of Sullivan's own and other Canadian critical theories. The bibliography provides a convenient listing of Sullivan's book-length publications. The volume will be of value to students of literature, but will also appeal to anyone interested in Canadian life and culture.


Canadian Women in Print, 1750–1918

Canadian Women in Print, 1750–1918

Author: Carole Gerson

Publisher: Wilfrid Laurier Univ. Press

Published: 2010-06-25

Total Pages: 461

ISBN-13: 1554586887

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Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.


Canadian Music and American Culture

Canadian Music and American Culture

Author: Tristanne Connolly

Publisher: Springer

Published: 2017-06-30

Total Pages: 300

ISBN-13: 3319500236

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This collection explores Canadian music’s commentaries on American culture. ‘American Woman, get away from me!’ - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada’s close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music – from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip – to explore the generic borrowings and social criticism, the desires and failures of Canada’s musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.