The incredible variety of Acker's body of work has been distilled into a single volume that reads like a communique from the front lines of late-20th century America. Acker was a literary pirate whose prodigious output drew promiscuously from popular culture, the classics of Western civilization, current events, and the raw material of her own life.
A collection of three early, self-published novels by the author of Empire of the Senseless. Beginning with The Childlike Life of the Black Tarantula in 1973, Kathy Acker set out on a brilliant journey toward the boundaries of modern fiction that has made her one of the most celebrated novelists of her generation. From the start, Kathy Acker created a brash and sexy female voice as shocking as the worlds she invokes. In Childlike Life she steps into the biography of a Mississippi murderess who falls in love with a famous lawyer. In I Dreamt I Was A Nymphomaniac she takes a man capable of deceiving both sexes as her lover in a dreamy odyssey through the labyrinth of her desires. In The Adult Life Toulouse Lautrec is a woman starved for love and sex. All of Acker’s obsessions “the frenzy of sexual desire, the search for identity, the invention of a new literary language” are present here with savage purity and raw energy. Includes: The Childlike Life of the Black Tarantula by the Black Tarantula I Dreamt I Was a Nymphomaniac: Imagining The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec Praise for Kathy Acker and Portrait of an Eye “A countercultural hero who hybridized elements of punk, literary postmodernism, feminism, and critical theory in her public identity and in her literary works.” —New Republic “For Kathy, the breakthrough was her first serial novel, The Childlike Life of the Black Tarantula . . . she lifts lines from old biographies of murderesses. She adopts their picaresque style and switches out I for she. And suddenly, she’s off, and she can say anything.” —Chris Kraus, Paris Review
In her 10th novel, Acker's heroine, Laurie, is a woman helpless before the fury of her emotions. Love-obsessed, Laurie is plunged into a harrowing dilemma--sexuality and her feminism are the two poles that threaten to obliterate her inner poise, the false magic of her woman's identity.
A bestselling reference that makes welding easy for beginners and is handy for professionals. This guide's unique, comprehensive question-and-answer format allows readers to quickly find and fully understand what they are looking for. Expanded to include a new and heavily illustrated chapter on fabrication and repair tips.
Essays by 13 authors, including Robert Mazzola, Carol Siegel, and Svetlana Mintcheva. Sections include "Writing between Madness and Paralysis," "Building the Body of Desires," "Attacking Language" and "Post-Plagiarism." With an introduction by the editor and a primary and secondary bibliography of Acker's work. .
WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business. Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now. “The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives. So it should come as a surprise to exactly no one that trust, human connection, and mental well-being are all on the decline. This may seem like no laughing matter. Yet, the research shows that humor and laughter are among the most valuable tools we have at our disposal for strengthening bonds and relationships, diffusing stress and tension, boosting resilience, and performing when the stakes are high. That’s why Jennifer Aaker and Naomi Bagdonas teach the popular course Humor: Serious Business at the Stanford Graduate School of Business, where they help some of the world’s most hard-driving, blazer-wearing business minds infuse more humor and levity into their work and lives. In Humor, Seriously, they draw on findings by behavioral scientists, world-class comedians, and inspiring business leaders to reveal how humor works and—more important—how you can use more of it, better. Aaker and Bagdonas unpack the theory and application of humor: what makes something funny, how to mine your life for material, and simple ways to identify and leverage your unique humor style. They show how to use humor to rebuild vital connections; appear more confident, competent, and authentic at work; and foster cultures where levity and creativity can thrive. President Dwight David Eisenhower once said, “A sense of humor is part of the art of leadership, of getting along with people, of getting things done.” If Dwight David Eisenhower, the second least naturally funny president (after Franklin Pierce), thought humor was necessary to win wars, build highways, and warn against the military-industrial complex, then you might consider learning it too.
Recently discovered and never before published, these two short novels were written in the early 1970s, at the beginning of Acker's writing career. Published together here, they reveal a young writer on a literary romp, imposing an original, sexy, and subversive world view that is unmistakably Acker.
"The first full-scale authorized biography of the pioneering experimental novelist Kathy Acker, one of the most original and controversial figures in 20th-century American literature. Kathy Acker (1947-1997) was a rare and almost inconceivable thing: a celebrity experimental writer. Twenty-five years after her death, she remains one of the most original, shocking, and controversial artists of her era. The author of visionary, transgressive novels like Blood and Guts in High School; Empire of the Senses; and Pussy, King of Pirates, Acker wrote obsessively about the treachery of love, the limitations of language, and the possibility of revolution. She was notorious for her methods-collaging together texts stolen from other writers with her own diaries, sexual fantasies, and blunt political critiques-as well as her appearance. With her punkish hairstyles, tattoos, and couture outfits she looked like no other writer before or after. Her work was exceptionally prescient, taking up complicated conversations about gender, sex, capitalism, and colonialism that continue today. Acker's life was as unruly and radical as her writing. Raised in a privileged but oppressive Upper East Side Jewish family, she turned her back on that world as soon as she could, seeking a life of romantic and intellectual adventure that led her to, and through, many of the most thrilling avant-garde and countercultural moments in America: the births of conceptual art and experimental music; the poetry wars of the 60s and 70s; the mainstreaming of hardcore porn; No Wave cinema and New Narrative writing; Riot grrls, biker chicks, cyberpunks. As this definitive biography shows, Acker was not just a singular writer, she was also a titanic cultural force who tied together disparate movements in literature, art, music, theatre, and film. A feat of literary biography, Eat Your Mind is the first full-scale, authorized life of Acker. Drawing on exclusive interviews with hundreds of Acker's intimates as well as her private journals, correspondence, and early drafts of her work, acclaimed journalist and critic Jason McBride offers a thrilling account and a long overdue reassessment of a misunderstood genius and revolutionary artist"--
From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the ‘c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly ‘covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the ‘covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't ‘look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity