I have to express my indebtedness first of all to the executors of Henrietta MacOubrey, George Borrow's stepdaughter, who kindly placed Borrow's letters and manuscripts at my disposal. To the survivor of these executors, a lady who resides in an English provincial town, I would particularly wish to render fullest acknowledgment did she not desire to escape all publicity and forbid me to give her name in print. I am indebted to Sir William Robertson Nicoll without whose kindly and active intervention I should never have taken active steps to obtain the material to which this biography owes its principal value.
Vicissitudes confronts the transformative power of love in black romance and relationships when we dare to question conventional ideas about gender and sexuality and who we consider worthy of our love and commitment. Narrated through various character perspectives, Vicissitudes explores the intricacies and complexities of being black, queer and trans and boldly confronts the barriers (within and without) that we face when we dare live to love with authenticity, dignity and integrity. Kim Green challenges readers to reconsider the meaning of love, struggle and liberation in a world that clings to labels out of fear of change and the unexpected. Exceedingly relevant for today’s rapidly changing world, this morality play of trial and triumph shines a bright light on the enormous power of love to transform us anew and reinvent the world.
“[A] fanciful, endearing account of his experiences tackling classic works of fiction. . . . There is plenty of hilarity in [this] intimate literary memoir.” —Publishers Weekly Nearing his fortieth birthday, author and critic Andy Miller realized he’s not nearly as well read as he’d like to be. A devout book lover who somehow fell out of the habit of reading, he began to ponder the power of books to change an individual life—including his own—and to the define the sort of person he would like to be. Beginning with a copy of Bulgakov’s Master and Margarita, he embarks on a literary odyssey of mindful reading and wry introspection. From Middlemarch to Anna Karenina to A Confederacy of Dunces, these are books Miller felt he should read; books he’d always wanted to read; books he’d previously started but hadn’t finished; and books he’d lied about having read to impress people. Combining memoir and literary criticism, The Year of Reading Dangerously is Miller’s heartfelt, humorous examination of what it means to be a reader. Passionately believing that books deserve to be read, enjoyed, and debated in the real world, Miller documents his reading experiences and how they resonated in his daily life and ultimately his very sense of self. The result is a witty and insightful journey of discovery and soul-searching that celebrates the abiding miracle of the power of reading. “An affecting tale of the rediscovery of great books . . . [by] a friendly, funny Brit.” —Boston Globe “Funny and engaging.” —Kirkus Reviews “Amiable, circumstantial, amusing, charming. . . . [Miller’s] style owes something . . . to Joe Brainard and David Foster Wallace.” —The Times (London)
Hjalmar Hjorth Boyesen (23 September 1848 - 4 October 1895) was a Norwegian-American author and college professor. He is best remembered for his novel Gunnar: A Tale of Norse Life, which is generally considered to have been the first novel by a Norwegian immigrant in America. Boyesen migrated to the United States during 1869 and initially became assistant editor of Fremad, a Norwegian language weekly published in Chicago. His scholarly works included Goethe and Schiller, Essays on German Literature, A Commentary on the Works of Henrik Ibsen and Essays on Scandinavian Literature.
Hjalmar Hjorth Boyesen (23 September 1848 - 4 October 1895) was a Norwegian-American author and college professor. He is best remembered for his novel Gunnar: A Tale of Norse Life, which is generally considered to have been the first novel by a Norwegian immigrant in America. Boyesen migrated to the United States during 1869 and initially became assistant editor of Fremad, a Norwegian language weekly published in Chicago. His scholarly works included Goethe and Schiller, Essays on German Literature, A Commentary on the Works of Henrik Ibsen and Essays on Scandinavian Literature.
This Element analyses the political dynamics of neo-extractivism in Latin America. It discusses the critical concepts of neo-extractivism and the commodity consensus and the various phases of socio-environmental conflict, proposing an eco-territorial approach that uncovers the escalation of extractive violence. It also presents horizontal concepts and debates theories that explore the language of Latin American socio-environmental movements, such as Buen Vivir and Derechos de la Naturaleza. In concluding, it proposes an explanation for the end of the progressive era, analyzing its ambiguities and limitations in the dawn of a new political cycle marked by the strengthening of the political rights.
A timeless collection of stories for younger children. In the eponymous The It-Doesn't-Matter Suit, little Max Nix is on a quest to find the perfect suit he can go ice-fishing, cow-milking and town-walking in. There's magic afoot in Mrs Cherry's Kitchen and children will love to find their perfect Nighty-night little / Turn-out-the-light little Bed! in The Bed Book.
A collection of essential pieces by an American master • “A real contribution to the study of Faulkner’s work.”—Edmund Wilson In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. He set this legend in a small, minutely realized parallel universe that he called Yoknapatawpha County, Mississippi. No single volume better conveys the scope of Faulkner’s Yoknapatawpha legend than The Essential Faulkner. The book includes self-contained episodes from the novels The Sound and the Fury, Light in August, and Sanctuary; the stories “The Bear,” “Spotted Horses,” “A Rose for Emily,” and “Old Man,” among others; a map of Yoknapatawpha County and a chronology of the Compson family created by Faulkner especially for this edition; and the complete text of Faulkner’s 1950 address upon receiving the Nobel Prize in literature. Malcolm Cowley’s critical introduction was praised as “splendid” by Faulkner himself. Also includes: “A Justice” “The Courthouse” (from Requiem for a Nun) “Red Leaves” “Was” (from Go Down, Moses) “Raid” (from The Unvanquished) “Wash” “An Odor of Verbena” (from The Unvanquished) “That Evening Sun” “Ad Astra” “Dilsey” (from The Sound and the Fury) “Death Drag” “Uncle Bud and the Three Madams” (from Sanctuary) “Percy Grimm” (from Light in August) “Delta Autumn” (from Go Down, Moses) “The Jail” (from Requiem for a Nun)
