The theme of this collection is the excellence of the Story, especially the kind of story dear to Lewis-fantasy and science fiction, which he fostered in an age dominated by realistic fiction. On Stories is a companion volume to Lewis’s collected shorter fiction, The Dark Tower and Other Stories. Edited and with a Preface by Walter Hooper.
The first collection of nonfiction work by the author in more than two decades features fifty-seven essays and reviews on a wide range of topics, including John Updike, Toni Morrison, grunge, September 11th, and Gabriel Garca Mrquez, among others. Reprint.
"The less known the real world is, the more plausibly your marvels can be located near at hand." As the creator of one of the most famous "other worlds" of all time, C.S. Lewis was uniquely qualified to discuss their literary merit. As both a writer and a critic, Lewis explores the importance of story and wonder, elements often ignored or even frowned upon by critics of the day. His discussions of his favorite kinds of stories--children's stories and fantasies--includes his thoughts on his most famous works, The Chronicles of Narnia and the Space Trilogy. "A must for any collection of C. S. Lewis." --Choice
Compelling collections of short fiction and essays by the Pulitzer Prize–winning author of The Color Purple and “marvelous writer” (San Francisco Chronicle). Whether she is writing fiction or nonfiction, sharing personal reflections or expressing political views, Alice Walker is without question “one of [our] best American writers” (The Washington Post). The first African American woman to win a Pulitzer Prize—for The Color Purple—Walker is both a committed artist and engaged activist, as reflected in the four works in this volume. Living by the Word: In this “entertaining and often stirring” follow-up to In Search of Our Mothers’ Gardens, Walker reflects on issues both personal and global, from her experience with the filming of The Color Purple, to the history of African American narrative traditions, to global threats of pollution and nuclear war (Library Journal). You Can’t Keep a Good Woman Down: The women in these “consummately skillful short stories” face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them (San Francisco Chronicle). But even as the female protagonists face exploitation, social inequalities, and casual cruelties, Walker leavens her stories with ample wit and “[enters] their experience with sympathy but without sentimentality” (The Washington Post). In Love & Trouble: Walker’s debut short fiction collection features stories of women traveling with the weight of broken dreams, with kids in tow, with doubt and regret, with memories of lost loves, with lovers who have their own hard pasts and hard edges. Some from the South, some from the North, some rich, and some poor, the “marvelous characters” that inhabit In Love & Trouble “come away transformed by knowledge and love but most of all by wonder” (Essence). In Search of Our Mother’s Gardens: In essays both personal and political about her own work and other writers such as Zora Neale Hurston, Flannery O’Connor, and Jean Toomer; the Civil Rights Movement; antinuclear activism; feminism; and a childhood injury that left her emotionally scarred and the healing words of her daughter, Walker “reflects not only ideas but a life that has breathed color, sound, and soul into fiction and poetry—and into our lives as well” (San Francisco Chronicle). Includes a new letter written by the author on In Search of Our Mother’s Gardens.
In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather's groping and her mother's erratic behavior, Ouellette lives for the day she can become a mother herself and create her own sheltering family. But she cannot know how the visceral reality of both birth and babies will pull her back into the body she long ago abandoned, revealing new layers of pain and desire, and forcing her to choose between her idealistic vision of perfect marriage and motherhood, and the birthright of her own awakening flesh, unruly and alive. The Part That Burns is a story about the tenacity of family roots, the formidable undertow of trauma, and the rebellious and persistent yearning of human beings for love from each other.