Escribe, habla, seduce

Escribe, habla, seduce

Author: Mónica Pérez de las Heras

Publisher: Editorial Almuzara

Published: 2013-04

Total Pages: 192

ISBN-13: 8483567148

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¿Sabes cuántas personas han muerto en el mundo por hablar en público? Si crees que la respuesta es «ninguna», te equivocas. William Henry Harrison, noveno presidente de Estados Unidos (1773-1841), falleció después de dar su discurso de investidura. Los hechos sucedieron así: cuentan que pronunció su alocución del 4 de marzo sin estar lo suficientemente abrigado, por lo que murió un mes después... de neumonía. Hoy en día para casi el 90% de las profesiones se necesita hablar en público. Si eres emprendedor, es imprescindible que sepas hacer una efectiva y breve presentación para explicar cómo es tu empresa y venderte a posibles clientes (es lo que se viene llamando conversación del ascensor o elevator pitch). Si eres un profesional que pronuncia conferencias, conocer cómo se hace un Pecha Kucha es básico para aprender a sintetizar y controlar los tiempos. Si eres periodista tu oportunidad está en saber escribir discursos con Programación Neurolingu ̈ística (PNL), un trabajo de presente y futuro. Si diseñas presentaciones visuales para ti o para otros tienes que estar a la última en cuanto a tendencias de comunicación. Y, si no empleas la oratoria en tu vida profesional, en la personal también encontrarás oportunidades para utilizarla: en un brindis en una boda, al defender tu punto de vista ante la comunidad de vecinos o hacer una pregunta en un debate.


Women Writers in Twentieth-century Spain and Spanish America

Women Writers in Twentieth-century Spain and Spanish America

Author: Catherine Davies

Publisher: Lewiston, N.Y. : E. Mellen Press

Published: 1993

Total Pages: 236

ISBN-13:

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Among the contributers are Clara Janes, Each study suggests detailed readings of selected texts. Some of the writers discussed are recognized as key figures in the Hispanic canon (Carmen Laforet, Rosario Castellanos, Carmen Conde, Merce Rodoreda, Juana de Ibarbourou). Others are less well-known (Maria Luisa Bombal, Idea Vilarino, Dora Alonso, Gioconda Belli, Julie Sopetran, Tina Diaz) but important to an understanding of women as producers of textual meaning. Among the contributers are Clara Janes, Monserrat Ordonez and Mirta Yanez. What emerges are the multiple subversive strategies used by women writing in Spanish and Catalan to enable self-representation and to challenge hegemonic discourse.


Baudelaire Judged by Spanish Critics, 1857-1957

Baudelaire Judged by Spanish Critics, 1857-1957

Author: William F. Aggeler

Publisher: University of Georgia Press

Published: 2009-09-01

Total Pages: 134

ISBN-13: 0820335010

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Baudelaire was practically unknown in Spain until the last two decades of the nineteenth century when the first important criticism of his work was published by two famous critics, Juan Valera and Clarín. Valera attacked Les Fleurs du mal on aesthetic grounds, basing his criticism entirely on the "satanic" poems. At the same time, Clarín published a series of articles favorable to Baudelaire. Save for Clarín, Spanish critics in the first two decades of the twentieth century based their opinions of Baudelaire solely on Les Fleurs du mal. A notable exception was an article written around 1910 by Emilia Pardo Bazan based on the full scope of Baudelaire's work. Since the 1920s Spanish critics have come to share the high esteem which Baudelaire continues to receive throughout the world.


Abiayalan Pluriverses

Abiayalan Pluriverses

Author: Gloria Chacón

Publisher: Amherst College Press

Published: 2024-01-23

Total Pages: 284

ISBN-13: 1943208735

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Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.


Too Much Happiness

Too Much Happiness

Author: Alice Munro

Publisher: Douglas Gibson Books

Published: 2009-08-25

Total Pages: 322

ISBN-13: 1551993058

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This stunning collection of stories demonstrates once again why Alice Munro is celebrated as a pre-eminent master of the short story. While some of the stories are traditional, set in “Alice Munro Country” in Ontario or in B.C., dealing with ordinary women’s lives, others have a new, sharper edge. They involve child murders, strange sex, and a terrifying home invasion. By way of astonishing variety, the title story, set in Victorian Europe, follows the last journey from France to Sweden of a famous Russian mathematician. This daring, superb collection proves that Alice Munro will always surprise you.


The Identification and Analysis of Chicano Literature

The Identification and Analysis of Chicano Literature

Author: Francisco Jiménez

Publisher: New York : Bilingual Press/Editorial Bilingüe

Published: 1979

Total Pages: 428

ISBN-13:

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A coherent and systematic overview of Chicano literature. All the major aspects of Chicano literature are treated: the themes and myths of Chicano literary expression, the dramatic principles of its theater, the literary recuperation of its history, Chicano bilingualism and code switching, and much more.


Burlador de Sevilla Y El Convidado de Piedra

Burlador de Sevilla Y El Convidado de Piedra

Author: Tirso (de Molina)

Publisher: Hispanic Literature

Published: 1986

Total Pages: 241

ISBN-13: 0856683019

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Tirso de Molina was, with Lope de Vega and Calderon, one of the great dramatists of 17th century Spain, which produced a theatre as vital rich and as varied as its Elizabethan counterpart. The Trickster of Seville is thoroughly representative of the drama of Spain's Golden Age: a drama of fast-moving action which set its face against classical precepts, broke the unities of time and place, cheerfully mixed the serious and the comic, combined main and sub-plots, and cultivated Spanish subjects and Spanish characters. In this respect Tirso's Don Juan is of course, the most famous character in the drama of the Golden Age, as well as the first of a long line which extends through Mozart and Moliere to the 20th century.


Sapphira and the Slave Girl

Sapphira and the Slave Girl

Author: Willa Cather

Publisher: U of Nebraska Press

Published: 2009-07-01

Total Pages: 774

ISBN-13: 0803214359

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Willa Cather’s twelfth and final novel, Sapphira and the Slave Girl, is her most intense fictional engagement with political and personal conflict. Set in Cather’s Virginia birthplace in 1856, the novel draws on family and local history and the escalating conflicts of the last years of slavery—conflicts in which Cather’s family members were deeply involved, both as slave owners and as opponents of slavery. Cather, at five years old, appears as a character in an unprecedented first-person epilogue. Tapping her earliest memories, Cather powerfully and sparely renders a Virginia world that is simultaneously beautiful and, as she said, “terrible.” The historical essay and explanatory notes explore the novel’s grounding in family, local, and national history; show how southern cultures continually shaped Cather’s life and work, culminating with this novel; and trace the progress of Cather’s research and composition during years of grief and loss that she described as the worst of her life. More early drafts, including manuscript fragments, are available for Sapphira and the Slave Girl than for any other Cather novel, and the revealing textual essay draws on this rich resource to provide new insights into Cather’s composition process.


Passing to América

Passing to América

Author: Thomas A. Abercrombie

Publisher: Penn State Press

Published: 2019-07-16

Total Pages: 193

ISBN-13: 0271082798

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In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.


The Sky Over Lima

The Sky Over Lima

Author: Juan Gómez Bárcena

Publisher: HMH

Published: 2016-05-17

Total Pages: 289

ISBN-13: 0544630068

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Based on a historic literary hoax, this “charming” novel is “a love letter to the creative process” from one of Spain’s most original authors (Kirkus Reviews). José Gálvez and Carlos Rodríguez are poets. Or, at least, they’d like to be. Sons of Lima’s elite in the early twentieth century, they scribble poorly constructed verses and read the greats: Rilke, Rimbaud, and, above all others, Juan Ramón Jímenez, the Spanish Maestro. Desperate for Jímenez’s latest work, unavailable in Lima, they decide to ask him for a copy. Certain Jímenez would never send his book to a couple of dilettantes, they concoct a plan à la Cyrano de Bergerac. They write to him posing as the lovely, imaginary Georgina Hübner. Incredibly, the poet takes the bait and responds with a book and letter. So begins the epistolary romance. As the maestro falls in love with Georgina, he writes his finest poetry. But when the mail delivery is stalled during the dockworkers’ strike, the scheme begins to unravel and reveal the vulgar truth. “This sweepingly beautiful translation will enchant readers. Gómez Bárcena’s style is both fresh and classic, delightful and mysterious, and his characters—who feel like living, breathing creatures—are sure to captivate even as they break your heart.” —Library Journal, starred review “Anyone who has ever wept over a poem or burned to write more and better and despaired because their talent let them down will read this novel and come away feeling understood.” —National Book Review “Gómez Bárcena tackles the most serious topics while masterfully showing how to write a story that’s simultaneously a comedy, a tragedy, and a portrait of another culture. The style is magnificent, the narration told with originality, pulse, and rhythm. There’s little more to say: read Gómez Bárcena.” —El Cultural