Anton (writing, DePaul U.) synthesizes the research he has done since the beginning on the still-unsolved May 1991 murder of Chicago Divinity School professor Ioan Culianu, a protege of pioneering mythologist Mircea Eliade. Culianu had been taunting the communist government of his native Romania, and Anton suggests the murder was political. Annotation copyrighted by Book News, Inc., Portland, OR
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
This book takes the reader on a fantastic journey through a wide range of cultures and traditions to examine the phenomenon of ecstatic visionary experiences—from Sumerian Gilgamesh and the Taoist Immortals to the imaginative fiction of Jorge Luis Borges. The author provides a comprehensive tour of otherworldly journeys common from immemorial times among shamans, magicians, and witches, and illustrates their connection with such modern phenomena as altered states of consciousness, out-of-body experiences, and near-death experiences.
Lines from a Mined Mind brings together lyrics and musings from the twenty-five-year recording career of John Trudell, an internationally acclaimed poet, musician, and leader of the American Indian Movement. More than a simple anthology, this collection goes deeper, revealing the incendiary intersection of music and activism.
For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.
• Explores the background and sexual magical beliefs of Paschal Beverly Randolph, Ida Craddock, Aleister Crowley, Maria de Naglowska, Austin Osman Spare, Julius Evola, Franz Bardon, Jack Parsons, William S. Burroughs, Marjorie Cameron, Anton LaVey, and Genesis P-Orridge • Details the life of each sex magician, how they came to uncover their occult practice, and, most importantly, how the practice of sex magic affected their lives Offering a fascinating introduction to the occult practice of sex magic in the Western esoteric tradition, Michael William West explores its history from its reintroduction in the early 19th century via Paschal Beverly Randolph to the practices, influence, and figureheads of the 20th and 21st century such as Anton LaVey, founder of the Church of Satan, and Genesis P-Orridge, founder of Thee Temple ov Psychick Youth. Focusing on 12 influential sex magicians, some well-known and some who have remained in obscurity, West details the life of each sex magician and how the practice of sex magic affected their lives. He explains how most of the figures presented in the book used sex magic as a means rather than an end, utilizing their practice to enhance and enrich their life’s work, whether in the arts, sciences, or as a spiritual leader. He examines what is known about Paschal Beverly Randolph, the founding father of modern sex magic, explores the tragic and mystical life of Ida Craddock, and discusses, in depth, iconic figures like Aleister Crowley and Austin Osman Spare, who saw sex magic as a source of artistic power and is now seen as a prophet of the chaos magick movement. Other sex magicians explored deployed magic to drive themselves to the highest echelons of achievement: in literature, William S. Burroughs; in music, Genesis P-Orridge; and in science, Jack Parsons, who openly used magic while making unconventional breakthroughs in rocket science. The author also examines Maria de Naglowska, Julius Evola, Franz Bardon, Marjorie Cameron, and Anton Szandor LaVey. While these sex magicians each followed a different spiritual path and had varying degrees of notoriety and infamy, one common thread emerges from looking at their interesting lives: utilizing magic to know thyself and change your reality is a journey that requires imagination, creativity, and self-awareness to the quest for enlightenment.
Discusses the friendship between Booker T. Wahington, founder of the Tuskegee Institute, and Julius Rosenwald, president of Sears, Roebuck and Company and how, through their friendship, they were able to build five thousand schools for African Americans in the Southern states.
In The New Science Journalists, Editors Ted Anton and Rick McCourt have gathered the best of the new science writing into one illuminating volume. What is new about the work of these journalists lies in the scale, pace, and uses of their writing. These writers bridge the gap between members of the science community and a society hungry for news about their work, acting not only as reporters and commentators, but also as investigators, researchers, detectives, and storytellers. The editors have showcased three very different kinds of writers. The first group explores the complexities of our universe with childlike wonder, and includes Diane Ackerman, John Seabrook, and Elisabeth Rosenthal. The second group, relentless investigators who expose the inside stories of scientific research, includes Deborah Blum, Robert Capers, Eric Lipton, and John Crewdson. And the third group of writers, who dig through data uncovering trends that researchers themselves miss, features Timothy Ferris, E.O. Wilson, James Gleick, and many more. These writers are helping to broaden the very boundaries of science by making complex topics such as chemistry, physics, biotechnology, and ecology accessible and entertaining to readers of every kind. Combining superb prose and compelling subjects, The New Science Journalists examines some of the most fascinating issues of our times.
From “perhaps the foremost interpreter of Eastern disciplines for the contemporary West—and an author who ‘had the rare gift of ‘writing beautifully the unwritable’” (Los Angeles Times)—a guide that draws on Chinese Taoism to reexamine humanity’s place in the natural world and the relation between body and spirit. Western thought and culture have coalesced around a series of constructed ideas—that human beings stand separate from a nature that must be controlled; that the mind is somehow superior to the body; that all sexuality entails a seduction—that in some way underlie our exploitation of the earth, our distrust of emotion, and our loneliness and reluctance to love. Here, Watts fundamentally challenges these assumptions, drawing on the precepts of Taoism to present an alternative vision of man and the universe—one in which the distinctions between self and other, spirit and matter give way to a more holistic way of seeing.
Fleet-footed and capricious, the essays in Glass, Light & Electricity wander through landscapes both familiar and unfamiliar, finding them equal parts magical and toxic. They explore and merge public and private history through lyric meditations that use research, association, and metaphor to examine subjects as diverse as neon signs, scalping, heartbreak, and seizures. The winner of the 2019 Permafrost Prize in nonfiction, Shena McAuliffe expands the creative possibilities of form.
