Celebrate 70 years of Ernie Comics fun with this massive full-color collection favorite comic book stories hand-selected by noted Ernie writers, artists, editors and historians. Ernie's unique impact on America's pop culture! Designed for young and old alike, this is both a must-have companion for anyone who has grown up with Ernie and a perfect introduction for new readers.
The bestselling author of The One-in-a-Million Boy has crafted a story collection that “illuminates the grace in the average and everyday” of a small town (San Francisco Chronicle). In ten interlinking stories, the town of Abbot Falls reacts as Ernie Whitten, pipefitter, builds a giant ark in his backyard. Ernie was weeks away from a pension-secured retirement when the union went on strike. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds the ark as a work of art for his wife to see from the window; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water. As the ark takes shape, the rest of the town carries on. There’s Dan Little, a building-code enforcer who comes to fine Ernie for the ark and makes a significant discovery about himself; Francine Love, a precocious thirteen-year-old who longs to be a part of the family-like world of the union workers; and Atlantic Pulp & Paper CEO Henry John McCoy, an impatient man wearily determined to be a good father to his twenty-six-year-old daughter. The people of Abbott Falls will try their best to hold a community together, against the fiercest of odds . . . Few writers can capture the extraordinary within seemingly ordinary lives as does Monica Wood. An unforgettable tapestry of love, loneliness—and neighbors. “Like Elizabeth Strout, her fellow chronicler of small-town Maine life, Monica Wood imbues her characters with the complexity and humanity of real people. Ernie’s Ark is as true as life.” ?Christina Baker Kline, New York Times bestselling author
World War II shaped the United States in profound ways, and this new book--the first in the Legacies of War series--explores one of the most significant changes it fostered: a dramatic increase in ethnic and religious tolerance. A Nation Forged in War is the first full-length study of how large-scale mobilization during the Second World War helped to dissolve long-standing differences among white soldiers of widely divergent backgrounds. Never before or since have so many Americans served in the armed forces at one time: more than 15 million donned uniforms in the period from 1941 to 1945. Thomas Bruscino explores how these soldiers' shared experiences--enduring basic training, living far from home, engaging in combat--transformed their views of other ethnic groups and religious traditions. He further examines how specific military policies and practices worked to counteract old prejudices, and he makes a persuasive case that throwing together men of different regions, ethnicities, religions, and classes not only fostered a greater sense of tolerance but also forged a new American identity. When soldiers returned home after the war with these new attitudes, they helped reorder what it meant to be white in America. Using the presidential campaigns of Al Smith in 1928 and John F. Kennedy in 1960 as bookend events, Bruscino notes a key change in religious bias. Smith's defeat came at the end of a campaign rife with anti-Catholic sentiment; Kennedy's victory some three decades later proved that such religious bigotry was no longer an insurmountable obstacle. Despite such advances, Bruscino notes that the growing broad-mindedness produced by the war had limits: it did not extend to African Americans, whose own struggle for equality would dramatically mark the postwar decades. Extensively documented, A Nation Forged in War is one of the few books on the social and cultural impact of the World War II years. Scholars and students of military, ethnic, social, and religious history will be fascinated by this groundbreaking new volume.
When a machine-gun bullet ended the life of war correspondent Ernie Pyle in the final days of World War II, Americans mourned him in the same breath as they mourned Franklin Roosevelt. To millions, the loss of this American folk hero seemed nearly as great as the loss of the wartime president. If the hidden horrors and valor of combat persist at all in the public mind, it is because of those writers who watched it and recorded it in the faith that war is too important to be confined to the private memories of the warriors. Above all these writers, Ernie Pyle towered as a giant. Through his words and his compassion, Americans everywhere gleaned their understanding of what they came to call “The Good War.” Pyle walked a troubled path to fame. Though insecure and anxious, he created a carefree and kindly public image in his popular prewar column—all the while struggling with inner demons and a tortured marriage. War, in fact, offered Pyle an escape hatch from his own personal hell. It also offered him a subject precisely suited to his talent—a shrewd understanding of human nature, an unmatched eye for detail, a profound capacity to identify with the suffering soldiers whom he adopted as his own, and a plain yet poetic style reminiscent of Mark Twain and Will Rogers. These he brought to bear on the Battle of Britain and all the great American campaigns of the war—North Africa, Sicily, Italy, D-Day and Normandy, the liberation of Paris, and finally Okinawa, where he felt compelled to go because of his enormous public stature despite premonitions of death. In this immensely engrossing biography, affectionate yet critical, journalist and historian James Tobin does an Ernie Pyle job on Ernie Pyle, evoking perfectly the life and labors of this strange, frail, bald little man whose love/hate relationship to war mirrors our own. Based on dozens of interviews and copious research in little-known archives, Ernie Pyle's War is a self-effacing tour de force. To read it is to know Ernie Pyle, and most of all, to know his war.
"Proud to be an Okie is a fresh, well-researched, wonderfully insightful, and imaginative book. Throughout, La Chapelle's keen attention to shifting geographies and urban and suburban spaces is one of the work's real strengths. Another strength is the book's focus on dress, ethnicity, and the manufacturing of style. When all of these angles and insights are pulled together, La Chapelle delivers a fascinating rendering of Okie life and American culture."—Bryant Simon, author of Boardwalk of Dreams: Atlantic City and the Fate of Urban America
Selected by Choice magazine as an Outstanding Academic Title It has been called one of the nation's most livable regions, ranked among the best managed cities in America, hailed as a top spot to work, and favored as a great place to do business, enjoy the arts, pursue outdoor recreation, and make one's home. Indeed, years of cooperative urban planning between developers and those interested in ecology and habitability have transformed Portland from a provincial western city into an exemplary American metropolis. Its thriving downtown, its strong neighborhoods, and its pioneering efforts at local management have brought a steady procession of journalists, scholars, and civic leaders to investigate the "Portland style" that values dialogue and consensus, treats politics as a civic duty, and assumes that it is possible to work toward public good. Probing behind the press clippings, acclaimed urban historian Carl Abbott examines the character of contemporary Portland—its people, politics, and public life—and the region's history and geography in order to discover how Portland has achieved its reputation as one of the most progressive and livable cities in the United States and to determine whether typical pressures of urban growth are pushing Portland back toward the national norm. In Greater Portland, Abbott argues that the city cannot be understood without reference to its place. Its rivers, hills, and broader regional setting have shaped the economy and the cityscape. Portlanders are Oregonians, Northwesteners, Cascadians; they value their city as much for where it is as for what it is, and this powerful sense of place nurtures a distinctive civic culture. Tracing the ways in which Portlanders have talked and thought about their city, Abbott reveals the tensions between their diverse visions of the future and plans for development. Most citizens of Portland desire a balance between continuity and change, one that supports urban progress but actively monitors its effects on the region's expansive green space and on the community's culture. This strong civic participation in city planning and politics is what gives greater Portland its unique character, a positive setting for class integration, neighborhood revitalization, and civic values. The result, Abbott confirms, is a region whose unique initiatives remain a model of American urban planning.
Ernie Tennyson, a southern Georgia farm boy, is on the verge of becoming a mana dangerous time for a teenager in 1967. Before he knows it, he has been drafted and is on his way to serve his country in Vietnam. On his first mission, he is brutally stabbed by the Viet Cong and left to die in the jungle, where a young woman named Anna Ming finds him and rescues him. Despite her best efforts to conceal his presence and their growing love from her father, Ernie is captured by the North Vietnamese and imprisoned. His time in the camp is so traumatic that he returns home to the United States a profoundly wounded man. Stripped of his memory, the soldier fights to readjust to civilian life. Promised to another man, Anna Ming must now conceal another secret: the baby she carries. Her enraged father sends her to China, where she gives birth to a stillborn baby girl. When Anna finally reaches Ernie by phone, he doesnt know who she is. Ernie is further confused when a Vietnamese woman named Laquan shows up and claims she is his wife, forming an unwelcome presence in his life. After a tragic accident brings his memory back, he sends the romantic imposter back to Vietnam and tries to find Anna. Shortly after Annas father tells Ernie that she is dead, the old man is murdered. With the help of Annas grandmother, can Ernie solve the murder and finally marry the woman he loves?
Pop culture is the heart and soul of America, a unifying bridge across time bringing together generations of diverse backgrounds. Whether looking at the bright lights of the Jazz Age in the 1920s, the sexual and the rock-n-roll revolution of the 1960s, or the thriving social networking websites of today, each period in America's cultural history develops its own unique take on the qualities define our lives.American Pop: Popular Culture Decade by Decade is the most comprehensive reference on American popular culture by decade ever assembled, beginning with the 1900s up through today. The four-volume set examines the fascinating trends across decades and eras by shedding light on the experiences of Americans young and old, rich and poor, along with the influences of arts, entertainment, sports, and other cultural forces. Whether a pop culture aficionado or a student new to the topic, American Pop provides readers with an engaging look at American culture broken down into discrete segments, as well as analysis that gives insight into societal movements, trends, fads, and events that propelled the era and the nation. In-depth chapters trace the evolution of pop culture in 11 key categories: Key Events in American Life, Advertising, Architecture, Books, Newspapers, Magazines, and Comics, Entertainment, Fashion, Food, Music, Sports and Leisure Activities, Travel, and Visual Arts. Coverage includes: How Others See Us, Controversies and scandals, Social and cultural movements, Trends and fads, Key icons, and Classroom resources. Designed to meet the high demand for resources that help students study American history and culture by the decade, this one-stop reference provides readers with a broad and interdisciplinary overview of the numerous aspects of popular culture in our country. Thoughtful examination of our rich and often tumultuous popular history, illustrated with hundreds of historical and contemporary photos, makes this the ideal source to turn to for ready reference or research.
The effects of war refuse to remain local: they persist through the centuries, sometimes in unlikely ways far removed from the military arena. In Ripples of Battle, the acclaimed historian Victor Davis Hanson weaves wide-ranging military and cultural history with his unparalleled gift for battle narrative as he illuminates the centrality of war in the human experience. The Athenian defeat at Delium in 424 BC brought tactical innovations to infantry fighting; it also assured the influence of the philosophy of Socrates, who fought well in the battle. Nearly twenty-three hundred years later, the carnage at Shiloh and the death of the brilliant Southern strategist Albert Sidney Johnson inspired a sense of fateful tragedy that would endure and stymie Southern culture for decades. The Northern victory would also bolster the reputation of William Tecumseh Sherman, and inspire Lew Wallace to pen the classic Ben Hur. And, perhaps most resonant for our time, the agony of Okinawa spurred the Japanese toward state-sanctioned suicide missions, a tactic so uncompromising and subversive, it haunts our view of non-Western combatants to this day.
This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900– 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants’ views to an international audience. Topics covered in this book include British newspaper cartoonists’ coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street’s role as a ‘national’ press in wartime. This book explores how— and why— newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.
