Ernest L. Blumenschein

Ernest L. Blumenschein

Author: Robert W. Larson

Publisher: University of Oklahoma Press

Published: 2013-05-07

Total Pages: 383

ISBN-13: 0806189010

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Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.


The Taos Society of Artists

The Taos Society of Artists

Author: Robert Rankin White

Publisher:

Published: 1998

Total Pages: 168

ISBN-13:

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This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.


In Contemporary Rhythm

In Contemporary Rhythm

Author: Peter H. Hassrick

Publisher: University of Oklahoma Press

Published: 2008

Total Pages: 434

ISBN-13: 9780806139487

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The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.


George Miksch Sutton

George Miksch Sutton

Author: Jerome A. Jackson

Publisher: University of Oklahoma Press

Published: 2007

Total Pages: 292

ISBN-13: 9780806137452

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The first biography of the distinguished ornithologist


A Strange Mixture

A Strange Mixture

Author: Sascha T. Scott

Publisher: University of Oklahoma Press

Published: 2015-01-21

Total Pages: 281

ISBN-13: 080615151X

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Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.


For America

For America

Author: Jeremiah William McCarthy

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 305

ISBN-13: 0300244282

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Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.


Love of Life & Other Stories

Love of Life & Other Stories

Author: Jack London

Publisher: Lulu.com

Published: 2017-07-04

Total Pages: 130

ISBN-13: 1387079468

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Jack London was one of the first writers to earn a living in part from his writings in commercial fiction magazines. London's writings reflect the change in his political views. He is best known for his novels The Call of the Wild and White Fang. Stories in this collection include LOVE OF LIFE, A DAY'S LODGING, THE WHITE MAN'S WAY, THE STORY OF KEESH, THE UNEXPECTED, BROWN WOLF, THE SUN-DOG TRAIL, NEGORE, and THE COWARD, LOVE OF LIFE (excerpt) ""This out of all will remain - They have lived and have tossed: So much of the game will be gain, Though the gold of the dice has been lost."" THEY limped painfully down the bank, and once the foremost of the two men staggered among the rough-strewn rocks. They were tired and weak, and their faces had the drawn expression of patience which comes of hardship long endured. They were heavily burdened with blanket packs which were strapped to their shoulders. Head- straps, passing across the forehead, helped support these packs...


Thomas Moran

Thomas Moran

Author: Thomas Moran

Publisher: University of Oklahoma Press

Published: 1996

Total Pages: 382

ISBN-13: 9780806127040

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This illustrated catalog of Thomas Moran’s field sketches includes an interpretive essay tracing the artist’s seventy-year career in the field; a chronological, stylistic, and geographical survey of his fieldwork; an illustrated checklist of the 1080 sketches in public collections. Moran is best known for his work in the American West during the post-Civil War expansion, particularly in what would become Yellowstone, Grand Canyon, and Yosemite national parks. Yet this virtuoso painter and draftsman also traveled in search of inspiration in Pennsylvania, New York’s Long Island, Florida, Wisconsin, Mexico, England, Scotland, Wales, France, and Italy, returning repeatedly to favorite subjects. An almost compulsive desire to sketch refined his innate skill as one of America’s finest landscape artists. Most of Moran’s known field sketches are reproduced here. As described in the introduction, “their range encompasses summary contour drawings of the spectacular topography of the American West, luminous watercolors that simultaneously fix local color and evoke the artist’s rapturous response to the natural world, and fully realized works that nevertheless preserve the intensity of Moran’s firsthand experience of his plein air subjects.” No serious formal study of Thomas Moran can be made without reference to this volume.


Paul Pletka

Paul Pletka

Author: Amy Scott

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780806157214

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