The first retrospective look at the irreverent and boisterous artwork of painter Erik Parker. With deep roots in alternative comics, illustration, and graffiti, internationally acclaimed artist Erik Parker’s work bridges underground culture and the pop-surrealism movement. Erik Parker: Colorful Resistance presents his intense compositions, originating from word clusters, viscera-like forms, and animated figurines. Parker’s work aggressively takes on the issues of the day through an antiauthoritarian approach to established ideologies. "[Parker’s] unpredictable forms are contained by, but also disrupt, relatively geometric framing devices whose radiating curves and bands of color bring to mind proscenium arches or movie marquees. In nearly every painting we seem to be witnessing the emergence of some extravagant freak of nature or perhaps consciousness—a hallucination of the first order." —Roberta Smith, New York Times
A fire engulfs the stage. Dead Dogs Howl guitarist, vocalist, and songwriter, Erik Devon survives, but scarred, his voice destroyed, his memory in shards. Presumed dead, he is blamed for the deaths of band members and crew. Forced into hiding, a ghost of his former self, Devon watches other musicians perform at his club. Then, one day, he hears her voice. Cara Friday pays homage to her dead idol by emulating Devon's style and performing his music. Discovered by the manager of Dead Dogs Howl, Cara is groomed to keep Devon's career alive, singing only his songs. How long will Devon's ghost haunt her? How long can she be his voice without losing her own? But someone is watching over Cara Friday's career. Someone in the shadows waits and listens. GHOST SONG adapts the tragic story of the Phantom of the Opera and brings it into the world of contemporary rock.
Kim Osorio had a front-row seat for the biggest beefs, battles, and blow-ups in hip-hop. As the first female editor-in-chief of The Source, she had come up. From her corner office, Kim got the goods on hip-hop's hottest names: Jay-Z, Nas, 50 Cent, Lil' Kim. She developed close -- sometimes intimate -- relationships with the artists she exposed to the public. But The Source couldn't hide its own dirty laundry for long. Behind the scenes, the magazine's volatile owners puppeteered every issue -- even coveted honors like the 5-mic album rating and the Power 30 list of industry heavy-hitters. Then The Source declared war on Eminem and began the notorious assault that would send the magazine into swift decline. In a culture dominated by men, Kim rose to the top, and after years in the magazine's pressure cooker, she hit "send" on a two-sentence e-mail that would thrust her from the sidelines of the scandalous world she reported on to the center of one of the most explosive scandals in hip-hop history. Straight From the Source is the Book of Kim, the tell-all memoir only she could write about her influential years at the Bible of Hip-Hop.
In the tradition of Gayle Forman and John Green comes this extraordinary YA debut about a blind teen girl navigating life and love in high school. Parker Grant doesn't need 20/20 vision to see right through you. That's why she created the Rules: Don't treat her any differently just because she's blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart. When Scott suddenly reappears in her life after being gone for years, Parker knows there's only one way to react—shun him so hard it hurts. She has enough on her mind already, like trying out for the track team (that's right, her eyes don't work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn't cried since her dad's death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened—both with Scott, and her dad—the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken. Debut author Eric Lindstrom's Not If I See You First combines a fiercely engaging voice with true heart.
A Little Faith And Hope Go A Long Way Foreign correspondent Lucy Devon never pictured herself with kids, but when she comes across conjoined twins—baby girls—who need her help, she can't say no. The twins need the kind of medical expertise few doctors can provide, and Lucy's ex-fiance, Nick Hammond, is one of the best. The problem is, Lucy and Nick didn't exactly part on good terms—she walked out on him moments before their wedding, to chase "the story of a lifetime." Lucy Devon is the last person surgeon Nick Hammond expects to see on his doorstep. When she tells him her reason for being there, he knows he has to do everything he can for the girls—but the biggest complication may be his own heart. Lucy has run away from him once, and Nick feels sure that nothing short of a miracle will keep her from doing it again….
A behind-the-scenes story with more than a touch of theatrical magic about it, A Year with The Producers is a book for actors and theater fans everywhere.
There are many ‘how-to’ books on writing for academics; none of these, however, relate specifically to the discipline of geography. In this book, the author identifies the principle modes of academic writing that graduate students and early-career faculty will encounter – specifically focusing on those forms expected of geographers, that is, those modes that are reviewed by academic peers. This book is readily accessible to senior undergraduate and graduate students and early-career faculty who may feel intimidated by the process of writing. This volume is not strictly a ‘how-to’ or ‘step-by-step’ manual for writing an article or book; rather, through the use of real, concrete examples from published and unpublished works, the author de-mystifies the process of different types of scholarly pieces geographers have to write with the specific needs and challenges of the discipline in mind. Although chapters are thematic-based, e.g., stand-alone chapters on book reviews, articles, and books, the manuscript is structured around the concept of story-telling, for it is the author’s contention that all writing, whether a ‘scientific’ study or more humanist essay, is a form of story-telling.
The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire “The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.
Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.
