The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.
When their eighty-five-year-old father dies, sparring siblings Maggie and Jake must face a question: How to break the bad news to their sister Amy, who has Down syndrome and has lived in a state home for years? Along the way, the pair find out just how much they don’t know about their family and each other. It seems only Amy knows who she really is.
It all began at the Oyster Bar in Grand Central Station, New York, in 1961 - Two Princeton graduates - John Hopkins and Joe McPhillips - have returned from Peru. Loathe to return to a life of work, marriage and mortgages, they are tempted by a mysterious letter from Kenya. Hatching a plan to ride a motorbike across North Africa, they buy a sleek, white R50 BMW and paint her name - 'The White Nile' - on the fuel tank, in honour of the route they plan to follow. In limpid, elegant prose, Hopkins describes deadly salt deserts and fig-laden oases, disappeared travellers and the funerals of young Tunisians killed in the battle for independence. He conjures up the ghosts of ancient Rome in Leptis Magna and of Homer's Lotus Eaters in Djerba . They encounter armed vigilantes in the Tunisian desert and outrun Libyan border patrols, barely escaping with their lives. They climb the pyramids of Giza at dawn and ride the 'Desert Express' across the wastelands of the Nubian Desert, but their final adventure, at Sam Small's Impala Ranch, is perhaps the most surreal of all -
A reprint of the issue of Astounding Science Fiction that is widely considered to be the first great issue under the editorship of John W. Campbell, Jr. Astounding Science Fiction as edited by Campbell was the premier magazine of the golden age of American science fiction. This special reprint edition ably demonstrates why the science fiction magazines of that era were so important to the development of modern science fiction into the popular and important literary form it is today. Unquestionably a classic issue, it begins with the cover story, "Black Destroyer," the first published work of A. E. van Vogt and also features "Trends" by Isaac Asimov, his first sale to Astounding. Significant as these debuts are, it is the overall strength of the issue that finally impresses. These are stories by some of the best-known writers in the field: Nat Schachner, "City of the Cosmic Rays"; Nelson S. Bond, "Lightship Ho!"; Ross Rocklynne, "The Moth"; C. L. Moore (one of the first women to achieve prominence in writing science fiction), "Greater than Gods"; as well as thought-provoking articles on nuclear energy, computers, and hemispheric migration. But this new edition is far more than just a fine reprint of an important issue. There is a commentary on Astounding by Stanley Schmidt (the current editor of Analog Science Fiction / Science Fact, the successor to Astounding)and memoirs of the stories and the magazine by Isaac Asimov, A. E. van Vogt, and Ross Rocklynne.
In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
The first appearance and origin of the Silver Age Flash, Barry Allen, and his wife, Iris West! This issue officially begins the Silver Age of comics with Barry Allen serving as the first DC Silver Age superhero!
This book examines the history, theory and journalistic practice of profile writing. Profiles, and the practice of writing them, are of increasing interest to scholars of journalism because conflicts between the interviewer and the subject exemplify the changing nature of journalism itself. While the subject, often through the medium of their press representative, struggles to retain control of the interview space, the journalist seeks to subvert it. This interesting and multi-layered interaction, however, has rarely been subject to critical scrutiny, partly because profiles have traditionally been regarded as public relations exercises or as ‘soft’ journalism. However, chapters in this volume reveal not only that profiling has, historically, taken many different forms, but that the idea of the interview as a contested space has applications beyond the subject of celebrated individuals. The volume looks at the profile’s historical beginnings, at the contemporary manufacture of celebrity versus the ‘ordinary’, at profiling communities, countries and movements, at profiling the destitute, at sporting personalities and finally at profiling and trauma.
