Are you looking for a funny notebook gift? Do you want to surprise your best friend with a cute birthday gift? This Convenient size of 6 x 9 inches on Matte finish will be the perfect gift choice that makes everyone happy. This Journal has 111 lined pages for you or for your friend to write down thoughts. This Notebook can be used as a Journal or diary, composition book, exercise book, journal,school / college book, scribble pad and is perfect for carrying in your bag and making notes, to-do lists, shopping lists and more, Makes a great gift for a friend or someone amazing. An Inspiring and empowering Journal.
A Personalized Notebook 110 Pages Size: 6*9 Small Size Paper: white paper Perfect Binding Made in the USA Perfect for gel pen, ink, or pencil Soft Finish, Soft Cover The Perfect Gift for Men and women This notebook is perfect for: Taking notes at work or school Making To-Do Lists Setting goals And so much more! Makes a great Christmas, Birthday, Graduation, or Beginning of the school year gift
The ideal personalized birthday gift for an epic person! This unique sketch-journal is the perfect birthday present. Uniquely, every other page is half-blank/half-lined paper for drawing and sketching. Use this large journal to record memories, to reflect on life, for creative writing, to plan future projects, and to daydream and sketch. Click on the Author link above to see our selection of products and gifts - find the exact year and month that you need. Format: Left-hand page is half-blank/half-lined paper for sketching and drawing Right-hand page is wide-ruled, lined journal paper with a line at the top for the date 8.5 x 11 inches - approximately A4 size 110 pages (55 pages, front and back) First page is a blank sketch page where you can write a personal note with the gift Cream colored paper Paperback, soft-cover with matte finish
This Legendary Awesome Epic Since July 1933 - Birthday Gift For 86 Year Old Men and Women Born in 1933 notebook / Journal makes an excellent gift for any occasion . Lined - Size: 6 x 9'' - Notebook - Journal - Planner - Dairy - 110 Pages - Classic White Lined Paper - For Writing, Sketching, Journals and Hand Lettering
This Legendary Awesome Epic Since July 1933 - Birthday Gift For 86 Year Old Men and Women Born in 1933 notebook / Journal makes an excellent gift for any occasion . Lined - Size: 6 x 9'' - Notebook - Journal - Planner - Dairy - 110 Pages - Classic White Lined Paper - For Writing, Sketching, Journals and Hand Lettering
Epic Since July 1933. Notebook Birthday gifts. Best Birthday Present Notebook Gift Ideas for Your Son, Daughters, Grandson, Niece, Little Guy, Kid's, Child, Kiddo, Littlest Guys, Friend's Son, Goalie Daughter, Little Man, Little Guy, Little Boy, Granddaughter, Nephew, Son-in-law, Daughter-in-law, Little Girl, Godson Details: 120 Blank Lined Pages. 6 * 9 Inches in Size. Soft cover Glossy finnish. Perfect for: To-Do Lists. Goals Writing new ideas Dates of meetings. Use as a journal. Notepad. Record daily activities. Planner. Diary. Business, School, or Personal use So Grab one Now To make a smile on his or her face.
The history of the epic-ranging from the heroic narratives of cultural origin found in Homer and Virgil to the tumultuous theological and political conflicts depicted by Dante or Milton-is nearly as old as literature itself. But the epic is also made and remade by its present, adapted to the pressures and formal necessities of its particular cultural moment. Examining modernist poetry's epic turn in the years between the two World Wars, C.D. Blanton's ambitious study charts the inversion of what Ezra Pound called "a poem including history" into a fractured and hollowed form, a "negated epic" that struggles not only to acknowledge the distant past but also to conceive its immediate present. Compelled to register the force of a larger historical totality it cannot directly represent, the negated epic reorients the function of poetic language, trading expression or signification for concrete but often buried reference, remaking the poem as an instrument of dialectical reason in the process. Epic Negation turns first to T. S. Eliot, productively pairing The Waste Land with The Criterion, the literary review it announced in 1922, to argue that Eliot's journal systematically realizes the editorial and critical method through which modernism's epochal poem sought to think its moment whole, developing a totalizing account of interwar culture. Dividing the epic's critical function from its style, The Criterion not only includes history differently, but also formulates an intricately dialectical account of the crisis facing bourgeois society, formed in the image of a Marxism it opposes. World War II's approach serves to organize the second half of Blanton's study, as he traces the dislocated formal effects of a serial epic gone underground. In the tense elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms cryptically divulge the determining force of unmentionable but universal events, dividing experience against consciousness, what can be said in a poem from what cannot. And, finally, with H.D.'s Trilogy-written under bombardment in a terse exchange with Freud's famous rewriting of biblical history in Moses and Monotheism--the poetic image itself lapses, consigning epic to the silent historical force of the unconscious. Uniquely conceived and deftly executed, Epic Negation transforms our understanding of modernist poetics and the concept of epic more broadly.
“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”
The long-awaited second volume of A. David Moody's critically acclaimed three-part biography of Ezra Pound weaves together the illuminating story of his life, his achievements as a poet and a composer, and his one-man crusade for economic justice. The years 1921-1939 were the most productive of Pound's career. In 1920s Paris, he was among the leading figures of the avant-garde and, in that ambience, he composed an opera, made original contributions to the theory of harmony, and wrote the first thirty cantos of his great epic. Moody explores this creativity in fascinating detail, examining the environment that allowed for some of Pound's greatest work. This period also brought Pound's politics firmly into view and Moody is able to shed new light on his sympathy for Mussolini's Fascism, his invoking Confucian China as a model of responsible government, and his abiding commitment to the democratic values of the American Constitution. Pound is revealed as a great poet and a flawed idealist caught up in the turmoil of his darkening time and struggling, sometimes blindly and in error and self-contradiction, to be a force for enlightenment.
