Harvard Dictionary of Music
Harvard Dictionary of Music

Author: Willi Apel

Publisher: Harvard University Press

Published: 1969

Total Pages: 968

ISBN-13: 9780674375017

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Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Music Fundamentals
Music Fundamentals

Author: Elvo D'Amante

Publisher: Scarecrow Press

Published: 1994-01-01

Total Pages: 290

ISBN-13: 1461669855

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This book is a basic theory text designed for music majors as well as nonmajors who wish to acquire a working knowledge of musicianship and music theory. Music fundamentals are approached through the parallel study of pitch considerations and rhythmic design. The text includes four clefs for study, manuscript tips, drill studies for self-testing and monitoring, and chapter assignments. The Instructor's Manual is sold separately.

Introducing Jazz for the Rock Guitarist
Introducing Jazz for the Rock Guitarist

Author: Robert Brown

Publisher: Alfred Music

Published:

Total Pages: 52

ISBN-13: 9781457444821

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A must for improvising guitarists who play all styles, from rock to jazz. This is a thorough and unique approach to learning and applying the scales and modes to improvisation on the guitar. Each book includes: exercises and licks in standard music notation and tablature, examples in a variety of styles, easy-to-read scale diagrams, lessons that teach you to solo freely throughout the range of the fingerboard, chord progressions, and basic theory lessons written clearly and simply.

Chromaticism
Chromaticism

Author: Vladimir Barsky

Publisher: Routledge

Published: 2014-05-01

Total Pages: 230

ISBN-13: 1134366051

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Musical practices in the 20th century pose new and complex problems in the study of the fundamental principles of pitch organization. The analysis of basic harmonic categories, one of which is chromaticism, acquires particular importance as a means of restoring time, which has gone out of joint and identifying the logical principles in the historical process of musical development. Vladimir Barsky, in his thoroughly researched and clearly written guide, traces the progress of the concept of chromaticism throughout Western musical history, and recreates an integrated logical and historical perspective in order to make a specific study of this key subject. He identifies the dynamics of the changing historical theories of chromaticism and relates these to musical practices, applying them to the analysis of current pitch systems. This book will be an invaluable tool for readers whose aim is to come nearer to comprehending the idioms of 20th century music.