English Verse Satire from Donne to Dryden
Author: Angela J. Wheeler
Publisher:
Published: 1992
Total Pages: 378
ISBN-13:
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Discourses on Satire and on Epic Poetry
Author: John Dryden
Publisher: BoD – Books on Demand
Published: 2022-11-25
Total Pages: 250
ISBN-13: 3368438719
DOWNLOAD EBOOKReproduction of the original.
A Companion to Satire
Author: Ruben Quintero
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 624
ISBN-13: 1405171995
DOWNLOAD EBOOKThis collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Representing Masculinity in Early Modern English Satire, 1590–1603
Author: Per Sivefors
Publisher: Routledge
Published: 2020-02-14
Total Pages: 167
ISBN-13: 100004789X
DOWNLOAD EBOOKEngaging with Elizabethan understandings of masculinity, this book examines representations of manhood during the short-lived vogue for verse satire in the 1590s, by poets like John Donne, John Marston, Everard Guilpin and Joseph Hall. While criticism has often used categorical adjectives like "angry" and "Juvenalian" to describe these satires, this book argues that they engage with early modern ideas of manhood in a conflicted and contradictory way that is frequently at odds with patriarchal norms even when they seem to defend them. The book examines the satires from a series of contexts of masculinity such as husbandry and early modern understandings of age, self-control and violence, and suggests that the images of manhood represented in the satires often exist in tension with early modern standards of manhood. Beyond the specific case studies, while satire has often been assumed to be a "male" genre or mode, this is the first study to engage more in depth with the question of how satire is invested with ideas and practices of masculinity.
English Verse Satire 1590-1765
Author: Raman Selden
Publisher: Taylor & Francis
Published: 2023-07-14
Total Pages: 198
ISBN-13: 1000908496
DOWNLOAD EBOOKFirst published in 1978 English Verse Satire aims to provide a critical study of the major English verse satirists as well as an account of the historical development of verse satire. Critical accounts are offered of important writers including Donne, Vaughan, Butler, Rochester, Dryden, Oldham, Swift, Pope, Young, Dr. Johnson and Churchill. An account of verse satire commences historically with the Roman satirists and Dr Selden has provided a substantial treatment of Horace and Juvenal as the basis for a study of the evolution of verse satire from the Elizabethan period to the end of the Augustan period. A special feature of the book is the emphasis on tradition, continuity, and innovation. This book is an interesting read for scholars of English literature.
Satire
Author: Dustin Griffin
Publisher: University Press of Kentucky
Published: 2014-07-11
Total Pages: 256
ISBN-13: 0813147816
DOWNLOAD EBOOKHere is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Mythologies of Internal Exile in Elizabethan Verse
Author: A.D. Cousins
Publisher: Routledge
Published: 2018-10-26
Total Pages: 311
ISBN-13: 0429686420
DOWNLOAD EBOOKWriters of the English Renaissance, like their European contemporaries, frequently reflect on the phenomenon of exile—an experience that forces the individual to establish a new personal identity in an alien environment. Although there has been much commentary on this phenomenon as represented in English Renaissance literature, there has been nothing written at length about its counterpart, namely, internal exile: marginalization, or estrangement, within the homeland. This volume considers internal exile as a simultaneously twofold experience. It studies estrangement from one’s society and, correlatively, from one’s normative sense of self. In doing so, it focuses initially on the sonnet sequences by Sidney, Spenser, and Shakespeare (which is to say, the problematics of romance); then it examines the verse satires of Donne, Hall, and Marston (likewise, the problematics of anti-romance). This book argues that the authors of these major texts create mythologies—via the myths of (and accumulated mythographies about) Cupid, satyrs, and Proteus—through which to reflect on the doubleness of exile within one’s own community. These mythologies, at times accompanied by theologies, of alienation suggest that internal exile is a fluid and complex experience demanding multifarious reinterpretation of the incongruously expatriate self. The monograph thus establishes a new framework for understanding texts at once diverse yet central to the Elizabethan literary achievement.
The Cambridge Companion to Roman Satire
Author: Kirk Freudenburg
Publisher: Cambridge University Press
Published: 2005-05-12
Total Pages: 380
ISBN-13: 1139826573
DOWNLOAD EBOOKSatire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
“Bound Hand and Foot and yet Dancing as if Free” Satires II 1, II 2, and I 2 from Alexander Pope’s Imitations of Horace
Author: Gerhild Salcher
Publisher: ibidem-Verlag / ibidem Press
Published: 2004-03-08
Total Pages: 104
ISBN-13: 3838253418
DOWNLOAD EBOOKEmbedded in a discussion of the 18th century literary practice of imitation, this study offers an in-depth analysis of the three full-length satires from Alexander Pope’s Imitations of Horace. Taking into account aspects such as content, metre, message, personal references, and language, the three satires are compared to their Latin originals, shedding light on how Pope succeeds in transferring the texts into his contemporary world and idiom whilst sticking very closely to the original framework on a larger scale. Thus, they “show the poet bound hand and foot and yet dancing as if free.“
Satire
Author: Dustin H. Griffin
Publisher:
Published: 1994
Total Pages: 264
ISBN-13:
DOWNLOAD EBOOKSatire has been with us since at least the Greeks and is a staple of the literary classroom. Dustin Griffin now moves away from the prevailing moral-didactic approach established thirty years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen major figures - Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron - as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of the satirist as moralist; the nature of satiric rhetoric; and the impact of satire on the political order. Others are new: the problems of satire and closure; the pleasure it affords readers and writers; and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than to provide answers, and ambivalent about the pleasures it offers. Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory.
