English Silver in the Museum of Fine Arts, Boston: Silver before 1697
English Silver in the Museum of Fine Arts, Boston: Silver before 1697

Author: Museum of Fine Arts, Boston

Publisher: MFA Publications

Published: 1993

Total Pages: 0

ISBN-13: 9780878463749

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The collection of English silver at the Museum of Fine Arts, Boston was established in the 1930's and has long been considered one of the finest collections of such objects in the world, having grown to include over 500 pieces. This catalogue, the second in a two-volume series, covers some 300 works from 1697, when the Britannic standard was introduced, until the beginning of the 20th century. The entries include black and white works of all marks and armorials and complete listings of provenance, exhibition, and publication history. In addition, an introduction by author Ellinor M. Alcorn details the history of the collection and illuminates the significance of these beautiful objects.

English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute
English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute

Author: Sterling and Francine Clark Art Institute

Publisher: Hudson Hills

Published: 1997

Total Pages: 606

ISBN-13: 9781555951177

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In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations

British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums
British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums

Author: Fogg Art Museum

Publisher:

Published: 2007

Total Pages: 272

ISBN-13:

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"The collection presents a wide-ranging survey of the evolution of styles and decoration from 1550 to 1850. The contributions made by foreign craftsmen to silver produced in London in the seventeenth and eighteenth centuries are discussed, as is the distinctive silverware made in Dublin and Edinburgh, and in English provincial centers such as Exeter and Newcastle. This catalogue also paints a vivid portrait of collecting decorative arts in America during the last hundred years."--BOOK JACKET.

The Early Modern Grotesque
The Early Modern Grotesque

Author: Liam Semler

Publisher: Routledge

Published: 2018-10-26

Total Pages: 325

ISBN-13: 0429684789

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The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.

Geometry and the Silversmith
Geometry and the Silversmith

Author: Christopher Hartop

Publisher:

Published: 2008

Total Pages: 138

ISBN-13:

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Using an important collection, the author charts the use of geometric shapes in English silver, as well as Asian influences, during two centuries, 1630-1830.

New Perspectives on Historical Writing
New Perspectives on Historical Writing

Author: Peter Burke

Publisher: Penn State Press

Published: 2001-01-01

Total Pages: 324

ISBN-13: 9780271021171

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A new edition of this best-selling collection of essays by leading experts on historical methodology. Since its first publication in 1992, New Perspectives on Historical Writing has become a key reference work used by students and researchers interested in the most important developments in the methodology and practice of history. For this new edition, the book has been thoroughly revised and updated and includes an entirely new chapter on environmental history. Peter Burke is joined here by a distinguished group of internationally renowned historians, including Robert Darnton, Ivan Gaskell, Richard Grove, Giovanni Levi, Roy Porter, Gwyn Prins, Joan Scott, Jim Sharpe, Richard Tuck, and Henk Wesseling. The contributions examine a wide range of interdisciplinary areas of historical research, including women's history, history &"from below,&" the history of reading, oral history, the history of the body, microhistory, the history of events, the history of images, and political history.

Art Market Research
Art Market Research

Author: Tom McNulty

Publisher: McFarland

Published: 2013-12-19

Total Pages: 333

ISBN-13: 1476613974

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This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.