Antique Boxes, Tea Caddies, & Society 1700-1880

Antique Boxes, Tea Caddies, & Society 1700-1880

Author: Antigone Clarke

Publisher: Schiffer Pub Limited

Published: 2003

Total Pages: 304

ISBN-13: 9780764316883

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The box represents great temptation. "Open me" it says. The human cannot resist it; its charm is overwhelming. So too, is the charm of this remarkable book, in which antique boxes and tea caddies - along with the people who inspired, made, and used them - dance gracefully through the pages. The reader is guided through the aesthetic, cultural, and social influences of the years covered, accumulating a deep understanding of the form, decoration, and purpose of eighteenth and nineteenth century boxes. The extensive text covers wooden, tortoiseshell, ivory, papier m*^ach*/e, and lacquer boxes. There are chapters on Anglo Indian, Scottish, Irish, Penwork, Straw work, and Tunbridge ware boxes, as well as on boxes made for special purposes. Captions include complete descriptions, values, and circa dates for all boxes shown. The 905 images include original drawings, magnificent photographs of complete pieces, and close-ups illustrating the structure and decoration of boxes. This is an indispensable companion for box collectors and reflects fascinating information about cultural forces that shaped the eighteenth and nineteenth centuries.


The Cabinet-Maker and Upholsterer's Guide

The Cabinet-Maker and Upholsterer's Guide

Author: George Hepplewhite

Publisher: Courier Corporation

Published: 2013-05-09

Total Pages: 182

ISBN-13: 0486142671

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Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.


A History of English Furniture: The age of satinwood

A History of English Furniture: The age of satinwood

Author: Percy Macquoid

Publisher:

Published: 1908

Total Pages: 336

ISBN-13:

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In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The age of oak'. The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The age of walnut'. The third period, where the introduction from France of fesh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The age of mahogany'; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The composite age.' -- Preface, v.1.