"Throughout the 1970s, no style of popular music was more controversial than progressive rock, and no progressive rock band was more controversial than Emerson, Lake and Palmer. Initially attracting attention for their unusual keyboards-bass-drums configuration, ELP became hugely popular on both sides of the Atlantic. Fans saw ELP as fulfilling the promise of post-Beatles rock, imaginatively fusing rock, jazz, and classical elements with cutting-edge technology, breathtaking virtuosity, and a monumental stage show. Critics saw ELP as a bombastic assault on rock's working-class and oppositional roots. In this, Edward Macan unravels the enigma that is Emerson, Lake and Palmer."--BOOK JACKET.
#1 New York Times bestselling author Elizabeth Wein delivers an exhilarating, unmissable thriller that finds three very different young adults united to decode a secret that could turn the tide of World War II Facing a seemingly endless war, fifteen-year-old Louisa Adair wants to fight back, make a difference, do something--anything to escape the Blitz and the ghosts of her parents, who were killed by enemy action. But when she accepts a position caring for an elderly German woman in the small village of Windyedge, Scotland, it hardly seems like a meaningful contribution. Still, the war feels closer than ever in Windyedge, where Ellen McEwen, a volunteer driver with the Royal Air Force, and Jamie Beaufort-Stuart, a flight leader for the 648 Squadron, are facing a barrage of unbreakable code and enemy attacks they can't anticipate. Their paths converge when a German pilot lands in Windyedge under mysterious circumstances and plants a key that leads Louisa to an unparalleled discovery: an Enigma machine that translates German code. Louisa, Ellen, and Jamie must work together to unravel a puzzle that could turn the tide of the war--but doing so will put them directly in the cross-hairs of the enemy. Featuring beloved characters from Code Name Verity and The Pearl Thief, as well as a remarkable new voice, this brilliant, breathlessly plotted novel by award-winning author Elizabeth Wein is a must-read.
In the tradition of Caleb Carr’s The Alienist and Eric Larsen’s The Devil in the White City comes The Paris Enigma, a gripping tale of murder and the art of crime solving. Written in a strikingly original voice, and poignantly evoking a world about to lose its innocence forever, The Paris Enigma features two detectives who find themselves in a race against time around glorious fin de siècle Paris, encountering all manner of secret societies and solving philosophical puzzles, while also trying to save a dangerously beautiful woman.
By taking Dali's "paranoiac-critical method" to the delirious extents Dali himself recommended, LaFountain demonstrates that Dali's Surrealism anticipates tactics practiced by postmodern and poststructural critics. In particular, LaFountain advances the notion that "phantom meaning" displaced Surrealism's "phantom object," thereby creating a crisis of the subject and the object far in excess of that sought by Surrealist revolutionaries. Focusing on Dali's magnificent painting, Endless Enigma, LaFountain inaugurates "New Dali Studies" by offering an original interpretation of Dali's close, yet strained, relationship with André Breton and the Surrealist canon.
Emerson, Lake & Palmer were, without question, one of the great rock bands of the 1970s. Selling millions of albums across the globe, with all three members winning awards for their dazzling musical ability, ELP were no ordinary group. Their pioneering attitude was adored by their legions of fans, none more so than in the USA, where they toured widely. Despite ELP being the embodiment of the dinosaurs that punk sought to kill. However, just like their peers – Yes, Genesis and Pink Floyd – they survived punk’s onslaught, continuing to make albums until the mid-90s and touring right until their final concert, a headlining performance at London’s High Voltage Festival in 2010. This book charts their rise, via every track on all nine of their studio albums recorded between 1970 and 1994 including Tarkus, Trilogy and Brain Salad Surgery. Key recorded live performances – such as 1971’s Pictures at an Exhibition – are also included as well as overviews on all three member’s solo projects, With informed insight and information, this is the ultimate guide to the band’s music – a must-own companion to Emerson, Lake & Palmer’s recorded legacy. Since graduating from art college in the early 1980s, Mike Goode has pursued a successful career in the creative industry – as a designer, art director and writer. However, his biggest passion is music – specifically anything related to Emerson, Lake and Palmer. A fan since hearing Pictures as an Exhibition as a teenager in the 70s, there’s no person better suited or qualified to write and research this book on these progressive rock legends. He lives in Brecon, Powys.
A brilliant new survey and intelligent exploration of progressive rock, from its origins through to contemporary artists. Nicely illustrated, it includes rare photos of artists like Kate Bush and Genesis.
Progressive Rock, Religion, and Theology examines progressive rock music’s engagement with theology and religion, which spans an array of artists and songs from its early days to the present. Co-written by a musician and a professor of religious studies, this book looks closely not only at lyrics but at the music itself and how the two together serve to foster the exploration of religious and spiritual themes from a wide array of angles. Each chapter covers a key song by ELP, Yes, Genesis, Jethro Tull, Kansas, Rush, and Neal Morse as well as tracing the themes from those songs into other works by the same artist and the music of others. Readers will get to know music that is familiar to them through an academic lens, and will discover that its engagement with theological ideas, if not typically informed by study of academic theologians, is nonetheless at times both intellectually rigorous and profoundly insightful.
A fatal blend of revenge and desire. After leaving her fiancé at the altar and quitting her job as a Miami cop, Beau Hayley stumbles through life, feeling only resentment. Injustice. Loss. Her mom's death was called an accident. She's not convinced. Grieving, she becomes numb to everything except the constant, biting pain of heartbreak and hate. She can see no light. Until she meets James Kelly, a man who seems as damaged as she is, inside and out. And yet despite his twisted, cold façade, he stimulates feelings. Pleasure. He is a respite from her own flaws. A complete mystery. And impossible to resist. James Kelly has only one objective. Find the men who murdered his family and kill them all very slowly. But the web of crime and deceit leads him to Beau Hayley, the daughter of the notorious FBI agent who pursued him relentlessly until her death. Beau is not what James expected, and past the darkness that shrouds her, he finds a glimmer of light. Light is addictive. An escape. Beau might be the key to James's mercy mission, but with dire consequences. So he has to decide-leave her breathing and risk exposing himself, or kill her and continue his mission, still unknown. Still The Enigma Two tortured souls playing one deadly game. But who will survive?
The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rock’s critiques of society and images of dystopia, rock’s inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock’s global reach and potential to provide hope and humanitarian assistance.
Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
