Encyclopedia of Movie Special Effects

Encyclopedia of Movie Special Effects

Author: Patricia D. Netzley

Publisher: Greenwood

Published: 2000

Total Pages: 314

ISBN-13:

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Review: "A unique resource detailing the developments and use of special effects in the American movie industry, this title is well indexed and illustrated with 366 entries. It covers Academy Award-winning special effects movies, groundbreaking techniques, equipment, and devices, special effects houses, and pivotal figures in mechanical and visual special effects, makeup, creature design, directing, and stunt work."--"Outstanding Reference Sources," American Libraries, May 2001.


Special Effects

Special Effects

Author: Richard Rickitt

Publisher:

Published: 2007

Total Pages: 392

ISBN-13:

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Spanning the rich history of movie magic, this completely up-to-date guide to visual trickery is unparalleled in scope, presenting a clearly written, lushly illustrated chronicle of special effects development during ten decades of filmmaking. A must for lovers of movie fantasy, students of film and pop culture, and amateur filmmakers. 350 color and 60 b&w illustrations.


Encyclopedia of Visual Effects

Encyclopedia of Visual Effects

Author: Damian Allen

Publisher:

Published: 2007

Total Pages: 590

ISBN-13: 9780321303349

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The ultimate effect recipe book covers not just one but three software packages: Shake, After Effects, and Motion!


Special Effects

Special Effects

Author: Ron Miller

Publisher: Twenty-First Century Books

Published: 2006-01-01

Total Pages: 134

ISBN-13: 9780761329183

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Looks at the history of the special effects industry from silent films to the use of current technologies, providing insight into how various special effects are created and used.


Editing and Special/Visual Effects

Editing and Special/Visual Effects

Author: Charlie Keil

Publisher: Rutgers University Press

Published: 2016-08-26

Total Pages: 279

ISBN-13: 0813570832

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Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.