Armchair Fiction presents extra large paperback editions of classic science fiction double novels. The first novel, "Operation Square Peg," is a gripping account by Irving W. Lande and Frank Belknap Long of Earth's battle against an alien invasion. Earth's forces had finally seemed to gain the upper hand over the invading alien forces. Then one day the Enemy devised a new weapon and Earth's space pilots began succumbing to wild, irrational fear while in the midst of combat. The second novel, "Enchantress of Venus," tells of love lost and found by Leigh Brackett. She cast him down into the hideous depths, beneath the seas of flaming gas, to where dead blossoms swayed, whispering, over strangely jumbled ruins… But there he found the secret of her power, and came surging back-up from the depths, from the slime, the tortured swamps-to storm her forbidden temple and seek her within.
Few men have gone beyond that barrier, into the vast mystery of Inner Venus. Fewer still have come back.Excerpt The ship moved slowly across the Red Sea, through the shrouding veils of mist, her sail barely filled by the languid thrust of the wind. Her hull, of a thin light metal, floated without sound, the surface of the strange ocean parting before her prow in silent rippling streamers of flame.Night deepened toward the ship, a river of indigo flowing out of the west. The man known as Stark stood alone by the after rail and watched its coming. He was full of impatience and a gathering sense of danger, so that it seemed to him that even the hot wind smelled of it.The steersman lay drowsily over his sweep. He was a big man, with skin and hair the color of milk. He did not speak, but Stark felt that now and again the man's eyes turned toward him, pale and calculating under half-closed lids, with a secret avarice.The captain and the two other members of the little coasting vessel's crew were forward, at their evening meal. Once or twice Stark heard a burst of laughter, half-whispered and furtive. It was as though all four shared in some private joke, from which he was rigidly excluded.The heat was oppressive. Sweat gathered on Stark's dark face. His shirt stuck to his back. The air was heavy with moisture, tainted with the muddy fecundity of the land that brooded westward behind the eternal fog.There was something ominous about the sea itself. Even on its own world, the Red Sea is hardly more than legend. It lies behind the Mountains of White Cloud, the great barrier wall that hides away half a planet. Few men have gone beyond that barrier, into the vast mystery of Inner Venus. Fewer still have come back.Stark was one of that handful. Three times before he had crossed the mountains, and once he had stayed for nearly a year. But he had never quite grown used to the Red Sea.It was not water. It was gaseous, dense enough to float the buoyant hulls of the metal ships, and it burned perpetually with its deep inner fires. The mists that clouded it were stained with the bloody glow. Beneath the surface Stark could see the drifts of flame where the lazy currents ran, and the little coiling bursts of sparks that came upward and spread and melted into other bursts, so that the face of the sea was like a cosmos of crimson stars.It was very beautiful, glowing against the blue, luminous darkness of the night. Beautiful, and strange.There was a padding of bare feet, and the captain, Malthor, came up to Stark, his outlines dim and ghostly in the gloom."We will reach Shuruun," he said, "before the second glass is run."Stark nodded. "Good."The voyage had seemed endless, and the close confinement of the narrow deck had got badly on his nerves."You will like Shuruun," said the captain jovially. "Our wine, our food, our women-all superb. We don't have many visitors. We keep to ourselves, as you will see. But those who do come..."He laughed, and clapped Stark on the shoulder. "Ah, yes. You will be happy in Shuruun!"It seemed to Stark that he caught an echo of laughter from the unseen crew, as though they listened and found a hidden jest in Malthor's words.Stark said, "That's fine.""Perhaps," said Malthor, "you would like to lodge with me. I could make you a good price."He had made a good price for Stark's passage from up the coast. An exorbitantly good one.Stark said, "No.""You don't have to be afraid," said the Venusian, in a confidential tone. "The strangers who come to Shuruun all have the same reason. It's a good place to hide. We're out of everybody's reach."He paused, but Stark did not rise to his bait. Presently he chuckled and went on, "In fact, it's such a safe place that most of the strangers decide to stay on. Now, at my house, I could give you..."
She had come to life, but she was not human. Leigh Brackett was the undisputed Queen of Space Opera and the first women to be nominated for the coveted Hugo Award. She wrote short stories, novels, and scripts for Hollywood. She wrote the first draft of the Empire Strikes Back shortly before her death in 1978.
Grimly Eric John Stark slogged toward that ancient Martian city—with every step he cursed the talisman of Ban Cruach that flamed in his blood-stained belt. Behind him screamed the hordes of Ciaran, hungering for that magic jewel—ahead lay the dread abode of the Ice Creatures—at his side stalked the whispering spectre of Ban Cruach, urging him on to a battle Stark knew he must lose!
Collection of two classic science fiction authors' signature stories:Two novels by Edmond Hamilton:The Star KingsReturn to the StarsThree novelettes by Leigh Brackett"Queen of the Martian Catacombs""Enchantress of Venus""Black Amazon of Mars"and a short story (the only formal collaboration between the authors):"Stark and the Star Kings"
From "editor extraordinaire" (Publishers Weekly) David G. Hartwell and World Fantasy Award-winning editor Kathryn Cramer comes the best-ever anthology of one of science fiction's most vigorous subgenres: the space opera. "Space opera", once a derisive term for cheap pulp adventure, has come to mean something more in modern SF: compelling adventure stories told against a broad canvas, and written to the highest level of skill. Indeed, it can be argued that the "new space opera" is one of the defining streams of modern SF. Now, World Fantasy Award-winning anthologists David G. Hartwell and Kathryn Cramer have compiled a definitive overview of this subgenre, both as it was in the days of the pulp magazines, and as it has become in the 2000s. Included are major works from genre progenitors, popular favorites, and modern-day pioneers. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Eric John Stark is Leigh Brackett's dark-skinned freedom fighter, a relentless hero who clashed with armies and rulers, sorcerers and ghosts, survived myriad hellish landscapes and deadly-strange beasts, across an exotic and dangerous solar system.
