• Emyr Humphreys is arguably Wales’s most distinguished living writer. • Hidden amongst the detritus gathered during the creative process these poems were not intended to be read generally but were private thoughts distilled into the shard like fragments described in the title. • The poems show the depth and variety of his thinking, with a cutting insight into the nature of being and its universal significance, insignificance or relevance. • The poems contain a profundity which challenge us to think more deeply about the nature of our being.
In Emyr Humphreys' classic novel J.T. Miles reflects on a life of mis-steps, over-ambition and betrayal. He contemplates the modern world (of which he feels no part), his attempts to bring about social change and his inability to pass on love. It has been a life of drama and defeat; a life mirroring the fate of his country in the twentieth century. New Edition.
The book is the first overview of the long distinguished career of Wales’ leading Welsh-language novelist in its entirety. • A study of Emyr Humphreys who has had a remarkable career spanning over seventy years as a writer, he has published more than two dozen novels (many of them prize-winning), as well as several collection of short stories. • These essays were supplemented by the interviews the author conducted with Emyr Humphreys.
Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.
The book takes a literary-historical approach to its subject which opens up new perspectives on the history of peace and pacifism in Wales which historical approaches alone have overlooked. It includes English- and Welsh-language texts and highlights the interdependence of English and Welsh culture in Wales. Quotations from Welsh-language texts are given in Welsh and in English translation to assist readers who are not Welsh speakers. The reader is introduced to the changing nature of pacifism, peace and anti-warism and how these terms have acquired different meanings over time. The historical narrative is designed to make this scholarship more accessible to the reader who is not a specialist in peace studies. The arguments of the book are illustrated and developed in accessible but original readings of key Welsh writers on peace and pacifism.
Emyr Humphreys is a major figure in twentieth-century writing and The Woman at the Window is an immensely enjoyable and impressive addition to his outstanding list of award-winning novels and short stories. From the widow alone in the rectory drawing room to views across the sunny expanses of post-war Europe, celebrated writer Emyr Humphreys offers this urbane, mature collection. His protagonists look back over the patterns of their lives and forward too, for the chance to untangle family relationships, rekindle lost loves, or find a home for themselves in familiar yet fresh surroundings.
The 5th in a series, this work conveys the conflicts and passions of a small group of individuals in Wales, weighing them against the turmoil caused by war and its effects on a significantly changing Britain.
Wales may be small, but culturally it is richly varied. The aim in this collection of essays on a number of English-language authors from Wales is to offer a sample of the country’s internal diversity. To that end, the author’s examined range – from the exotic Lynette Roberts (Argentinean by birth, but of Welsh descent) and the English-born Peggy Ann Whistler who opted for new, Welsh identity as ‘Margiad Evans’, to Nigel Heseltine, whose bizarre stories of the antics of the decaying squierarchy of the Welsh border country remain largely unknown, and the Utah-based poet Leslie Norris, who brings out the bicultural character of Wales in his Welsh-English translations. The result is a portrait of Wales as a ‘micro-cosmopolitan country’, and the volume is prefaced with an autobiographical essay by one of the leading specialists in the field, authoritatively tracing the steady growth over recent decades of serious, informed and sustained study of what is a major achievement of Welsh culture.
A Toy Epic is the story of three boys moving towards the threshold of adult life in the 1930s. From differing backgrounds their lives cross and touch until they become firm friends. Each of them, Michael, Albie and Iorwerth, take up the story in turn, creating their own particular world and contriubting to the composite picture of life in 'one of the four corners of Wales'. Significantly, A Toy Epic is Wales' most important war novel, the dominant central theme of the book. It is framed by the two World Wars, and their shadows, one gone and one looming, colour the novel dark. War is the ultimate representation in the book of a dilemma: that war, although a threat to the existence of civilisation, can also advance it. A Toy Epic is Wales' shining example of modernism. Humphreys, in this book at least, is a modernist in the exact sense of the word. He experiments with form (in the footsteps of Woolf - in particular The Waves which folds an avuncular arm around A Toy Epic from beginning to end), but also he is conducting these experiments at the fault lines of fear and exaltation that the early part of the twentieth century inspired in its artists. A Toy Epic is a marvellous example of modernist techniques employed to condense the reading experience whilst opening up the riches of the prose's potential. It is also a very moving story of three boys growing up, about childhood, and Welsh childhood specifically, between the wars; it is about church versus chapel, about class, about different types of masculine identity, about prospects, about sex, marriage and about death. As M. Wynn Thomas points out in his full and excellent introduction to this edition, the boys represent the polarities at work in Wales during the time; the anglicanisation of Wales from without and within, the erosion of tradition, the significant internal migrations to the coast. Seldom has the country been so tellingly portrayed.
Conversations and Reflections brings together the previously uncollected ‘occasional writings’ of Emyr Humphreys, the major novelist of twentieth-century Wales. It maps the historical and cultural background to the work of a writer who was described by R. S. Thomas as ‘the supreme interpreter of Welsh life in English’. This selection of the most important essays published by Emyr Humphreys over a fifty-year period reveals the commanding range of his interests and confirms his stature as Wales's leading man of letters. Dealing with themes ranging from sixth-century literature to the twentieth-century media, these essays address the cultural commitments from which Emyr Humphreys’ creative writing takes its bearings, as well as being a major author’s statements on ‘his’ Wales, past and present. The essays are interwoven with a parallel series of discussions, conducted with M. Wynn Thomas, which explore many of the key personal, political and cultural concerns that have recurred throughout Emyr Humphreys’ work. Conversations and Reflections provides a fascinating overview of the work of one of Wales’ most significant creative writers and cultural activists.
