The Renaissance of emotion

The Renaissance of emotion

Author: Richard Meek

Publisher: Manchester University Press

Published: 2015-08-01

Total Pages: 384

ISBN-13: 0719098947

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This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.


Emotion in the Tudor Court

Emotion in the Tudor Court

Author: Bradley J. Irish

Publisher: Northwestern University Press

Published: 2018-01-15

Total Pages: 248

ISBN-13: 0810136414

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Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.


Humoring the Body

Humoring the Body

Author: Gail Kern Paster

Publisher: University of Chicago Press

Published: 2010-11-15

Total Pages: 291

ISBN-13: 0226648486

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Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.


The Automaton in English Renaissance Literature

The Automaton in English Renaissance Literature

Author: Wendy Beth Hyman

Publisher: Routledge

Published: 2016-03-23

Total Pages: 232

ISBN-13: 1317040805

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The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.


Masculinity and Emotion in Early Modern English Literature

Masculinity and Emotion in Early Modern English Literature

Author: Jennifer C. Vaught

Publisher: Routledge

Published: 2016-12-05

Total Pages: 449

ISBN-13: 1351919393

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The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.


Bodies and Selves in Early Modern England

Bodies and Selves in Early Modern England

Author: Michael C. Schoenfeldt

Publisher: Cambridge University Press

Published: 1999

Total Pages: 224

ISBN-13: 9780521669023

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Explores the close relationship between inner psychology and bodily processes as represented in English Renaissance poetry.


Yeats and English Renaissance Literature

Yeats and English Renaissance Literature

Author: Wayne K Chapman

Publisher: Springer

Published: 2016-07-27

Total Pages: 323

ISBN-13: 1349214027

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This book is the first to make extensive use of unpublished manuscripts to show how a period of English literature affected W.B.Yeats's development as a poet. Besides presenting a factual account of his acquaintance with English Renaissance writers based on evidence from his library and elsewhere, the study examines his response to numerous minor figures and several major ones - including Spenser, Jonson, Shakespeare, Donne and Milton.


Shakespeare and Emotion

Shakespeare and Emotion

Author: Katharine A. Craik

Publisher: Cambridge University Press

Published: 2020-10-22

Total Pages: 708

ISBN-13: 1108245153

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Shakespeare and Emotion devotes sustained attention to the emotions as a novel way of exploring Shakespeare's works in their original contexts. A variety of disciplinary approaches drawn from literary, theatrical, historical, cultural and film studies brings the recent upsurge of interest in affect into conversation with some of the most urgent debates in Shakespeare studies. The volume provides both a comprehensive account of the current state of scholarship and a speculative forum for new research. Its chapters outline some important contexts for understanding Shakespeare's creativity through an emotional lens – from religion, rhetoric, and medicine, to language, acting and Bollywood – and offer a range of case studies which reveal particular emotions at work. Considering emotional and passionate experience as an animating and sometimes alienating force within the plays and poems, the volume highlights the continuing importance of Shakespeare today: for our sense of who we are and who we might become.


English Renaissance Literature and Contemporary Theory

English Renaissance Literature and Contemporary Theory

Author: Paul Cefalu

Publisher: Springer

Published: 2007-08-06

Total Pages: 224

ISBN-13: 0230607497

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This book offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory - including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Zizek, and Alenka Zupancic - can illuminate Early Modern literature and culture.