"Superb characterizations round out this captivating production." —Library Journal, Best Audiobooks of 2022 On her 30th birthday, Yale-educated Zoe Greene was supposed to be married to her high-school sweetheart, pregnant with their first baby, and practicing law in Chicago. Instead, she’s planning an abortion and filing for divorce. Zoe wants to understand why her plans failed—and to move on, have sex, and date while there’s still time. As she navigates dysfunctional penises, a paucity of grammatically sound online dating profiles, and her paralyzing fear of aging alone, she also grapples with the pressure women feel to put others first. Ultimately, Zoe’s family, friends, incomparable therapist, and diary of never-to-be-sent letters to her first loves, the rock band U2, help her learn to let go—of society’s constructs of female happiness, and of her own.
In the tradition of Sarah Dessen, this powerful debut novel is a compelling portrait of a young girl coping with her mother’s cancer as she figures out how to learn from—and fix—her past mistakes. Few things come as naturally to Harper as epic mistakes. In the past year she was kicked off the swim team, earned a reputation as Carson High’s easiest hook-up, and officially became the black sheep of her family. But her worst mistake was destroying her relationship with her best friend, Declan. Now, after two semesters of silence, Declan is home from boarding school for the summer. Everything about him is different—he’s taller, stronger…more handsome. Harper has changed, too, especially in the wake of her mom’s cancer diagnosis. While Declan wants nothing to do with Harper, he’s still Declan, her Declan, and the only person she wants to talk to about what’s really going on. But he’s also the one person she’s lost the right to seek comfort from. As their mutual friends and shared histories draw them together again, Harper and Declan must decide which parts of their past are still salvageable and which parts they’ll have to let go of once and for all. In this honest and affecting tale of friendship and first love, Emily Martin brings to vivid life the trials and struggles of high school and the ability to learn from past mistakes over the course of one steamy North Carolina summer.
This story moves around Aunt Emily, a farm lady (that would become a well known fashion designer after she moved to New York) and Phelps Durham, a writer of romance novels. In due course the two would wed. First, everybody remembers how Phelps Durham, the famous writer of romance novels, looked like in reality, not as he appeared in the yellowish pictures that Aunt Emily kept around the house: a 6:10 ft. tattooed Yankee – too tall to be a serious writer - who couldn’t fit in a normal door frame, or in a rolling door, and who could start a storm with his deep breath and crush a brick without utensils, with his bare hands or feet, if you gave him the idea that he could do it. He looked funny when Aunt Emily, who was 5.2 feet, was around. His head was like an egg decorated with a fresh crew haircut. Aunt Emily’s head was round and her face was pale. Also Phelps’ and Aunt Emily’s personalities were opposite: Aunt Emily was docile, she would listen to everybody’s talk and always make concessions, while Phelps was one of those men that thought that only his opinion was right and who could convince anybody in a couple of seconds that whatever he was saying was the only truth that there was The first chapter is dedicated to Phelps Durham only, to his passion for writing and his love for an actress Maggie – his first major flame, which he married shortly after they met in a fish market in downtown New York. Very soon their marriage fell apart. Maggie got increasingly troubled by a strange trembling (she called it “tremolo”) of her both hands. In her miserable state of mind she told Phelps one day that she didn’t want to have sex anymore, that she had enough of it. As Phelps and Maggie decided to divorce Phelps knew that he was dishonest, given that he was running away from a woman that was more than ever in need of somebody to take care of her. Chapter two is dedicated to Aunt Emily: “People ask me all the time how was Aunt Emily Wagner in reality. I confess that I don’t know everything about Aunt Emily’s family. The way I describe her in this story is how I felt she was. I began seeing her more often after her family moved and lived on a farm next to ours. When I think of Aunt Emily there are two hypostases that are very distinctive and irreconcilable. First, when she was fifteen (I was seven at that time), her beauty was like a “peach flower whispering to a spring breeze”. I found the above quotation in a small book called “How to impress a young lady with versatile poetry”. First I thought that versatile was the name of a poet. Her beauty, Aunt Emily’s, made me feel happy and also uncomfortable. I’d stand next to her and pinch her arm. I was in love with her, nobody would doubt that. As opposed to Phelps that had a modest background and worked very hard to make a living from his writing, Aunt Emily was born wealthy. Her dad used to collect vintage cars, among them a precious Rolls Royce that belonged to Winston Churchill.
THIS HIGHLY GIFTABLE DELUXE EDITION OF THE BESTSELLER INCLUDES THREE ALL-NEW CHAPTERS Motherhood is hard. In a world of five-step lists and silver-bullet solutions to become perfect parents, mothers are burdened with mixed messages about who they are and what choices they should make. If you feel pulled between high-fives and hard words, with culture’s solutions only raising more questions, you’re not alone. But there is hope. You might think that Scripture doesn’t have much to say about the food you make for breakfast, how you view your postpartum body, or what school choice you make for your children, but a deeper look reveals that the Bible provides the framework for finding answers to your specific questions about modern motherhood. Emily Jensen and Laura Wifler help you understand and apply the gospel to common issues moms face so you can connect your Sunday morning faith to the Monday morning tantrum. Discover how closely the gospel connects with today’s motherhood. Join Emily and Laura as they walk through the redemptive story and reveal how the gospel applies to your everyday life, bringing hope, freedom, and joy in every area of motherhood.
Emily Dickinson exemplified the virtue of self-discipline. She wrote poetry largely for her own pleasure and to exercise and increase her creative talents. Very few of her poems were published during her own lifetime, yet we know that she wrote consistently--perhaps every day--over several decades. Poetry was her way of knowing herself and understanding the world. She could control and express her ideas and emotions through poetry, perhaps the most demanding form of writing. What does it mean to be a disciplined poet? It means writing and rewriting poems until they seem to be as perfect as possible. Dickinson left behind many drafts of her poems--sometimes including alternate wordings, as if to acknowledge that her writing was still seeking perfection. Dickinsons discipline was self-imposed. She met no publishing deadlines. She did not write for a patron who sponsored her creative efforts. She did not expect the world to acknowledge her poetry as soon as it was written. Yet now she is considered one of the greatest poets ever to have written in the English language. She valued the labor and the results of a job well done. Emily Dickinson is a model not only for writers, but for anyone who wishes calmly and determinedly to pursue a goal, even without the prospect of an immediate reward.
INSTANT NEW YORK TIMES BESTSELLER "My Body offers a lucid examination of the mirrors in which its author has seen herself, and her indoctrination into the cult of beauty as defined by powerful men. In its more transcendent passages . . . the author steps beyond the reach of any 'Pygmalion' and becomes a more dangerous kind of beautiful. She becomes a kind of god in her own right: an artist." —Melissa Febos, The New York Times Book Review A "MOST ANTICIPATED" AND "BEST OF FALL 2021" BOOK FOR * VOGUE * TIME * ESQUIRE * PEOPLE * USA TODAY * CHICAGO TRIBUNE * LOS ANGELES TIMES * SHONDALAND * ALMA * THRILLEST * NYLON * FORTUNE A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the gray area between consent and abuse. Nuanced, fierce, and incisive, My Body marks the debut of a writer brimming with courage and intelligence.
A Washington Post Bestseller An entirely fresh approach to ending the high school dropout crisis is revealed in this groundbreaking chronicle of unprecedented transformation in a city notorious for its "failing schools" In eighth grade, Eric thought he was going places. But by his second semester of freshman year at Hancock High, his D's in Environmental Science and French, plus an F in Mr. Castillo's Honors Algebra class, might have suggested otherwise. Research shows that students with more than one semester F during their freshman year are very unlikely to graduate. If Eric had attended Hancock—or any number of Chicago's public high schools—just a decade earlier, chances are good he would have dropped out. Instead, Hancock's new way of responding to failing grades, missed homework, and other red flags made it possible for Eric to get back on track. The Make-or-Break Year is the largely untold story of how a simple idea—that reorganizing schools to get students through the treacherous transitions of freshman year greatly increases the odds of those students graduating—changed the course of two Chicago high schools, an entire school system, and thousands of lives. Marshaling groundbreaking research on the teenage brain, peer relationships, and academic performance, journalist turned communications expert Emily Krone Phillips details the emergence of Freshman OnTrack, a program-cum-movement that is translating knowledge into action—and revolutionizing how teachers grade, mete out discipline, and provide social, emotional, and academic support to their students. This vivid description of real change in a faulty system will captivate anyone who cares about improving our nation's schools; it will inspire educators and families to reimagine their relationships with students like Eric, and others whose stories affirm the pivotal nature of ninth grade for all young people. In a moment of relentless focus on what doesn't work in education and the public sphere, Phillips's dramatic account examines what does.
A remarkable memoir by a mother and her autistic daughter who’d long been unable to communicate—until a miraculous breakthrough revealed a young woman with a rich and creative interior life, a poet, who’d been trapped inside for more than two decades. “I have been buried under years of dust and now I have so much to say.” These were the first words twenty-five-year-old Emily Grodin ever wrote. Born with nonverbal autism, Emily’s only means of communicating for a quarter of a century had been only one-word responses or physical gestures. That Emily was intelligent had never been in question—from an early age she’d shown clear signs that she understood what was going on though she could not express herself. Her parents, Valerie and Tom, sought every therapy possible in the hope that Emily would one day be able to reveal herself. When this miraculous breakthrough occurred, Emily was finally able to give insight into the life, frustrations, and joys of a person with autism. She could tell her parents what her younger years had been like and reveal all the emotions and intelligence residing within her; she became their guide into the autistic experience. Told by Valerie, with insights and stories and poetry from Emily, I Have Been Buried Under Years of Dust highlights key moments of Emily’s childhood that led to her communication awakening—and how her ability rapidly accelerated after she wrote that first sentence. As Valerie tells her family’s story, she shares the knowledge she’s gained from working as a legal advocate for families affected by autism and other neurological disorders. A story of unconditional love, faith in the face of difficulty, and the grace of perseverance and acceptance, I Have Been Buried Under Years of Dust is an evocative and affecting mother-daughter memoir of learning to see each other for who they are.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR
For fans of Olivia and Eloise, this stunning debut from Kelly Light is an irresistible story about the importance of creativity in all its forms. Meet Louise. Louise loves art more than anything. It's her imagination on the outside. She is determined to create a masterpiece—her pièce de résistance! Louise also loves Art, her little brother. This is their story. Louise Loves Art is a celebration of the brilliant artist who resides in all of us.
