He examines the ways in which Emerson's texts have been read in the United States, the myriad methods by which those texts have been pillaged, picked over, and repackaged - in a word, consumed - by biographers, political apologists, self-help proponents, entrepreneurs, and academicians alike.".
Ralph Waldo Emerson has always fascinated students of criticism and of American literature and thought. Emerson’s Literary Criticism supplies the continuing need for an anthology. This collection brings together Emerson’s literary criticism from a wide variety of sources. Eric W. Carlson has culled both the major statements of Emerson's critical principles and many secondary observations that illuminate them. Here are more than sixty selections on thirty-five critical topics. Headnotes provide valuable background. Carlson relates Emerson’s critical principles to his philosophy, social thought, and literary milieu, and also to biographical details. Intended for the student as well as the researcher, this book amply illustrates Alfred Kazin's contention that Ralph Waldo Emerson was "one of the shrewdest critics who ever lived."
Ralph Waldo Emerson, the greatest of the Transcendentalists, is often considered to be the central thinker in American history. In essays such as "Self-Reliance" and poems such as "Concord Hymn," he gave voice to ideals that Americans have held dear ever since. Critical Companion to Ralph Waldo Emerson is a reliable and up-to-date resource for students interested in this prolific author. This illustrated volume examines Emerson's life and 140 of his most important works, including all of his major essays and 60 of his poems. Coverage includes: A concise but thorough biography Entries on major books; lectures; essays, such as "Self-Reliance," "Nature," and "The Over-Soul"; poems, such as "Concord Hymn," "Brahma," and "Merlin"; and more Entries on related people, places, and topics, including Henry David Thoreau, Concord, the Transcendental Club, Unitarianism, the Dial, and more Appendixes, including a chronology of Emerson's life, a bibliography of his works, and primary and secondary sources.
A history of the most important scholarly criticism of Emerson from his time down to the present. Since the 1820s, Ralph Waldo Emerson has provoked an unsettled response from his readers and contentiousness among critics. Critics still contest Emerson's position: Was he poet or philosopher? Did he liberate American literatureor narrow it to a one-dimensional idea? Is his signature concept of self-reliance the most profound contribution to democratic individualism or the epitome of capitalism's impoverished thought? But by the mid 20th century the swing between condemnation and celebration of Emerson had given way to the familiar story of his bisected career, which provided a neat structure for viewing his life and work, and shaped our thought about him. Now that story is beingchallenged by the application of poststructuralism and textual editing, and with the publication of an amazing repertoire of editions, the Emerson canon is changing. The result is that Emerson criticism now faces a far more complex group of writings than before. One hundred and fifty years after Emerson styled himself an 'experimenter' who would 'unsettle all things, ' this new critical history illustrates the continuing, thought-provoking success of thatexperiment. Sarah Ann Wider is Professor of English at Colgate University in Hamilton, New York.
Bringing together Continental literary theory and Anglo-American philosophy, Listening on All Sides reads the work of Ralph Waldo Emerson, Herman Melville, Nathanial Hawthorne, Wallace Stevens, and William Carlos Williams to uncover the role literary texts play in the way that language use creates and defines culture and ethics.
Our foremost literary critic on our most essential writers, from Emerson and Whitman to Hurston and Ellison, from Faulkner and O'Connor to Ursula K. LeGuin and Philip Roth. No critic has better understood the ways writers influence one another—how literary traditions are made—and no writer has helped readers understand this better, than Harold Bloom. Over the course of a remarkable sixty-year career, in such bestselling books as The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why, Bloom brought enormous insight and infectious enthusiasm to the great writers of the Western tradition, from Shakespeare and Cervantes to the British Romantics and the Russian masters. Now, for the first time, comes a collection of his brilliant writings about the American tradition, the ultimate guide to our nation’s literature. Assembled with David Mikics (Slow Reading in a Hurried Age), this unprecedented collection gathers five decades’ worth of Bloom’s writings— much of it hard to find and long unavailable—including essays, occasional pieces, and introductions as well as excerpts from his books. It offers deep readings of 47 essential American writers, reflecting on the surprising ways they have influenced each other across more than two centuries. The story it tells, of American literature as a recurring artistic struggle for selfhood, speaks to the passion and power of the American spirit. All of the visionary American writers who have long preoccupied Bloom―Emerson and Whitman, Hawthorne and Melville, and Dickinson, Faulkner, Crane, Frost, Stevens, and Bishop―make their appearance in The American Canon, along with Hemingway, James, O’Connor, Ellison, Hurston, Le Guin, Ashbery and many others. Bloom’s passion for these classic writers is contagious, and he reminds readers how they have shaped our sense of who we are, and how they can summon us to be better versions of ourselves. Bloom, Mikics writes, “is still our most inspirational critic, still the man who can enlighten us by telling us to read as if our lives depended on it: Because, he insists, they do.” For readers who want to deepen their appreciation of American literature, there's no better place to start than The American Canon.
This gathering of eleven original essays with a substantive introduction brings the traditional image of Emerson the Transcendentalist face-to-face with an emerging image of Emerson the reformer. The Emerson Dilemma highlights the conflict between Emerson’s philosophical attraction to solitary contemplation and the demands of activism compelled by the logic of his own writings. The essays cover Emerson’s reform thought and activism from his early career as a Unitarian minister through his reaction to the Civil War. In addition to Emerson’s antislavery position, the collection covers his complex relationship to the early women’s rights movement and American Indian removal. Individual essays also compare Emerson’s reform ethics with those of his wife, Lidian Jackson Emerson, his aunt Mary Moody, Henry David Thoreau, John Brown, and Margaret Fuller. The Emerson who emerges from this volume is one whose Transcendentalism is explicitly politicized; thus, we see him consciously mediating between the opposing forces of the world he “thought” and the world in which he lived.