The hit television show that helped revolutionize emergency medical care in the streets is still a favorite with fans all over the world. When the show premiered in 1972 fire department paramedic services were being piloted in just a handful of cities. By 1977 over 50% of the US population was within 10 minutes of a paramedic unit. The paramedics of Fire Station 51 showed viewers critical techniques such as CPR that saved lives both on screen and off. Emergency! Behind the Scene contains real life tales from the production crew - from medical and fire technical advisors, cast members and writer, to paramedics and fire fighters. Learn more about Johnny Gage, Roy DeSoto, Dixie McCall and the rest of the Station 51 Rampart General Hospital staff. If you are a fire fighter, paramedic or simply a fan you will enjoy this in depth look behind the scenes.
It has been said that the records of singer and actress Julie London were purchased for their provocative, full-color cover photographs as frequently as they were for the music contained in their grooves. During the 1950s and 1960s, her piercing blue eyes, strawberry-blonde hair, and shapely figure were used to sell the world an image of cool sexuality that stoked the fevered dreams of many men. The contrast between that image and reality, the public and the private, is at the heart of Julie London's story. Through years of research, extensive interviews with family, friends, and musical associates, and access to rarely seen or heard archival material, author Michael Owen reveals the impact that her image had on the direction of her career and how it influenced the choices she made, including the decision to walk away from performing. Go Slow follows Julie London's life and career through its many stages: her transformation from 1940s movie starlet to the coolly defiant singer of the classic torch ballad "Cry Me a River" of the 1950s, and her journey from Las Vegas hotel entertainer during the rock and roll revolution of the 1960s to the no-nonsense nurse of the 1970s hit television series Emergency!
Just after recording with John Coltrane in 1963, baritone singer Johnny Hartman (1923–1983) told a family member that “something special” occurred in the studio that day. He was right – the album, containing definitive readings of “Lush Life” and “My One and Only Love,” resides firmly in the realm of iconic; forever enveloping listeners in the sounds of romance. In The Last Balladeer, author Gregg Akkerman skillfully reveals not only the intimate details of that album but the life-long achievements and occasional missteps of Hartman as an African-American artist dedicated to his craft. This book carefully follows the journey of the Grammy-nominated vocalist from his big band origins with Earl Hines and Dizzy Gillespie to featured soloist in prestigious supper clubs throughout the world. Through exclusive interviews with Hartman’s family and fellow musicians (including Tony Bennett, Billy Taylor, Kurt Elling, Jon Hendricks, and others), accounts from friends and associates, newly discovered recordings and studio outtakes, and in-depth research on his career and personal life, Akkerman expertly recollects the Hartman character as a gentleman, romantic, family man, and constant contributor to the jazz scene. From his international concerts in Japan, Australia, and England to his steady presence as an American nightclub singer that spanned five decades, Hartman personifies the “last balladeer” of his kind, singing with a sentiment that captured the attention of Clint Eastwood, who brought Hartman’s songs to the masses in the film The Bridges of Madison County. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life.
When the world premiere of "Emergency!" was first broadcast in 1972, there were only 12 paramedic units in all of North America. Ten years later, more than half of all Americans were within 10 minutes of a paramedic rescue or ambulance unit, which simply would not have happened without the influence of "Emergency!"
Hilarious and heart-warming, this unconventional new comedy tackles love, loss, and coming to terms with growing old. After hooking up at a funeral, Angus and Abigail find themselves waking up the next morning wrapped in sheets on Angus' sofa. Strangers just the day before, Abigail thinks she may finally be ready to take another chance on love, but Angus has a few issues to work through first. Enter neighbor Ollie, formerly a baseball player for the Detroit Tigers who now enjoys golf and yoga. Nothing is as it seems with this trio and every disclosure reveals a new perspective. Set in a nearby Florida retirement community, this charming and big-hearted comedy takes us on an unexpected journey toward a new lease on life.
"Emergency!: A Binge Guide to the Series" is an unofficial viewer's guide to the classic television series. This binge guide walks the reader through the entire television series, episode by episode, with synopses, location and character information, goofs, medical and equipment notes, and trivia about the EPISODES, ONE AT A TIME to be referenced while watching it. And no spoilers about any episodes to follow!
Cyber Spying Tracking Your Family's (Sometimes) Secret Online Lives shows everyday computer users how to become cyber-sleuths. It takes readers through the many different issues involved in spying on someone online. It begins with an explanation of reasons and ethics, covers the psychology of spying, describes computer and network basics, and takes readers step-by-step through many common online activities, and shows what can be done to compromise them. The book's final section describes personal privacy and counter-spy techniques. By teaching by both theory and example this book empowers readers to take charge of their computers and feel confident they can be aware of the different online activities their families engage in. - Expert authors have worked at Fortune 500 companies, NASA, CIA, NSA and all reside now at Sytex, one of the largest government providers of IT services - Targets an area that is not addressed by other books: black hat techniques for computer security at the personal computer level - Targets a wide audience: personal computer users, specifically those interested in the online activities of their families
THE STORY: The setting is an East Texas small-town bar, and the action covers three periods in the main character's life, at six, sixteen and twenty. He and his resilient, but resigned, mother frequent the bar so that the boy may at least get to kn
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
(Screen World). "An invaluable reference guide for anyone who loves film." Back Stage Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 56 provides an illustrated listing of every significant American and foreign film released in the United States in 2004, documented with more than 1000 color and black-and-white photographs. The 2005 edition highlights Clint Eastwood's Million Dollar Baby , which won four Academy Awards, including Best Picture, Best Director, Best Actress in a Leading Role (Hilary Swank) and Best Actor in a Supporting Role for Morgan Freeman, his first Oscar. Martin Scorsese's The Aviator picked up five Academy Awards. Other notable films include Hotel Rwanda starring Academy Award nominees Don Cheadle and Sophie Okonedo. As always, Screen World 's outstanding features include: Full-page photos of the Academy Award-winning actors as well as photos of all acting nominees; A look at the year's most promising new screen personalities; Complete filmographies; A comprehensive index; and more.
