Unique in its diversity within a small region, the embroidery of the Epirus region of Greece and the islands of the Aegean and Ionian Seas provides an insightful look at the relationships between textiles and culture. The geographical position of the are
This is a sequel and companion volume to the author's Ottoman Embroidery (Studio Vista, 1993). It traces in detail the differences between Greek mainland embroidery (for costume) and island embroidery (for domestic textiles) over five centuries, and documents the difference in designs between islands and island groups.
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
This is a classic article on Greek embroidery, especially that found on women's chemises. The chemise is a basic garment worn by peasant women all over the Balkans for many centuries, as late as the twentieth century in some places. The article aims to illustrate and discuss the embroidery of nineteen chemises that could be found at the Metropolitan Museum if Art, New York, and was originally written as part of the author's doctoral dissertation. This volume is highly recommended for those with an interest in history of embroidery, and it would make for a worthy addition to collections of related literature. Contents include: “A History of Textiles and Weaving”, “Variables”, “Regional Embroidery Styles”, “Summary”, and “Appendix”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of textile and weaving.
This book presents one hundred of the finest textiles and fashion arts produced by weavers, embroiderers, and designers around the globe. Twenty-nine short essays introduce some of the major techniques and genres that textile makers have invented over the past twenty-five hundred years of human history.--[book cover].
This book analyses aspects of the material culture of early modern Greece from an object-based perspective, using surviving artefacts from that period as primary sources. A printed book, a wine jug, an ecclesiastical embroidery, and a pocket watch are used as entry points to examine the consumer practices of the emerging Greek bourgeoisie under Ottoman rule in the long eighteenth century. The acquisition and usage of novel products – especially imported ones – by Greeks was connected to personal expression, identity building, and self-determination in the context of the Enlightenment. The enjoyment of innovative artefacts opened new horizons to them and facilitated their individual and collective empowerment. The originality of the book lies in its eclectic and interdisciplinary approach towards early modern Greek material culture, an under-researched topic. The study is embedded within contemporary discourses on transnational trade, the materiality of everyday life, pleasurable consumption, and the negotiation of identities. This volume will appeal to students and scholars of early modern and modern Greek history, Ottoman history, European history, material culture, history of technology, museum studies, and cultural heritage studies, as well as museum professionals, collectors, and the wider educated public.