Emblems from Eden
Author: James Hamilton
Publisher:
Published: 1869
Total Pages: 159
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: James Hamilton
Publisher:
Published: 1869
Total Pages: 159
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hamilton
Publisher:
Published: 1856
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1900
Total Pages: 376
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hamilton (Minister of the Presbyterian Church, Regent Square, London.)
Publisher:
Published: 1869
Total Pages: 520
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1881
Total Pages: 628
ISBN-13:
DOWNLOAD EBOOKAuthor: Elemér Hankiss
Publisher: Central European University Press
Published: 2001
Total Pages: 340
ISBN-13: 9789639241077
DOWNLOAD EBOOKAn encyclopedic study on the role that fear and anxiety have played as the organizing motives of human existence and social life. Hankiss explains how human beings have surrounded themselves with protective symbols: myths and religions, values and belief systems, ideas and scientific theories, moral and practical rules of behaviour, and a wide range of everyday rituals and trivialities.
Author: David Morison (F.S.A.Scot.)
Publisher:
Published: 1838
Total Pages: 416
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1856
Total Pages: 870
ISBN-13:
DOWNLOAD EBOOKAuthor: David Morison
Publisher:
Published: 1838
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOKAuthor: John Manning
Publisher: Reaktion Books
Published: 2004-04-04
Total Pages: 404
ISBN-13: 1861895925
DOWNLOAD EBOOKThe emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways.