The English Emblem Tradition

The English Emblem Tradition

Author: Alan R. Young

Publisher: University of Toronto Press

Published: 1998-09-19

Total Pages: 0

ISBN-13: 9780802009876

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The emblem was one of the most distinctive of Renaissance art forms, lending itself to the concrete manifestation of the deeply-rooted Renaissance belief in the interrelationship between painting and poetry. Emblems, typically consisting of a combination of motto, picture, and poem, had a didactic as well as illustrative function, and were used to expound an ethical or moral truth. Henry Peacham's Manuscript Emblem Books is a collection of four emblem manuscripts by the noted seventeenth-century humanist scholar, Henry Peacham. The volume includes three books based on King James I's Basilicon Doron, and a fourth emblem book entitled Emblemata varia. The story of their genesis, composition, and dedications to King James and his eldest son, Prince Henry, offers some fascinating insights into the attempts by Peacham to obtain royal patronage. In keeping with previous volumes in the Index Emblematicus series, the text and picture of each emblem is presented and accompanied by on-page translation and analysis.


The English Emblem Tradition

The English Emblem Tradition

Author: Peter Maurice Daly

Publisher: Index Emblematicus

Published: 1998

Total Pages: 376

ISBN-13:

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Rooted in the Renaissance, "emblems" typically consisted of a combination of motto, picture, and poem, and were used to expound an ethical or moral truth. THE MANUSCRIPT EMBLEM BOOKS OF HENRY PEACHAM is a collection of four emblem manuscripts by the noted 17th-century humanist scholar Henry Peacham.


Bibliography of Emblematic Manuscripts

Bibliography of Emblematic Manuscripts

Author: Sandra Sider

Publisher: McGill-Queen's Press - MQUP

Published: 1997

Total Pages: 248

ISBN-13: 9780773515505

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This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.


Shakespeare and the Visual Imagination

Shakespeare and the Visual Imagination

Author: Stuart Sillars

Publisher: Cambridge University Press

Published: 2015-08-06

Total Pages: 337

ISBN-13: 1107029953

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A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.


The Emblem Tradition and the Low Countries

The Emblem Tradition and the Low Countries

Author: John Manning

Publisher: Brepols Publishers

Published: 1999

Total Pages: 444

ISBN-13:

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Antwerp and Amsterdam were among the most active publishing centres for emblematic forms in Europe during the sixteenth and seventeenth centuries. Nowhere else was the emblematic mode more integrated into the literary and artistic culture than in the Low Countries. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996. The table of contents provides an overview of the variety of topics and approaches represented in the volume.


The Emblem

The Emblem

Author: John Manning

Publisher: Reaktion Books

Published: 2004-04-04

Total Pages: 404

ISBN-13: 1861895925

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The emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways.