Tuning, Timbre, Spectrum, Scale

Tuning, Timbre, Spectrum, Scale

Author: William A. Sethares

Publisher: Springer Science & Business Media

Published: 2005-11-18

Total Pages: 427

ISBN-13: 184628113X

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Tuning, Timbre, Spectrum, Scale focuses on perceptions ofconsonance and dissonance, and how these are dependent on timbre. This alsorelates to musical scale: certain timbres sound more consonant in some scalesthan others. Sensory consonance and the ability to measure it have importantimplications for the design of audio devices and for musical theory andanalysis. Applications include methods of adapting sounds for arbitrary scales,ways to specify scales for nonharmonic sounds, and techniques of soundmanipulation based on maximizing (or minimizing) consonance. Specialconsideration is given here to a new method of adaptive tuning that canautomatically adjust the tuning of a piece based its timbral character so as tominimize dissonance. Audio examples illustrating the ideas presented areprovided for free on the Springer Extras website (http://extras.springer.com). Thisunique analysis of sound and scale will be of interest to physicists andengineers working in acoustics, as well as to musicians and psychologists


CCRMA Report

CCRMA Report

Author: Stanford University. Center for Computer Research in Music and Acoustics

Publisher:

Published: 1996

Total Pages: 94

ISBN-13:

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Tonal Pitch Space

Tonal Pitch Space

Author: Fred Lerdahl

Publisher: Oxford University Press

Published: 2004-12-09

Total Pages: 430

ISBN-13: 0199884404

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Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.


A Geometry of Music

A Geometry of Music

Author: Dmitri Tymoczko

Publisher: Oxford University Press

Published: 2011-03-21

Total Pages: 469

ISBN-13: 0199887500

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How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.


Expanded Cinema

Expanded Cinema

Author: Gene Youngblood

Publisher: Fordham University Press

Published: 2020-03-03

Total Pages: 485

ISBN-13: 0823287432

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Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.


Co-Operative Action

Co-Operative Action

Author: Charles Goodwin

Publisher: Cambridge University Press

Published: 2018

Total Pages: 557

ISBN-13: 0521866332

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This book investigates how language, embodiment, objects, and settings in historically shaped communities combine, and form human actions.