Their friends are in search of a Southern utopia. But Hayden is seeking revenge--relentlessly. And Magnolia is seeking a way out--desperately. Falling in love was never part of their plans. . . .
Sébastien Cuvelier?s journey to Iran was inspired by a manuscript written on travels to Persepolis made by his late uncle in 1971. In this book, the photographs from Sébastien?s time in Iran are layered on top of his late uncle?s diary as a conversation between the two journeys. The book follows Sébastien?s search through both the contemporary and ancient landscapes of Iran to locate an elusive, dreamlike version of paradise.
Futurescaping is an engaging guide to making better life decisions by adapting the best elements of business planning for personal success. So many people manage brilliantly at work, making smart and accountable decisions, yet let their personal lives slide into gentle chaos. Futurescaping reveals the truths of corporate future planning, outlining the importance and benefit of accountability and a clear bottom line. It focuses on the enigmatic technique of scenario planning which enables organisations to plan decades in advance, and shows how individuals can use the same technique to plan for their own futures. Building on interviews with business leaders, life coaches and behavioural economists, this engaging, clear-sighted book will allow you to build a model of your future to help you make smarter choices in your career, family life, health and personal finances. Presented with a dry wit, not only will Futurescaping help you to organise your life, it will help you free yourself from entrenched thinking patterns by getting you to think in a whole new way. If you've never believed planning could be liberating, prepare to be wrong.
This book deals directly with issues of consciousness within works of postcolonial and diasporic writers. It discusses fiction, autobiography and theory to re-formulate a “writing of consciousness”, addressing contemporary cultural theory related to a wide range of dynamic writers and ground-breaking novels. A critical analysis of literature contextualises consciousness (understood here as the source of language and human creativity), and explores ways in which consciousness is involved in the creative process. Tackling the controversial nature of consciousness itself, the book argues that consciousness must be understood in its philosophical and social contexts. The idea of relocating consciousness calls for a new aesthetics and ethics of living in the diasporic world where we are all to some extent “migrant”. The book explores notions of consciousness as alternative narrative structures to society, while expanding contemporary postcolonial theory beyond the limited dimension of power-based-on-violence to a more visionary exploration of experience based on consciousness as unity-in-diversity. Themes explored include sacred experience as empowerment; trauma, terror and the impact of consciousness; cosmopolitanism and globalisation; and the literature of human survival. Written in a lively and accessible manner the book will appeal to all readers who enjoy being on the cutting-edge of contemporary world literature.
We've all got one. A secret, special place. Hidden. Enclosed. A little greener and more fertile than the world outside. Here the birds are slightly more exotic, slightly more confiding, the grass greener and the fruit sweeter. To know such a place, to love such a place, is part of being human. Sometimes it's a place of myth, like the Garden of Eden. Sometimes it exists in fictional form, like Narnia or Shangri-La. Sometimes it comes in memories of a golden day in childhood, or in a glorious, doomed love affair. Sometimes it's a real place that we daren't go back to, for fear that it – or we – had changed. And just occasionally it's a real place. A place where you leave a small piece of your heart and return as often as you can so as not to lose it. It's a place of privilege. Simon Barnes found such a place when he woke in his first morning in the Luangwa Valley in Zambia to find elephants eating the roof of his hut. It was a homecoming, and he has been faithful to that passion ever since. Here he has known peace, danger, discomfort, fear and a profound sense of oneness with the Valley, with all nature and with the world. With the Valley he found completion. This book explores the special places of the mind and the world, with special reference to the Luangwa Valley and the glorious support of the Valley's great artist, Pam Carr. It's a book about the quest for paradise, and the eternal human search to find such a paradise everywhere.
Early Genesis is like a table of contents for the rest of the book, a seed from which the rest of Scripture and history unfolds: so many ideas, images, and events can be traced back to it. Like the seeds that are so often our staple for life, Genesis also provides food for the soul, true wisdom, and the big picture we need to live in this world. But its message can be hindered by misunderstanding its purpose. Making Sense of Genesis looks at what works and what doesn't work when interpreting Genesis. It's not a commentary, so it doesn't interact with all of Genesis or much that has been written about it. Rather, it observes how the ideas and images in early Genesis unfold and are fulfilled, and how they are just as true and fresh for us now as they were in the beginning.
Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance or irresponsibility but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning distinct from the secularized accounts within the horizon of public health programmes and queer theory. Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday laughter, flirting, and teasing to impossible longings, kinship networks, and economies of property and of substance in order to give a fuller account of trans lives and of Indian society today.
Hirschel and Wakefield provide their readers with an informed and interesting view of two criminal justice systems. The discussion revolves around the history and development of the criminal justice systems of England and the United States. The authors draw comparisions between the two with a view toward policy implications for the administration of criminal justice. The discussion includes areas of law enforcement, judicial systems, correctional systems, and ends with an evaluation of the English criminal justice system and lessons for both the United States and England.
Like so many of us, Lucinda Fleeson wanted to escape what had become a routine life. So, she quit her big-city job, sold her suburban house, and moved halfway across the world to the island of Kauai to work at the National Tropical Botanical Garden. Imagine a one-hundred-acre garden estate nestled amid ocean cliffs, rain forests, and secluded coves. Exotic and beautiful, yes, but as Fleeson awakens to this sensual world, exploring the island's food, beaches, and history, she encounters an endangered paradise—the Hawaii we don't see in the tourist brochures. Native plants are dying at an astonishing rate—Hawaii is called the Extinction Capital of the World—and invasive species (plants, animals, and humans) have imperiled this Garden of Eden. Fleeson accompanies a plant hunter into the rain forest to find the last of a dying species, descends into limestone caves with a paleontologist who deconstructs island history through fossil life, and shadows a botanical pioneer who propagates rare seeds, hoping to reclaim the landscape. Her grown-up adventure is a reminder of the value of choosing passion over security, individuality over convention, and the pressing need to protect the earth. And as she witnesses the island's plant renewal efforts, she sees her own life blossom again.