Published on the occasion of an exhibition of works from the Harry Ransom Center, University of Texas at Austin, held there, August 15, 2016-January 1, 2017.
This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners--bold statement images replete with humour, irony and acknowledged absurdity--the photographs selected for this book are quieter, more subtle and suggest Erwitt's increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.
Includes previously unpublished photographs of Pittsburgh by acclaimed photographer Elliot Erwitt taken between 1949 and 1950. These photographs, capturing the humanity and spirit of the architecture and people of the city of Pittsburgh, were thought lost until the negatives were recently located in the Pittsburgh Photographic Library.
First published in 1995. This is Volume 11, number 3 of Psychoanalytic Inquiry focusing on the recent developments in the concept and treatment of phobias and panic states. This text presents an integration of neuroscientific and psychoanalytic information, and is scientifically comprehensive and clinically sensitive.
Elliott Erwitt’s eye for humor catches at the same time the subtle hint of tragedy. Seeing what few others see, and capturing it for all of us, is the essence of Personal Exposures. For this volume Elliott painstakingly culled the work of a lifetime, rediscovering prints he had not seen in years and creating a unified whole that reflects a consistent, mature vision of photography and humanity. Here are men, women, and children in off-guard moments; old people; little girls hamming it up; and even various dogs, who have their own preoccupations. The pictures reflect a lifetime of humorous, ironic observation and sensitivity to the human condition.
This is a fun, fat book presenting 500 of Magnum photographer Elliot Erwitt's dog photographs in a witty package neatly divided into horizontal and vertical shots and constituting two books for the price of one.
Photographies prises à partir des années 1950 qui témoignent du regard amusé et étonné que le photographe américain porte sur la ville, sa vitalité et sa diversité. L'ensemble cherche à refléter tous les aspects de la ville à travers des instantanés tantôt graveleux et tantôt élégants.
What is an “American” identity? The tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways. Scrutinizing conflicting nationalisms and national identities, the authors ask, Whose stories get told and whose do not? Who or what promotes the idea of a unified national identity in the United States? How is the notion of a unified national identity disrupted? What myths and stories bind the US together? How representative are these stories? What are the counternarratives? And, if the idea of national homogeneity is a fallacy, what does tie us together as a nation? Working across auto/biography studies, American studies, and human geography—all of which deal with the current interest in competing narratives, “alternative facts,” and accountability—the essays engage in and contribute to critical conversations in classrooms, scholarship, and the public sphere. The authors draw from a variety of fields, including anthropology; class analysis; critical race theory; diasporic, refugee, and immigration studies; disability studies; gender studies; graphic and comix studies; Indigenous studies; linguistics; literary studies; sociology; and visual culture. And the genres under scrutiny include diary, epistolary communication, digital narratives, graphic narratives, literary narratives, medical narratives, memoir, oral history, and testimony. This fresh and theoretically engaged volume will be relevant to anyone interested in the multiplicity of voices that make up the US national narrative.