Describes Shipman's remarkable life and fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated, this expanded edition reveals her ability to combine plants for dramatic impact and create spaces of the utmost intimacy.
Describes Shipman's remarkable life and fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated, this expanded edition reveals her ability to combine plants for dramatic impact and create spaces of the utmost intimacy.
Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.
An account of eminent women landscape architects who flourished in the golden age of country estates. This beautiful book covers in depth the work of six designers Beatrix Farrand, Martha Hutcheson, Marian Coffin, Ellen Shipman, Ruth Dean, and Annette Hoyt Flanders and looks at a dozen other less-well-known women. It focuses on the Long Island projects that constituted a large part of their work and brings these pioneering women to life as people and as professionals.
Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.
An engaging tribute to America's grand era of private estate gardens and their illustrious owners, this book sweeps across the country to present over 500 of the nation's most exquisite gardens and the people who built them. In addition to a wealth of horticultural details, we learn of the garden-maker's flamboyant private and public lives--of the gossip, parties, dreams, politics, and economic one-upmanship of the period. 280 illustrations, 130 in full color.
“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
