Intended as a discussion suitable for students, this book considers all Marlowe's major works in their historical and discursive context: Tamburlaine, Parts I and II, The Jew of Malta, Edward II, Doctor Faustus, and Hero and Leander. Marlowe's writing emerges as embedded in the historical processes of his time and as crossed by the contradictory discourses of his day.
Elizabethan News Pamphlets is the first book to explore comprehensively the production and dissemination of the Elizabethan news pamphlets published between 1589-1593. This book collects, defines, and investigates the nearly 60 extant news quartos, and also examines their relationship to the birth of journalism, the writings of Marlowe, Shakespeare, and Spenser, the rise of national identity, and the complexities of national identity. This archival work begins with the actions of the charismatic Henry of Navarre. After Navarre became King of France in 1589, scores of printed documents presented his struggles with the Catholic League. The considerable involvement of English soldiers in the wars created a captive market for the news pamphlets. Elizabethans readily purchased the news quartos and soon Navarre became the most widely known non-English personality of the day. The pamphlets play an important role in the history of journalism and publications. The roots of journalism took hold during this period as a sophisticated notion of objectivity and soon serial publications resulted from this consistent, regular publication. The sudden end to the wars in 1593 ended both the flood of news reports and serial publications. The documents also provide a significant contribution to our understanding of English national identity. While scholars have studied the writings of numerous "discursive communities" and how these communities viewed England, the writings about war have received far less scrutiny. This book examines scores of archival documents in constructing a social, literary, religious, and political history of the 1590s.
DigiCat Publishing presents to you this special edition of "The Tragedy of Dido Queene of Carthage" by Christopher Marlowe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The definitive biography: a masterly account of Marlowe's work and life and the world in which he lived Shakespeare's contemporary, Christopher Marlowe revolutionized English drama and poetry, transforming the Elizabethan stage into a place of astonishing creativity. The outline of Marlowe's life, work, and violent death are known, but few of the details that explain why his writing and ideas made him such a provocateur in the Elizabethan era have been available until now. In this absorbing consideration of Marlowe and his times, David Riggs presents Marlowe as the language's first poetic dramatist whose desires proved his undoing. In an age of tremendous cultural change in Europe when Cervantes wrote the first novel and Copernicus demonstrated a world subservient to other nonreligious forces, Catholics and Protestants battled for control of England and Elizabeth's crown was anything but secure. Into this whirlwind of change stepped Marlowe espousing sexual freedom and atheism. His beliefs proved too dangerous to those in power and he was condemned as a spy and later murdered. In The World of Christopher Marlowe, Riggs's exhaustive research digs deeply into the mystery of how and why Marlowe was killed.
Christopher Marlowe: Poet & Spy is the most thorough and detailed life of Marlowe since John Bakeless's in 1942. It has new material on Marlowe in relation to Canterbury, also on his home life, schooling, and six and a half years at Corpus Christi College, Cambridge, and includes fresh data on his reading, teachers, and early achievements, including a new letter with a new date for the famous 'putative portrait' of Marlowe at Cambridge. The biography uses for the first time the Latin writings of his friend Thomas Watson to illuminate Marlowe's life in London and his career as a spy (that is, as a courier and agent for the Elizabethan Privy Council). There are new accounts of him on the continent, particularly at Flushing or Vlissingen, where he was arrested. The book also more fully explains Marlowe's relations with his chief patron, Thomas Walsingham, than ever before. This is also the first biography to explore in detail Marlowe's relations with fellow playwrights such as Kyd and Shakespeare, and to show how Marlowe's relations with Shakespeare evolved from 1590 to 1593. With closer views of him in relation to the Elizabethan stage than have appeared in any biography, the book examines in detail his aims, mind, and techniques as exhibited in all of his plays, from Dido, the Tamburlaine dramas, and Doctor Faustus through to The Jew of Malta and Edward II. It offers new treatments of his evolving versions of 'The Passionate Shepherd', and displays circumstances, influences, and the bearings of Shakespeare's 'Venus and Adonis' in relation to Marlowe's 'Hero and Leander'. Throughout, there is a strong emphasis on Marlowe's friendships and so-called 'homosexuality'. Fresh information is brought to bear on his seductive use of blasphemy, his street fights, his methods of preparing himself for writing, and his atheism and religious interests. The book also explores his attraction to scientists and mathematicians such as Thomas Harriot and others in the Ralegh-Northumberland set of thinkers and experimenters. Finally, there is new data on spies and business agents such as Robert Poley, Nicholas Skeres, and Ingram Frizer, and a more exact account of the circumstances that led up to Marlowe's murder.
Presents critical essays which discuss the writers and literary works of the Elizabethan era, and includes a chronology of the cultural, political, and literary events of the period.
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.
London, 1593. A city on edge. Under threat from plague and war, strangers are unwelcome, suspicion is wholesale, severed heads grin from the spikes on Tower Bridge. Playwright, poet and spy, Christopher Marlowe walks the city's mean streets with just three days to find the murderous Tamburlaine, a killer escaped from the pages of his most violent play. Tamburlaine Must Die is the searing adventure of a man who dares to defy both God and the state and whose murder remains a taunting mystery to the present day.
