Eleven-year-old Martin can hardly imagine a worse summer. Martin's dad wants him to like "normal" boy things—playing sports and exploring the outdoors—so he sends Martin to his great-aunt Lenore, who lives on a tiny island called Beyond. Nothing about Beyond is what Martin expects, certainly not the strange, local boy who unexpectedly befriends Martin. Solo can canoe and climb trees and survive on his own in the wilderness, and Martin's drawn to him in a way he doesn't quite understand. But he's not sure he can trust Solo. In fact, can he trust anything about this strange island, where everyone seems to be keeping secrets?
Our island lies beneath a big blue sky, surrounded by the turquoise sea. Turtles glide through the clear salt water, and dugongs graze on banks of seagrass. In this lyrical celebration of place, the children of Mornington Islandexplore theirhome in words and pictures. This is a collaboration withmuch-loved children's picture-book creators authors Alison Lester and ElizabethHoney. All royalties from Our Island and one dollar from the sale of each copy are donated to Mornington Island State School to fund art projects in the community.
Entries from the long-lost journal of Ven, a Nain youth, relate his adventures as he faces pirates and is rescued by a mermaid and a kindly sea captain who sends Ven to an inn, where he encounters fairies, ghosts, and other strange boarders.
When you live on an island, things are different. Sometimes harder. Sometimes sweeter. Sometimes quieter. Experience a day in the life of a child growing up on a Pacific Northwest island in this beautifully written and illustrated picture book. Off the coast of Washington State rise hundreds of small islands. Some are lush and green. Others are rugged and rocky. And each has its own personality. Many islands are home mostly to deer, but quite a few have farms and fields, schools and stores, and people. What is it like to live on an island? Award-winning author Emma Bland Smith explores what it's like to grow up on an island in the Pacific Northwest from the perspective of a young boy, who wakes up to the sound of a ferry horn, hikes through the woods to get to his bus stop, drops crab pots for dinner, and falls asleep counting orcas instead of sheep. This book celebrates what's special about island culture and includes a brief nonfiction element on each spread that relates to the narrative.
Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.
