Sometime in the second century, an early Christian text began to circulate called the Acts of Paul and Thecla . Since then, the tale of the apostle Paul, along with his strong heroine co-worker named Thecla, has received much attention as an independent source of information about earliest Christianity for what it might tell us about the role of women in ministry and the relationship women may have had to Paul in his missionary activities. In this volume, Jeremy W. Barrier provides a critical introduction and commentary on the Acts of Paul and Thecla, to serve as a user-friendly starting point for anyone interested in entering into the many discussions and academic writings surrounding the Acts of Paul and Thecla . Apart from a critical text with English translation, followed by textual notes and general comments, the author also offers an extensive introduction to the text.
This book explores, for the first time, the influence of Anacreon and the Anacreontic tradition on Horace's Odes and Epodes. It focuses first on the original fragments of Anacreon and their reception in Horace, paying attention to the central themes of wine, love, and satire. In a second part, the possibility of conscious Horatian reception of the earliest Carmina Anacreontea (and the broader Anacreontic tradition) as distinct from the original is discussed and shown to be highly probable. This imitation of imitation can be labelled, in Gérard Genette's words, as "literature in the third degree". As a significant predecessor of Horace, Anacreon can be described as no less than the central pivot between Archilochus and Hipponax, on the one hand, and Alcaeus and Sappho, on the other. He represents the tie between Horace's iambic and lyric personae and is thus a much more encompassing predecessor than any one of the other four above-mentioned counterparts.
Volume II. Part II. Iambic Poetry. Archilochus (sixth century B.C.), famous composer of elegies, hymns, etc. -- more than 200 fragments, some substantial. (We include the remarkable 'Archilochus Monument' and the work done on the text by Edmonds). Semonides of Amorgos -- more than 40 fragments (one is a poem of 118 lines); Hermippus, Scythinus.
This companion addresses a topic of continuing contemporary relevance, both cultural and literary. Offers both a wide-ranging exploration of the classical novel of antiquity and a wealth of close literary analysis Brings together the most up-to-date international scholarship on the ancient novel, including fresh new academic voices Includes focused chapters on individual classical authors, such as Petronius, Xenophon and Apuleius, as well as a wide-ranging thematic analysis Addresses perplexing questions concerning authorial expression and readership of the ancient novel form Provides an accomplished introduction to a genre with a rising profile
In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas. The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations that took place in different regions and at different times, which include a sense of order, self-reflection, the eye of reason, spiritual experience, as well as the experience of creativity and of consciousness. As such, The History of Experience presents both a cross-cultural and comparative theory of experience and cultural dynamics, and an exploration of rich materials from East and West. This book is of great use to upper-level undergraduates, postgraduates, and scholars interested in the relationship between history, human experience, culture, and political order.
Essays in Renaissance Thought and Letters is a volume dedicated to John Monfasani, renowned scholar of Latin and Greek rhetoric and philosophy. These essays range from Antiquity to the Enlightenment, in genre from learned notes to editiones principes, and in discipline from intellectual to socio-economic history. An introduction to Monfasani’s life and works, and a list of his opera open the volume. Contributors include Michael J.B. Allen, Sándor Bene, Concetta Bianca, Robert Black, Christopher Celenza, Brian Copenhaver, John Demetracopoulos, James Hankins, Martin Hinterberger, Thomas Izbicki, David Jacoby, Peter Mack, Lodi Nauta, David Rundle, David Rutherford, Chris Schabel, April Shelford, and Thomas M. Ward.