The Britannica Enciclopedia Moderna covers all fields of knowledge, including arts, geography, philosophy, science, sports, and much more. Users will enjoy a quick reference of 24,000 entries and 2.5 million words. More then 4,800 images, graphs, and tables further enlighten students and clarify subject matter. The simple A-Z organization and clear descriptions will appeal to both Spanish speakers and students of Spanish.
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities After the end of the Mexican Revolution in 1917, postrevolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” Indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s. Dalton surveys essays, plays, novels, murals, and films that portray indigenous bodies being fused, or hybridized, with technology. He examines José Vasconcelos’s essay “The Cosmic Race” and the influence of its ideologies on mural artists such as Diego Rivera and José Clemente Orozco. He discusses the theme of introducing Amerindians to medical hygiene and immunizations in the films of Emilio “El Indio” Fernández. He analyzes the portrayal of indigenous monsters in the films of El Santo, as well as Carlos Olvera’s critique of postrevolutionary worldviews in the novel Mejicanos en el espacio. Incorporating the perspectives of posthumanism and cyborg studies, Dalton shows that technology played a key role in race formation in Mexico throughout the twentieth century. This cutting-edge study offers fascinating new insights into the culture of mestizaje, illuminating the attitudes that inform Mexican race relations in the present day. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Hector Fernandez L'Hoeste and Juan Carlos Rodriguez
An extended and representative selection of the collection of 20th century art that MALI has been collecting since its foundation in 1954. The selected works offer a new reading of the 20th century modernist art and includes the history of decorative arts and photography. The edition also includes an illustrated chronology and essays by prominent curators and researchers. The publication begins with a large essay comprising the critical discussions and artistic production of this period, which is complemented with an illustrated chronology presenting the milestones of institutional development in the art field, placed in the context of some crucial moments of the political, social, and cultural history of the 20th century. The catalog is organized in a chronological and thematic order of the work of each artist and of the artistic movements.
In the years following the Mexican Revolution, visual images of la chica moderna, the modern woman, au courant in appearance and attitude, popped up in mass media across the country. Some of the images were addressed directly to women through advertisements, as illustrations accompanying articles in women’s magazines, and on the “women’s pages” in daily newspapers. Others illustrated domestic and international news stories, promoted tourism, or publicized the latest Mexican and Hollywood films. In Imagining la Chica Moderna, Joanne Hershfield examines these images, exploring how the modern woman was envisioned in Mexican popular culture and how she figured into postrevolutionary contestations over Mexican national identity. Through her detailed interpretations of visual representations of la chica moderna, Hershfield demonstrates how the images embodied popular ideas and anxieties about sexuality, work, motherhood, and feminine beauty, as well as class and ethnicity. Her analysis takes into account the influence of mexicanidad, the vision of Mexican national identity promoted by successive postrevolutionary administrations, and the fashions that arrived in Mexico from abroad, particularly from Paris, New York, and Hollywood. She considers how ideals of the modern housewife were promoted to Mexican women through visual culture; how working women were represented in illustrated periodicals and in the Mexican cinema; and how images of traditional “types” of Mexican women, such as la china poblana (the rural woman), came to define a “domestic exotic” form of modern femininity. Scrutinizing photographs of Mexican women that accompanied articles in the Mexican press during the 1920s and 1930s, Hershfield reflects on the ways that the real and the imagined came together in the production of la chica moderna.
In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a complex period in which the country saw prosperity and economic crisis, a growing cosmopolitan population, the emergence of consumer culture, and the development of nationalism. Tossounian analyzes how these popular images of la joven moderna—the modern girl—helped shape Argentina’s emerging national identity. Tossounian looks at visual and written portrayals of young womanhood in magazines, newspapers, pulp fiction, advertisements, music, films, and other media. She identifies and discusses four new types of young urban women: the flapper, the worker, the sportswoman, and the beauty contestant. She shows that these diverse figures, defined by social class, highlight the tensions between gender, nation, and modernity in interwar Argentina. Arguing that images of modern young women symbolized fears of the country’s moral decadence as well as hopes of national progress and civilization, La Joven Moderna in Interwar Argentina reveals that women were at the center of a public debate about modernity and its consequences. This book highlights the important but underappreciated role of gendered figures and popular culture in the ways Argentine citizens imagined themselves and their country during a formative period of cultural and social renewal.
‘PREMIOS’ ‘Medalla de Plata – Concurso de Libros Favoritos de los Lectores Internacionales y Reseñas de 5 Estrellas’ ‘Premio de Oro al Libro Literario Titan y Reseñas de 5 Estrellas’ ‘Bestseller en Amazon – #1 Historia de Oriente Medio y #2 Historia de Civilizaciones Antiguas’ Los dioses Anunnaki del planeta Nibiru llevaron a cabo una misión en la Tierra, y la historia fue documentada en tabletas de arcilla o textos mesopotámicos descubiertos en las ruinas de edificios en Oriente Medio. Los académicos han propuesto que algunas historias del Génesis ya habían aparecido en textos Mesopotámicos hace miles de años. Esta propuesta nos motivó a evaluar los textos más relevantes. Aunque la mayoría de los académicos creen que los textos mesopotámicos son mitología, la investigación se realizó bajo la premisa de que su contenido corresponde a hechos reales. El análisis de las traducciones académicas de los textos reveló que muchos detalles críticos para comprender la historia no han sido revelados. Un análisis exhaustivo de los datos determinó las fechas más probables de los hechos. El libro presenta los acontecimientos relacionados con la llegada de los Anunnaki a la Tierra y las consecuencias de su misión de manera cronológica según los hallazgos en textos Mesopotámicos y libros antiguos. Diversas fuentes, entre ellas libros apócrifos, informes de historiadores antiguos, investigaciones científicas y registros arqueológicos, complementaron la investigación. Se descifraron muchos enigmas, entre ellos quiénes eran los Anunnaki y los Igigi (vigilantes, Nephilim). ¿Por qué, cuándo y cómo se originó el H. sapiens, cómo surgieron las otras especies y por qué se extinguieron? ¿Por qué y cuándo llegaron los Anunnaki y finalmente abandonaron la Tierra? ¿Cuándo regresará el planeta Nibiru a nuestra zona en el sistema solar interior? Los resultados y hallazgos de esta investigación merecen ser conocidos debido a la probabilidad de que las historias de los textos Mesopotámicos realmente sucedieran. Las propuestas del libro difieren de lo que hemos aprendido en las instituciones educativas sobre el origen de la humanidad e invitan al pensamiento crítico para reflexionar sobre la historia de los dioses Anunnaki. Los lectores entusiastas de la temática extraterrestre encontrarán propuestas innovadoras.
"Advancing a Chicana feminist interpretation, Davalos carefully explores both the history of nineteenth- and twentieth-century museum practices and the more recent phenomenon of physically locating Mestizo/Chicano art within "insider spaces" (such as ethnically or racially specific cultural institutions and alternative galleries). Just as public museums instruct visitors about who does and who does not belong to a nation's legacy, Davalos makes clear that exhibitions in so-called minority museums are likewise shaped by notions of difference and nationalism and by the politics of identity and race."--BOOK JACKET.
Artículos de Deleuze, Rampazzo Bazzan, Shirani, Fazio y GIdeas, revista de filosofía moderna y contemporánea, número 3 (2016). Artículos de Deleuze ("Descripción de la mujer"), Rampazzo Bazzan ("El Hobbes de Fichte"), Shirani ("La lucha-entre de Deleuze y el pensamiento oriental"), Fazio ("Leibniz lector de la Ética: el papel de Spinoza en la reforma leibniziana de la noción de sustancia") y Gerszenson ("El amor pasional en la Etica de Spinoza"). El lanzamiento de la sección debates con la respuesta de Virginia Moratiel a la reseña de Gaudio a su libro sobre el Islam. Reseñas de: Deleuze y las fuentes de su filosofía II; La enseñanza filosófica. Cuestiones de política, género y educación ¿Un sujeto?; Art and Truth after Plato y Leçons sur la Philosophie de Gilles Deleuze. Un Système kantien. Une Politique anarcho-capitaliste.erszenson. El lanzamiento de la sección debates con la respuesta de Virginia Moratiel a la reseña de Gaudio a su libro sobre el Islam. Y reseñas de: Deleuze y las fuentes de su filosofía II; La enseñanza filosófica. Cuestiones de política, género y educación ¿Un sujeto?; Art and Truth after Plato y Leçons sur la Philosophie de Gilles Deleuze. Un Système kantien. Une Politique anarcho-capitaliste.
