Gabriel Garca Mrquez is one of the most influential writers of our time, with a unique literary creativity rooted in the history of his native Colombia. This revised and expanded edition of a classic work is the first book of criticism to consider in detail the totality of Garca Mrquezs magnificent oeuvre. In a beautifully written examination, G...
Gabriel Garcia Marquez is one of the most influential writers of our time, with a unique literary creativity rooted in the history of his native Colombia. This is the first book of criticism to consider in detail the totality of Garcia Marquez's oeuvre.
In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.
The surprising story of Che Guevara, Fidel Castro, and the scrappy band of rebel men and women who followed them. Most people are familiar with the basics of the Cuban Revolution of 1956–1959: it was led by two of the twentieth century’s most charismatic figures, Fidel Castro and Che Guevara; it successfully overthrew the island nation’s US–backed dictator; and it quickly went awry under Fidel’s rule. But less is remembered about the amateur nature of the movement or the lives of its players. In this wildly entertaining and meticulously researched account, historian and journalist Tony Perrottet unravels the human drama behind history’s most improbable revolution: a scruffy handful of self-taught revolutionaries—many of them kids just out of college, literature majors, and art students, and including a number of extraordinary women—who defeated 40,000 professional soldiers to overthrow the dictatorship of Fulgencio Batista. Cuba Libre!’s deep dive into the revolution reveals fascinating details: How did Fidel’s highly organized lover Celia Sánchez whip the male guerrillas into shape? Who were the two dozen American volunteers who joined the Cuban rebels? How do you make land mines from condensed milk cans—or, for that matter, cook chorizo à la guerrilla (sausage guerrilla-style)? Cuba Libre! is an absorbing look back at a liberation movement that captured the world's imagination with its spectacular drama, foolhardy bravery, tragedy, and, sometimes, high comedy—and that set the stage for Cold War tensions that pushed the world to the brink of nuclear war.
The book examines the links between literature and film in Latin America by using queer theory and a series of recent cultural productions whose arguments destabilize traditional gender roles and heteronormative masculinity. For many years, the connections between a literary text and its film adaptation have been considered only from the point of view of the latter’s fidelity to the written work, which many scholars imagined to be the original that filmmakers needed to respect. Within the last two decades, however, the idea of adaptation fidelity has been challenged by a number of critics who refute the existence of an original text and promote the notion of an ambiguous and complex relationship between a literary work and its film adaptation. Based on such developments and with the help of queer theory, this book questions and revises several crucial theoretical approximations that analyze the relations between the two art forms in an attempt to overcome the limitations of fidelity discourse. This is the first book-length study that seeks to examine, with the appropriate detail, the connections between film and literature in Latin America through the lenses of queer theory and by focusing on the representations of numerous practices that do not fit within the general framework of heteronormative sexuality.
Organized around three central themes - control and repression; the politics and culture of resistance; and sexual transgression as affirmation of marginalized identity - this intriguing collection will challenge and inform conceptions of Latin American sexuality.