Ekphrastia Gone Wild

Ekphrastia Gone Wild

Author: Rick Lupert

Publisher:

Published: 2013-07

Total Pages: 148

ISBN-13: 9780982058466

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Ekphrastia Gone Wild is an anthology of ekphrastic poetry - poetry inspired by other works of art (including painting, film, literature, photography and more) including work by Nobel Prize winning poet Wislawa Szymborska along with a roster of 87 poets from all over the world including Suzanne Lummis, Laurel Ann Bogen, Jerry Quickly, Brendan Constantine, Gerald Locklin, Robert Wynne and many more, edited by Los Angeles poet Rick Lupert


The Shield of Achilles and the Poetics of Ekphrasis

The Shield of Achilles and the Poetics of Ekphrasis

Author: Andrew Sprague Becker

Publisher: Rowman & Littlefield

Published: 1995

Total Pages: 214

ISBN-13: 9780847679973

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In The Shield of Achilles and the Poetics of Ekphrasis, Becker explores how Homeric poetry shapes its own reception: how Homer's reaction to a visual image creates his audience's response to a literary description. Becker also enters into a fiercely raging literary debate about the modernist, self-conscious elements of Homeric narrative.


Kissing the Wild Woman

Kissing the Wild Woman

Author: Christopher Nissen

Publisher: University of Toronto Press

Published: 2011

Total Pages: 345

ISBN-13: 1442643404

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Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.


Books and Islands in Ojibwe Country

Books and Islands in Ojibwe Country

Author: Louise Erdrich

Publisher: National Geographic Books

Published: 2003

Total Pages: 138

ISBN-13: 0792257197

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"An account of Louise Erdrich's trip through the lakes and islands of southern Ontario with her 18-month old baby and the baby's father, an Ojibwe spiritual leader and guide"--


The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere

The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere

Author: Dr David Kennedy

Publisher: Ashgate Publishing, Ltd.

Published: 2013-05-28

Total Pages: 312

ISBN-13: 1409479315

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Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage with the source artwork as a performance that participates in the ethical realm. Showing that the ethical turn in ekphrastic poetry is often powerfully gendered, Kennedy also surveys a range of ekphrastic poets from the Renaissance and nineteenth century to trace a tradition of female ekphrastic poetry that includes Pauline Stainer and Frances Presley. Kennedy concludes with a critique of ekphrastic exercises in creative writing teaching, proposing that ekphrastic writing that takes greater account of performance spectatorship may offer more fruitful models for the classroom than the narrativizing of images.


The Poetics of Ekphrasis

The Poetics of Ekphrasis

Author: Maria-Eirini Panagiotidou

Publisher: Springer Nature

Published: 2022-11-25

Total Pages: 277

ISBN-13: 3031113136

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This book provides a stylistic and cognitive poetic account of ekphrastic poetry (poetry whose subject matter is predominantly artworks and images), examining the linguistic processes through which works of art can become literary objects. The author sheds light on the workings of ekphrasis at a textual level, while also considering the cognitive and psychological effects of reading ekphrastic poems, developing cognitive and stylistic analytical frameworks grounded on the four principles that govern ekphrasis: representation, narrativization, transposition, and collaboration. This book will be of interest to academics and practitioners in various fields, including literary critics, art critics, rhetoricians, poets, visual artists, and stylisticians.


History as Literature in Byzantium

History as Literature in Byzantium

Author: Ruth Macrides

Publisher: Routledge

Published: 2016-12-05

Total Pages: 326

ISBN-13: 1351930648

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Although perceived since the sixteenth century as the most impressive literary achievement of Byzantine culture, historical writing nevertheless remains little studied as literature. Historical texts are still read first and foremost for nuggets of information, as main sources for the reconstruction of the events of Byzantine history. Whatever can be called literary in these works has been considered as external and detachable from the facts. The 'classical tradition' inherited by Byzantine writers, the features that Byzantine authors imitated and absorbed, are regarded as standing in the way of understanding the true meaning of the text and, furthermore, of contaminating the reliability of the history. Chronicles, whose language and style are anything but classicizing, have been held in low esteem, for they are seen as providing a mere chronological exposition of events. This book presents a set of articles by an international cast of contributors, deriving from papers delivered at the 40th annual Spring Symposium of Byzantine Studies. They are concerned with historical and visual narratives that date from the sixth to the fourteenth century, and aim to show that literary analyses and the study of pictorial devices, far from being tangential to the study of historical texts, are preliminary to their further study, exposing the deeper structures and purposes of these texts.