In this lyrical story, a child discovers that drips, spills, and splatters from her colorful palette create their own "accidental" -and powerful images. Imagination ignites as she joyously embraces various paint smears and smudges, and a world of wonder emerges where there are no mistakes. Eek! My Ink! captures the kindness of self-love, and offers the gift of a colorful world.
Trina Robbins has spent the last thirty years recording the accomplishments of a century of women cartoonists, and Pretty in Ink is her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries (such as a Native American woman cartoonist from the 1940s who was also a Corporal in the women’s army, and the revelation that a cartoonist included in all of Robbins’s previous histories was a man!) In the pages of Pretty in Ink you’ll find new photos and correspondence from cartoonists Ethel Hays and Edwina Dumm, and the true story of Golden Age comic book star Lily Renee, as intriguing as the comics she drew. Although the comics profession was dominated by men, there were far more women working in the profession throughout the 20th century than other histories indicate, and they have flourished in the 21st. Robbins not only documents the increasing relevance of women throughout the 20th century, with mainstream creators such as Ramona Fradon and Dale Messick and alternative cartoonists such as Lynda Barry, Carol Tyler, and Phoebe Gloeckner, but the latest generation of women cartoonists―Megan Kelso, Cathy Malkasian, Linda Medley, and Lilli Carré, among many others. Robbins is the preeminent historian of women comic artists; forget her previous histories: Pretty in Ink is her most comprehensive volume to date.
Embark on a captivating journey through the world of English poetry, where diverse voices and literary traditions intertwine to create a symphony of words. From the timeless verses of British poets to the resonant voices of global contemporaries, this comprehensive guide unravels the rich tapestry of poetic expression, offering insights into the power of language to evoke emotions, explore themes, and shape our understanding of the human experience. Delve into the transformative world of British poetry, where renowned figures like Ted Hughes, Sylvia Plath, Dylan Thomas, William Butler Yeats, T.S. Eliot, and Ezra Pound have left an indelible mark. Explore the innovative forms, socio-cultural engagement, and confessional nature of 20th-century poetry, as well as the enduring echoes of war poetry and the Beat Generation's rhythmic rebellion. Venture beyond Britannia's shores to discover the vibrant voices of global poets, where cultural identities, linguistic diversity, and intersectionality take center stage. Uncover the rhythmic traditions and cultural imagery of African poetry, the Asian influences on English verse, and the harmonious melodies of Caribbean rhythms. Immerse yourself in the poetic tapestry of Middle Eastern expression, South American sonnets, and the global collaborations that transcend borders and unite poets across continents. As you navigate through this literary landscape, you'll encounter a diverse array of poets and their works, each offering unique perspectives and captivating narratives. From Walt Whitman's celebration of individuality and democracy to Langston Hughes' exploration of African American identity, Emily Dickinson's enigmatic beauty, Maya Angelou's celebration of black femininity, and Allen Ginsberg's countercultural rebellion, each poem unveils a layer of human experience and invites reflection. Through insightful analyses and engaging discussions, "Ink & Insight of Reading English Poetry" guides you through the intricacies of poetic techniques, symbolism, and cultural references, empowering you to unlock the deeper meanings and emotions embedded within each verse. Whether you're a seasoned poetry aficionado or a curious newcomer, this comprehensive guide will enrich your understanding of English poetry, fostering a lifelong appreciation for its beauty, power, and enduring impact.
This interdisciplinary study examines four major British and American novels in view of key concepts from the mainstream tradition of neoclassical economics. Studies of the novel widely address its connections to capitalism, yet literary critics and theorists rarely make reference to neoclassical perspectives, which have held a key position in the formal analysis of the marketplace for over a century. Lewis argues that this overlooked area of economic thought, with its emphasis on subjective value, individual agency, and utility maximization, points to a previously unrecognized and important coincidence of wants between economic and novelistic discourse. In each of the four readings, Lewis uses a single economic problem from neoclassical theory as a model for interpreting novelistic form and content as economic configurations. Topics include narrative deferral, detour, and return as a performance of capital formation and economic development in Daniel Defoe's Robinson Crusoe; the emergence of the creative, risk-taking entrepreneur in Mary Shelley's Frankenstein; the representation of money in the romantic realization of trade in Herman Melville's Moby Dick; and a consumer utility theory of naturalist desire and indifference in Theodore Dreiser's Sister Carrie. Underscoring how neoclassical theory variously elaborates on and departs from other economic approaches and periods, the author also addresses the limitations of, and the possibilities of profitable exchange with, other critical frameworks for understanding literal and symbolic economies in narrative fiction more broadly.
Early Modern Histories of Time examines how a range of chronological modes intrinsic to the sixteenth and seventeenth centuries shaped the thought-worlds of those living during this time and explores how these temporally indigenous models can productively influence our own working concepts of historical period. This innovative approach thus moves beyond debates about where we should divide linear time (and what to call the ensuing segments) to reconsider the very concept of "period." Bringing together an eminent cast of literary scholars and historians, the volume develops productive historical models by drawing on the very texts and cultural contexts that are their objects of study. What happens to the idea of "period" when English literature is properly placed within the dynamic currents of pan-European literary phenomena? How might we think of historical period through the palimpsested nature of buildings, through the religious concept of the secular, through the demographic model of the life cycle, even through the repetitive labor of laundering? From theology to material culture to the temporal constructions of Shakespeare, and from the politics of space to the poetics of typology, the essays in this volume take up diverse, complex models of sixteenth- and seventeenth-century temporality and contemplate their current relevance for our own ideas of history. The volume thus embraces the ambiguity inherent in the word "contemporary," moving between our subjects' sense of self-emplacement and the historiographical need to address the questions and concerns that affect us today. Contributors: Douglas Bruster, Euan Cameron, Heather Dubrow, Kate Giles, Tim Harris, Natasha Korda, Julia Reinhard Lupton, Kristen Poole, Ethan H. Shagan, James Simpson, Nigel Smith, Mihoko Suzuki, Gordon Teskey, Julianne Werlin, Owen Williams, Steven N. Zwicker.
Over the past decades, considerable debate has emerged surrounding the use of cost-benefit analysis (CBA) to analyze and make recommendations for environmental and safety regulations. Critics argue that CBA forces values on unquantifiable factors, that it does not adequately measure benefits across generations, and that it is not adaptable in situations of uncertainty. Proponents, on the other hand, believe that a well-done CBA provides useful, albeit imperfect, information to policymakers precisely because of the standard metrics that are applied across the analysis. Largely absent from the debate have been practical questions about how the use of CBA could be improved. Relying on the assumption that CBA will remain an important component in the regulatory process, this new work from Resources for the Future brings together experts representing both sides of the debate to analyze the use of CBA in three key case studies: the Clean Air Interstate Rule, the Clean Air Mercury Rule, and the Cooling Water Intake Structure Rule (Phase II). Each of the case studies is accompanied by critiques from both an opponent and a proponent of CBA and includes consideration of complementary analyses that could have been employed. The work's editors - two CBA supporters and one critic - conclude the report by offering concrete recommendations for improving the use of CBA, focusing on five areas: technical quality of the analyses, relevance to the agency decision-making process, transparency of the analyses, treatment of new scientific findings, and balance in both the analyses and associated processes, including the treatment of distributional consequences.
