The Cambridge Companion to Victorian and Edwardian Theatre

The Cambridge Companion to Victorian and Edwardian Theatre

Author: Kerry Powell

Publisher: Cambridge University Press

Published: 2004-02-19

Total Pages: 517

ISBN-13: 1139826425

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This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.


The Edwardian Theatre

The Edwardian Theatre

Author: Michael R. Booth

Publisher: Cambridge University Press

Published: 1996-03-28

Total Pages: 268

ISBN-13: 9780521453752

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This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.


The Edwardian Sense

The Edwardian Sense

Author: Morna O'Neill

Publisher: Yc British Art

Published: 2010

Total Pages: 344

ISBN-13:

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This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.


British Theatre and Performance 1900-1950

British Theatre and Performance 1900-1950

Author: Rebecca D'Monte

Publisher: Bloomsbury Publishing

Published: 2015-02-26

Total Pages: 353

ISBN-13: 1408166011

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British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.


Historical Dictionary of British Theatre

Historical Dictionary of British Theatre

Author: Darryll Grantley

Publisher: Scarecrow Press

Published: 2013-10-10

Total Pages: 549

ISBN-13: 0810880288

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British theatre has a greater tradition than any other, having started all the way back in 1311 and still going strong today. But that is too much for one book to cover, so this volume deals with early theatre and has a cut-off date in 1899. Still, this is almost six centuries, centuries during which British theatre not only developed but produced some of the greatest playwrights of all time and anywhere, including obviously Shakespeare but also Marlowe and Shaw. And they wrote some of the finest plays ever, which are known around the world. So there is plenty for this book to cover, just with the playwrights, plays and actors, but it also has information on stagecraft and theatres, as well as the historical and political background. This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of Early British Theatre concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.


Innocent Flowers

Innocent Flowers

Author: Julie Holledge

Publisher: Virago

Published: 2013-04-11

Total Pages: 240

ISBN-13: 1405525738

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The Edwardian actress, glamorous and privileged, was the sex symbol of her time. Yet her life was a paradox: off stage she could marry, divorce and take lovers with impugnity; on stage she had to play dutiful wives or daughters or 'scarlet women'. Thousands of these spirited women set out to change the conventional roles they played - and to change the world. Some of them were famous - Athene Seyler, Kitty Marion, Elizabeth Robins, Edy Craig, many others unknown. Managing their own companies, they put on hundreds of plays all over the country - many on taboo subjects such as divorce, sex, venereal disease, prostitution - by little known playwrights as well as established dramatists like Shaw, Ibsen, Barrie. They took the establishment theatre by storm; and they made their mark on the political stage too, forming the Actresses' Franchise League and joining the battle for the vote. Innocent Flowers tells the story of these astonishing women (and includes some of their plays). By tracing their lives and loves, Julie Holledge has rediscovered an inspiring period in the history of women and the theatre.


A Cultural History of Theatre in the Age of Empire

A Cultural History of Theatre in the Age of Empire

Author: Peter Marx

Publisher: Bloomsbury Publishing

Published: 2019-08-08

Total Pages: 321

ISBN-13: 1350135461

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The 19th century ushered in an unprecedented boom in technology, the unification of European nations, the building of global empires and stabilization of the middle classes. The theatre of the era reflected these significant developments as well as helped to catalyse them. Populist theatre and purposebuilt playhouses flourished in the ever-growing urban and cosmopolitan centres of Europe and in expanding global networks. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1800 to 1920. Highly illustrated with 51 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.


Shopping for Pleasure

Shopping for Pleasure

Author: Erika Rappaport

Publisher: Princeton University Press

Published: 2001-09-09

Total Pages: 342

ISBN-13: 9780691044767

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Moving beyond questions of whether shopping promoted or limited women's freedom, this volume reconstructs London's Victorian and Edwardian West End as an entertainment and retail centre.


English Theatre in Transition, 1881-1914

English Theatre in Transition, 1881-1914

Author: James Woodfield

Publisher: Rowman & Littlefield

Published: 1984

Total Pages: 232

ISBN-13: 9780389204831

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Contents: 1. Introduction; 2. Ibsen, J. T. Grein and the Independent Theatre; 3. Elizabeth Robins, the New Century Theatre and The Stage Society; 4. Harley Granville Barker: Associations and Achievements; 5. Towards a National Theatre; 6. The Censorship Saga; 7. Spectacle, Austerity and New Dimensions: the Staging of Shakespeare from Victorian to Modern; 8. Edward Gordon Craig: Artist of the Theatre; 9. Conclusion R