Emerging from a long and exhausting conflict against the Boers in South Africa, Edwardians are often perceived as rocked by a profound set of doubts about the future of the British Empire. Drawing upon a wide range of popular sources, this study considers the level of middle-class engagement with such strains of pessimistic thought.
Emerging from a long and exhausting conflict against the Boers in South Africa, Edwardians are often perceived as rocked by a profound set of doubts about the future of the British Empire. Drawing upon a wide range of popular sources, this study considers the level of middle-class engagement with such strains of pessimistic thought.
This book is the first in-depth analysis of Ernest William Barnes’ Christian-eugenic philosophy: ‘bio-spiritual determinism’. As a testament to the popularity of the movement, mid-twentieth century British eugenics is contextualized within a remarkably diverse selection of discourses including secular and Anglican interpretations of modernism, poverty, population, gender equality, pacifism and racism. This begins to address the scholastic gap on Christian eugenics while highlighting the perseverance of eugenic racism after World War Two.
'A magnum opus, an accessible and genuinely global history ... This is a book for today and tomorrow' Financial Times Capitalist enterprise has existed in some form since ancient times, but the globalization and dominance of capitalism as a system began in the 1860s when, in different forms and supported by different political forces, states all over the world developed their modern political frameworks: the unifications of Italy and Germany, the establishment of a republic in France, the elimination of slavery in the American south, the Meiji Restoration in Japan, the emancipation of the serfs in Tsarist Russia. This book magnificently explores how, after the upheavals of industrialisation, a truly global capitalism followed. For the first time in the history of humanity, there was a social system able to provide a high level of consumption for the majority of those who lived within its bounds. Today, capitalism dominates the world. With wide-ranging scholarship, Donald Sassoon analyses the impact of capitalism on the histories of many different states, and how it creates winners and losers by constantly innovating. This chronic instability, he writes, 'is the foundation of its advance, not a fault in the system or an incidental by-product'. And it is this instability, this constant churn, which produces the anxious triumph of his title. To control or alleviate such anxieties it was necessary to create a national community, if necessary with colonial adventures, to develop a welfare state, to intervene in the market economy, and to protect it from foreign competition. Capitalists needed a state to discipline them, to nurture them, and to sacrifice a few to save the rest: a state overseeing the war of all against all. Vigorous, argumentative, surprising and constantly stimulating, The Anxious Triumph gives a fresh perspective on all these questions and on its era. It is a masterpiece by one of Britain's most engaging and wide-ranging historians.
In the early twentieth century, the new technology of flight changed warfare irrevocably, not only on the battlefield, but also on the home front. As prophesied before 1914, Britain in the First World War was effectively no longer an island, with its cities attacked by Zeppelin airships and Gotha bombers in one of the first strategic bombing campaigns. Drawing on prewar ideas about the fragility of modern industrial civilization, some writers now began to argue that the main strategic risk to Britain was not invasion or blockade, but the possibility of a sudden and intense aerial bombardment of London and other cities, which would cause tremendous destruction and massive casualties. The nation would be shattered in a matter of days or weeks, before it could fully mobilize for war. Defeat, decline, and perhaps even extinction, would follow. This theory of the knock-out blow from the air solidified into a consensus during the 1920s and by the 1930s had largely become an orthodoxy, accepted by pacifists and militarists alike. But the devastation feared in 1938 during the Munich Crisis, when gas masks were distributed and hundreds of thousands fled London, was far in excess of the damage wrought by the Luftwaffe during the Blitz in 1940 and 1941, as terrible as that was. The knock-out blow, then, was a myth. But it was a myth with consequences. For the first time, The Next War in the Air reconstructs the concept of the knock-out blow as it was articulated in the public sphere, the reasons why it came to be so widely accepted by both experts and non-experts, and the way it shaped the responses of the British public to some of the great issues facing them in the 1930s, from pacifism to fascism. Drawing on both archival documents and fictional and non-fictional publications from the period between 1908, when aviation was first perceived as a threat to British security, and 1941, when the Blitz ended, and it became clear that no knock-out blow was coming, The Next War in the Air provides a fascinating insight into the origins and evolution of this important cultural and intellectual phenomenon, Britain's fear of the bomber.
Despite Britain entering the 20th century as the dominant world power, public discourses were imbued with a cultural pessimism and rising social anxiety. Through this study, Samuel Foster explores how this changing domestic climate shaped perceptions of other cultures, and Britain's relationship to them, focusing on those Balkan territories that formed the first Yugoslavia from 1918 to 1941. Yugoslavia in the British Imagination examines these connections and demonstrates how the popular image of the region's peasantry evolved from that of foreign 'Other' to historical victim - suffering at the hand of modernity's worst excesses and symbolizing Britain's perceived decline. This coincided with an emerging moralistic sense of British identity that manifested during the First World War. Consequently, Yugoslavia was legitimized as the solution to peasant victimization and, as Foster's nuanced analysis reveals, enabling Britain's imagined (and self-promoted) revival as civilization's moral arbiter. Drawing on a range of previously unexplored archival sources, this compelling transnational analysis is an important contribution to the study of British social history and the nature of statehood in the modern Balkans.
This book critically introduces debates and controvercies about race, crime and criminal justice to and undergraduate and post graduate social science audience
This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.
This book examines, for the first time, the role of Britain's Empire in far right thought between 1920 and 1980. Throughout these turbulent decades, upheaval in the Empire, combined with declining British world power, was frequently discussed and reflected upon in far right publications, as were radical policies designed to revitalise British imperialism. Drawing on the case studies of Ireland, India, Palestine, Kenya and Rhodesia, Lost Imperium argues that imperialism provided a frame through which ideas at the core of far right thinking could be advocated: nationalism, racism, conspiracy theory, antisemitism and anti-communism. The far right's opposition to imperial decline ultimately reflected more than just a desire to reverse the fortunes of the British Empire, it was also a crucial means of promoting central ideological values. By analysing far right imperial thought, we are able to understand how they interacted with mainstream ideas of British imperialism during the twentieth century, while also promoting their own uniquely racist, violent and authoritarian vision of Empire. This book will be of interest to students and scholars of British fascism, empire, imperialism, racial and ethnic studies, and political history.
Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
