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Edward Jerman 1605-1668

Author: Helen Collins

Publisher:

Published: 2004

Total Pages: 216

ISBN-13:

Edward Jerman, a metropolitan master-craftsman, was the designer of some of the most prestigious secular buildings in the City of London following the Great Fire of 1666. Considered 'the City's most able known artist' by the Mercers' Company, in 1667 Edward Jerman was invited by a committee composed of the Corporation of the City and the Mercers' Company to make designs for the new Royal Exchange. The halls of the 'Twelve Great Companies' had also been destroyed by the Fire, along with thirty-five halls of the Livery Companies. Having designed four of the new livery buildings, Jerman was now commissioned to design four more for the prestigious Twelve. These companies were the wealthiest and most superior, whose members included the most eminent citizens.Thus Edward Jerman was chosen as architect by many of the rulers of the City, an august body of men of authority and privilege who controlled its affairs both politically and commercially. Together with Sir Christopher Wren, whose City work was mainly confined to ecclesiastical architecture, Jerman was responsible for the most important City buildings of the post-Fire period. This book celebrates that contribution. Jerman's major designs - the Royal Exchange, eight Livery Company halls and St Paul's School - received acclaim from contemporary critics. His town planning for the Goldsmiths' Company was innovative and his designs for the Lord Mayor's pageants exemplified his versatility and ingenuity. His palette was wide and the City of London in the thirdquarter of the seventeenth century proved fertile ground wherein Jerman's artistic talent could take root and flourish.

Crafting identities

Author: Jasmine Kilburn-Toppin

Publisher: Manchester University Press

Published: 2021-12-14

Total Pages: 241

ISBN-13: 1526147696

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Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London’s crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London’s artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.

The Phoenix

Author: Leo Hollis

Publisher: Weidenfeld & Nicolson

Published: 2011-07-14

Total Pages: 343

ISBN-13: 178022110X

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'A tour de force of biography, history, politics, philosophy and experimental science' ECONOMIST The remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. 'Wonderfully rich and informative ... a rare achievement' Tom Holland 'Fascinating' Lucy Moore 'An ingenious and fluent overview of extraordinary men at an extraordinary moment, with St Paul's standing as its symbolic heart' SUNDAY TELEGRAPH Opening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, THE PHOENIX charts the lives and works of five extraordinary men, who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke and the builder, Nicholas Barbon. At the heart of the story is the rebuilding of London's iconic cathedral, St Paul's. Interweaving science, architecture, history and philosophy, THE PHOENIX tells the story of the formation of the first modern city.

London Bridge and its Houses, c. 1209-1761

Author: Dorian Gerhold

Publisher: Oxbow Books

Published: 2021-10-31

Total Pages: 509

ISBN-13: 1789257522

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London Bridge lined with houses from end to end was one of the most extraordinary structures ever seen in London. It was home to over 500 people, perched above the rushing waters of the Thames, and was one of the city’s main shopping streets. It is among the most familiar images of London in the past, but little has previously been known about the houses and the people who lived and worked in them. This book uses plentiful newly-discovered evidence, including detailed descriptions of nearly every house, to tell the story of the bridge and its houses and inhabitants. With the new information it is possible to reconstruct the plan of the bridge and houses in the seventeenth century, to trace the history of each house back through rentals and a survey to 1358, revealing the original layout, to date most of the houses which appear in later views, and to show how the houses and their occupants changed during five and half centuries. The book describes what stopped the houses falling into the river, how the houses were gradually enlarged, what their layout was inside, what goods were sold on the bridge and how these changed over time, the extensive rebuilding in 1477-1548 and 1683-96, and the removal of the houses around 1760. There are many new discoveries - about the structure of the bridge, the width of the roadway, the original layout of the houses, how the houses were supported, the size and internal planning of the houses, the quality of their architecture, and the trades practised on the bridge. The book includes five newly-commissioned reconstruction drawings showing what we now know about the bridge and its houses.

English Dramatick Opera, 1661–1706

Author: Andrew R. Walkling

Publisher: Routledge

Published: 2019-03-19

Total Pages: 415

ISBN-13: 1315524198

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English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).

London Rising

Author: Leo Hollis

Publisher: Bloomsbury Publishing USA

Published: 2011-02-01

Total Pages: 401

ISBN-13: 0802779727

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By the middle of the seventeenth century, London was on the verge of collapse. Its ancient infrastructure could no longer support its explosive growth; the English Civil War had torn society apart; and in 1665 the capital was struck by a plague that claimed 100,000 lives. And then, the following year, the Great Fire destroyed huge swaths of the city. As Leo Hollis recounts in his stirring history of the period, modern London was born out of this crucible. Among the catalysts for this rebirth were five extraordinary men, each deeply influenced by the Civil War, whose intersecting lives form the heart of London Rising: famed philosopher John Locke, whose ideas about the individual would outline a new theory of civil society based on natural rights; diarist John Evelyn, who insightfully chronicled the tumult and transformation before him; the polymathic scientist and architect Robert Hooke; developer Nicholas Barbon, who rebuilt much of the city after the fire; and Christoper Wren, astronomer, geometer, and the greatest English architect of his time, whose reconstruction of St. Paul's Cathedral was the essential symbol of London's rebirth. The city today is in great part the result of the myriad advances in literature, planning, science, and social issues forged by these five. Hollis paints a vibrant portrait of one of the world's greatest cities, and of a generation of men whose impact on London is unmatched.

Rethinking Architectural Historiography

Author: Dana Arnold

Publisher: Routledge

Published: 2006-09-27

Total Pages: 273

ISBN-13: 1134236298

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Rather than subscribing to a single position, this collection informs the reader about the current state of the discipline looking at changes across the broad field of methodological, theoretical and geographical plurality. Divided into three sections, Rethinking Architectural Historiography begins by renegotiating foundational and contemporary boundaries of architectural history in relation to other fields, such as art history and archaeology. It then goes on to critically engage with past and present histories, disclosing assumptions, biases and absences in architectural historiography. It concludes by exploring the possibilities provided by new perspectives, reframing the discipline in the light of new parameters and problematics. This timely and illustrated title reflects upon the current changes in historiographical practice, exploring potential openings that may contribute further transformation of the disciplines and theories on architectural historiography and addresses the current question of the disciplinary particularity of architectural history.

The Oxford Dictionary of Architecture

Author: James Stevens Curl

Publisher: OUP Oxford

Published: 2015-02-26

Total Pages: 1040

ISBN-13: 0191053856

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Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. The full bibliography to the first edition (previously only available online) has also been fully updated and expanded, and incorporated into this new edition. This is an essential work of reference for anyone with an interest in architectural and garden history. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.