This first full biography of Edward J. Dent (1876-1957) covers not only his pioneering music scholarship and cultural activities but also his personal crusades on behalf of music and opera, gays, refugees, and the culturally destitute. Drawn from a wide variety of unpublished sources, from behind Dent?s carefully constructed public 0persona of a cosmopolitan gentleman scholar the picture emerges of a more complex and fascinating human being. His seminal works remain fresh and vital and his writing hugely entertaining, while his ideas on the importance of the arts in everyday life are as relevant as ever.
DigiCat Publishing presents to you this special edition of "The Servant of Two Masters (Il Servitore di Due Padroni)" by Carlo Goldoni. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
During his long career, Edward Dent wrote on a variety of musical subjects, ranging from substantial articles in the most learned journals to less weighty pieces in Radio Times. This volume aims to reflect that variety. Some of the articles are now of primarily historical interest, others offer insights of a fundamental kind; all are informed by Dent's witty and distinctive prose style. In editing this collection, Hugh Taylor has drawn on writings from 1903 to 1951 and included two pieces originally written in Italian and published here in English for the first time. As well as providing footnotes, which amplify certain of Dent's statements and draw attention to subsequent research, Mr Taylor has listed sources for Dent's many textual references and quotations. Brought together in this way Dent's learned but always readable criticism will appeal to the reader with a general interest in music as well as to the music student and specialist.
This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept – the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai.
Current mainstream opinion in psychology, neuroscience, and philosophy of mind holds that all aspects of human mind and consciousness are generated by physical processes occurring in brains. Views of this sort have dominated recent scholarly publication. The present volume, however, demonstrates empirically that this reductive materialism is not only incomplete but false. The authors systematically marshal evidence for a variety of psychological phenomena that are extremely difficult, and in some cases clearly impossible, to account for in conventional physicalist terms. Topics addressed include phenomena of extreme psychophysical influence, memory, psychological automatisms and secondary personality, near-death experiences and allied phenomena, genius-level creativity, and 'mystical' states of consciousness both spontaneous and drug-induced. The authors further show that these rogue phenomena are more readily accommodated by an alternative 'transmission' or 'filter' theory of mind/brain relations advanced over a century ago by a largely forgotten genius, F. W. H. Myers, and developed further by his friend and colleague William James. This theory, moreover, ratifies the commonsense conception of human beings as causally effective conscious agents, and is fully compatible with leading-edge physics and neuroscience. The book should command the attention of all open-minded persons concerned with the still-unsolved mysteries of the mind.
