The setting is a New England mill town where people come of age with dreams of leaving, or end up returning when their dreams run out. The novel is on a musician, Henry Corvine, a man who belongs to the latter category. A first novel by a musician.
Join Sara, her family, and her favorite doll, Bonita, on an outing to Adventist pioneer Hiram Edson’s Farm in Clifton Springs, New York. Visiting this historic site, they step back in time and imagine the spiritual experience of those who lived on the farm in 1844. What starts out as a beautiful day suddenly changes, when Bonita and Sara end up going through a scary experience that stretches Sara’s faith in God’s care. Regardless of age, we each need a greater love for God, a stronger faith, and a broader knowledge of God’s intervention in history. “We have nothing to fear for the future, except as we shall forget the way the Lord has led us, and His teaching in our past history.” —Ellen G. White
Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the ""23 Steps All Great Heroes Must Take."" It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
A Study Guide for Margaret Edson's "Wit," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
The Floating Outfit was too busy smuggling guns to notice the Civil War was over. But when they run into trouble passing the Henry repeaters over the border to Juarez, they call Comanche fast and Texas tough Ysabel for help.