A captivating work of cultural blending unlike anything created prior, Andrew Archer's Edo Ball must be seen to be believed. This series of paintings seamlessly fuses contemporary basketball imagery with Edo-period Japanese art and culture, with captivating results. Often front and centre, an NBA personality is dramatically reimagined and yet recognizable, surrounded by the myriad trappings of the 'floating' world. Brief accompanying texts describe the thematic connections between each painting's converging themes and explore the roles that culture, community, celebrity, and games play in our daily lives.
When Mio steals the family's katana - a priceless ancestral sword - from her parents' attic, she just wants to spice up a fancy-dress costume. But the katana is much more than some dusty antique and her actions unleash a terrible, ancient evil onto the streets of unsuspecting London. Soon Shinobu, a fearless warrior boy, appears to protect Mio - and threatens to steal her heart. With the gods and monsters of Japanese myth stalking her and her friends, Mio realizes that if she cannot keep the sword safe, and learn to control its legendary powers, she will lose not only her own life - but the love of a lifetime.
The diversity of stellar death is revealed in the energy, velocity and geometry of the explosion debris ("ejecta''). Using multi-wavelength observations of gamma-ray burst (GRB) afterglows I show that GRBs, arising from the death of massive stars, are marked by relativistic, collimated ejecta ("jets'') with a wide range of opening angles. These results suggest that various cosmic explosions are powered by a common energy source, an "engine'' (possibly an accreting stellar-mass black hole), with their diverse appearances determined solely by the variable high velocity output. On the other hand, using radio observations I show that local type Ibc core-collapse supernovae generally lack relativistic ejecta and are therefore not powered by engines. Instead, the highest velocity debris in these sources, typically with a velocity lower than 100,000 km/sec, are produced in the (effectively) spherical ejection of the stellar envelope. The relative rates of engine- and collapse-powered explosions suggest that the former account for only a small fraction of the stellar death rate. Using the first radio and submillimeter observations of GRB hosts, I show that some are extreme starburst galaxies with the bursts directly associated with the regions of most intense star formation. I suggest, by comparison to other well-studied samples, that GRBs preferentially occur in sub-luminous, low mass galaxies, undergoing the early stages of a starburst process. If confirmed with future observations, this trend will place GRBs in the forefront of star formation and galaxy evolution studies.
Takes you through the process of creating horror, including the art of suspending reader disbelief, the creation of atmosphere and believable characters, and the seven steps of plotting.
After three years in Japan, Fred Buchanan is broke, unemployed and engaged in a telepathic turf war with a feral cat behind an Okinawa convenience store. Thus begins his metaphysical odyssey back to Tokyo. Along the way, symbols and sages materialize in the form of a two-fingered jazz musician, the faded tattoo on an ex-yakuza lover, an odd brood of internet cafe refugees, the kite flyer of Kabukicho and Yukie, an alluring hostess with strips of delicious thigh and strange power imbued in the etched eye on her fingernail. Charging through Shinjuku’s neon jungle, enveloped in a boozy, nicotine-stained haze, past and present collide as an empty orchestra croons a slow dance of people and place, memory and madness, loss and love. All the while, Fred struggles to be an agent of his destiny and not another ball bearing bouncing through the cosmic pachinko. Rainy Day Ramen and the Cosmic Pachinko is told as a uniquely clever mix of Murakami-esque magical realism and gonzo Japan travelogue.
A Seattle Times Best Book of the Year A Buzzfeed Best Nonfiction Book of the Year "Nimura paints history in cinematic strokes and brings a forgotten story to vivid, unforgettable life." —Arthur Golden, author of Memoirs of a Geisha In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan. Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors—Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda—grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits and intellectual brilliance. The passionate relationships they formed reveal an intimate world of cross-cultural fascination and connection. Ten years later, they returned to Japan—a land grown foreign to them—determined to revolutionize women’s education. Based on in-depth archival research in Japan and in the United States, including decades of letters from between the three women and their American host families, Daughters of the Samurai is beautifully, cinematically written, a fascinating lens through which to view an extraordinary historical moment.
Riveting and richly imagined, with a magnificent sense of time and place, The Iris Fan is the triumphant conclusion to Laura Joh Rowland's brilliant series of thrillers set in feudal Japan. Japan, 1709. The shogun is old and ailing. Amid the ever-treacherous intrigue in the court, Sano Ichiro has been demoted from chamberlain to a lowly patrol guard. His relationship with his wife Reiko is in tatters, and a bizarre new alliance between his two enemies Yanagisawa and Lord Ienobu has left him puzzled and wary. Sano's onetime friend Hirata is a reluctant conspirator in a plot against the ruling regime. Yet, Sano's dedication to the Way of the Warrior—the samurai code of honor—is undiminished. Then a harrowing, almost inconceivable crime takes place. In his own palace, the shogun is stabbed with a fan made of painted silk with sharp-pointed iron ribs. Sano is restored to the rank of chief investigator to find the culprit. This is the most significant, and most dangerous, investigation of his career. If the shogun's heir is displeased, he will have Sano and his family put to death without waiting for the shogun's permission, then worry about the consequences later. And Sano has enemies of his own, as well as unexpected allies. As the previously unimaginable death of the shogun seems ever more possible, Sano finds himself at the center of warring forces that threaten not only his own family but Japan itself.
Manga from the Floating World is the first full-length study in English of the kibyôshi, a genre of sophisticated pictorial fiction widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santô Kyôden (1761-1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyôshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened. Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyôshi but also to the genre's readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese comicbook (manga) and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history.
This book is the result of an international research team pursuing the intuitive notion that the atomic nucleus should have structural properties. Starting with a few logical assumptions, they discovered that many properties of the atom and the nucleus can be explained rationally without resorting to quantum mechanics or the limiting dogmas about the nucleus that dominate current physics. Using feedback from known experimental data, they identified several organizational principles that nature appears to use for constructing the elements, sometimes in unexpected ways. There are two assumptions underlying the Structured Atom Model (SAM). First, by replacing the neutron with a proton–electron pair, an electrostatic attractive force is reintroduced into the nucleus. The electrons acting as “glue” between the protons. Second, that “spherical dense packing” gives the nucleus its fractal shape—one of several organizational drivers in the buildup of the nucleus; other drivers being recurring substructures called “endings” and “nuclets.” A SAM nucleus is constructed using these substructures in various combinations. The result is a new periodic table that hints at several missing elements most of which are suspected to be unstable, but probably not all. What emerges is nothing less than a new paradigm for thinking about the nucleus and physics. In SAM, several known nuclear phenomena follow directly from the structural configuration of the nucleus, including nuclear instability, radioactivity/radioactive decay, the asymmetrical breakup of fission products, and the various nuclear decay schemes. In addition, the team discovered an unrecognized store of energy that may very well be responsible for Low Energy Nuclear Reactions (LENR).
This delightful little book pays homage to the cat through artfully curated Japanese poetry and prints. No one captures the graces and idiosyncrasies of cats quite like the painters, printmakers, and haiku masters of Japan. From the Edo to the Showa period, many artists turned their gaze toward an unlikely subject: their small feline companions. Closely observed portraits in words ad ink elevate the everyday adventures of cats: taking a nap on a Buddha statue's lap, daintily eating a rice ball, courting the neighbor's cat. This curated collection of poems, prints, and paintings will leave you inspired to cultivate the serenity and wonder embodied by these creators—and by the cats themselves. Presented as a sweet, jacketed paperback with thoughtful design touches, this volume includes each poem in both English and Japanese. THE ORIGINAL CAT LOVERS: Centuries before the emergence of cat memes and cat cafes, Japanese artists and writers perfected the practice of feline reverence. Cats played pivotal roles in folklore; they were the protectors of scriptures and symbols of good luck and wealth. They also proved to be a wonderful source of creative inspiration. This little compendium showcases Japan's rich cultural heritage. UNIQUE GIFT: Surprise your cat-loving friends and family with this unusual twist on the cat-themed gift. PERFECT FOR POETRY LOVERS: Whether they came to poetry through the works of Instagram poets, or have been reading the classics for decades, any lover of verse will enjoy this thoughtfully curated collection. The writers featured include Bashō, Chiyo-ni, Issa, Shiki, and more—all icons of the haiku form. ENCHANTING ART: Hokusai, Hiroshige, Yoshitoshi, and more: These artists masterfully captured the personalities of cats and their humans. These images, with their delicate lines and soothing colors, have endured through time to bring us quiet joy. Perfect for: • Cat lovers • Poets and poetry readers • Artists and art lovers • Anyone who appreciates Japan's arts and culture
