A captivating work of cultural blending unlike anything created prior, Andrew Archer's Edo Ball must be seen to be believed. This series of paintings seamlessly fuses contemporary basketball imagery with Edo-period Japanese art and culture, with captivating results. Often front and centre, an NBA personality is dramatically reimagined and yet recognizable, surrounded by the myriad trappings of the 'floating' world. Brief accompanying texts describe the thematic connections between each painting's converging themes and explore the roles that culture, community, celebrity, and games play in our daily lives.
When Mio steals the family's katana - a priceless ancestral sword - from her parents' attic, she just wants to spice up a fancy-dress costume. But the katana is much more than some dusty antique and her actions unleash a terrible, ancient evil onto the streets of unsuspecting London. Soon Shinobu, a fearless warrior boy, appears to protect Mio - and threatens to steal her heart. With the gods and monsters of Japanese myth stalking her and her friends, Mio realizes that if she cannot keep the sword safe, and learn to control its legendary powers, she will lose not only her own life - but the love of a lifetime.
This book is the result of an international research team pursuing the intuitive notion that the atomic nucleus should have structural properties. Starting with a few logical assumptions, they discovered that many properties of the atom and the nucleus can be explained rationally without resorting to quantum mechanics or the limiting dogmas about the nucleus that dominate current physics. Using feedback from known experimental data, they identified several organizational principles that nature appears to use for constructing the elements, sometimes in unexpected ways. There are two assumptions underlying the Structured Atom Model (SAM). First, by replacing the neutron with a proton–electron pair, an electrostatic attractive force is reintroduced into the nucleus. The electrons acting as “glue” between the protons. Second, that “spherical dense packing” gives the nucleus its fractal shape—one of several organizational drivers in the buildup of the nucleus; other drivers being recurring substructures called “endings” and “nuclets.” A SAM nucleus is constructed using these substructures in various combinations. The result is a new periodic table that hints at several missing elements most of which are suspected to be unstable, but probably not all. What emerges is nothing less than a new paradigm for thinking about the nucleus and physics. In SAM, several known nuclear phenomena follow directly from the structural configuration of the nucleus, including nuclear instability, radioactivity/radioactive decay, the asymmetrical breakup of fission products, and the various nuclear decay schemes. In addition, the team discovered an unrecognized store of energy that may very well be responsible for Low Energy Nuclear Reactions (LENR).
The diversity of stellar death is revealed in the energy, velocity and geometry of the explosion debris ("ejecta''). Using multi-wavelength observations of gamma-ray burst (GRB) afterglows I show that GRBs, arising from the death of massive stars, are marked by relativistic, collimated ejecta ("jets'') with a wide range of opening angles. These results suggest that various cosmic explosions are powered by a common energy source, an "engine'' (possibly an accreting stellar-mass black hole), with their diverse appearances determined solely by the variable high velocity output. On the other hand, using radio observations I show that local type Ibc core-collapse supernovae generally lack relativistic ejecta and are therefore not powered by engines. Instead, the highest velocity debris in these sources, typically with a velocity lower than 100,000 km/sec, are produced in the (effectively) spherical ejection of the stellar envelope. The relative rates of engine- and collapse-powered explosions suggest that the former account for only a small fraction of the stellar death rate. Using the first radio and submillimeter observations of GRB hosts, I show that some are extreme starburst galaxies with the bursts directly associated with the regions of most intense star formation. I suggest, by comparison to other well-studied samples, that GRBs preferentially occur in sub-luminous, low mass galaxies, undergoing the early stages of a starburst process. If confirmed with future observations, this trend will place GRBs in the forefront of star formation and galaxy evolution studies.
Unemployed, broke and engaged in a telepathic turf war with a feral cat behind an Okinawa convenience store, 28-year-old Fred Buchanan is hopelessly lost in life. After a fortuitous bet on the island bullfights, he boards a ferry to Kobe then a slow train to Tokyo, chasing shadows of a halogen dream. Back in Tokyo, past and present collide as an empty orchestra croons a slow dance of people and place, memory and madness, loss and love. Charging through Tokyo's neon jungle, enveloped in a boozy, nicotine-stained haze, Fred is determined to be an agent of his destiny and not another ball bearing bouncing through the cosmic pachinko. Perhaps Fred's contentment, his rainy day ramen, lies in the warm embrace of Yukie, with strips of delicious thigh and mysterious powers imbued in the etched eye on her fingernail. If only he can exit her stop and resist the self-destructive inclination to journey to the end of the line to confront the truths or lies which lay there. Rainy Day Ramen and the Cosmic Pachinko is told in two distinct overlapping and interwoven formats. Join Fred's drunken, staggering, metaphysical odyssey from Okinawa to Tokyo, and his search for meaning beyond the physical path trodden. The novel blends Murakami-esque magical realism with a coming-of-age on-the-road story.
The first full-length biography of a premodern Japanese nun, The Princess Nun is the story of Bunchi (1619-1697), daughter of Emperor Go-Mizunoo and founder of Enshōji. The study incorporates issues of gender and social status into its discussion of Bunchi's ascetic practice to rewrite the history of Buddhist reform and Tokugawa religion.
Manga from the Floating World is the first full-length study in English of the kibyôshi, a genre of sophisticated pictorial fiction widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santô Kyôden (1761-1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyôshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened. Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyôshi but also to the genre's readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese comicbook (manga) and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history.
By 1816, Japan had recovered from the famines of the 1780s and moved beyond the political reforms of the 1790s. Despite persistent economic and social stresses, the country seemed headed for a new period of growth. The idea that the shogunate would not last forever was far from anyone's mind. Yet, in that year, an anonymous samurai produced a scathing critique of Edo society. Writing as Buyo Inshi, "a retired gentleman of Edo," he expressed in An Account of What I Have Seen and Heard a profound despair with the state of the realm. Seeing decay wherever he turned, Buyo feared the world would soon descend into war. In his anecdotes, Buyo shows a sometimes surprising familiarity with the shadier aspects of Edo life. He speaks of the corruption of samurai officials; the suffering of the poor in villages and cities; the operation of brothels; the dealings of blind moneylenders; the selling and buying of temple abbotships; and the dubious strategies seen in law courts. Perhaps it was the frankness of his account that made him prefer to stay anonymous. A team of Edo specialists undertook the original translation of Buyo's work. This abridged edition streamlines this translation for classroom use, preserving the scope and emphasis of Buyo's argument while eliminating repetitions and diversions. It also retains the introductory essay that situates the work within Edo society and history.
The highly acclaimed exploration of sushi’s surprising history, global business, and international allure One generation ago, sushi’s narrow reach ensured that sports fishermen who caught tuna in most of parts of the world sold the meat for pennies as cat food. Today, the fatty cuts of tuna known as toro are among the planet’s most coveted luxury foods, worth hundreds of dollars a pound and capable of losing value more quickly than any other product on earth. So how did one of the world’s most popular foods go from being practically unknown in the United States to being served in towns all across America, and in such a short span of time? A riveting combination of culinary biography, behind-the- scenes restaurant detail, and a unique exploration of globalization’s dynamics, the book traces sushi’s journey from Japanese street snack to global delicacy. After traversing the pages of The Sushi Economy, you’ll never see the food on your plate—or the world around you—quite the same way again.
