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Author: B. Danner
Publisher: Springer
Published: 2011-09-28
Total Pages: 274
ISBN-13: 0230336671
DOWNLOAD EBOOKEdmund Spenser's censored attacks on Lord Burghley (Elizabeth I's powerful first minister) serve as the basis for a reassessment of the poet's mid-career, challenging the dates of canonical texts, the social and personal contexts for scandalous topical allegories, and the new historicist portrait of Spenser's 'worship' of power and state ideology.
Author: Andrew Hadfield
Publisher: Oxford University Press, USA
Published: 2014
Total Pages: 647
ISBN-13: 0198703007
DOWNLOAD EBOOK"The first biography in sixty years of the most important non-dramatic poet of the English Renaissance"--From publisher description.
Author: Andrew Escobedo
Publisher: Cambridge University Press
Published: 2016-10-24
Total Pages: 616
ISBN-13: 1316869873
DOWNLOAD EBOOKEdmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.
Author: Rachel Stenner
Publisher: Springer Nature
Published:
Total Pages: 295
ISBN-13: 303142641X
DOWNLOAD EBOOKAuthor: Kenneth Borris
Publisher: Manchester University Press
Published: 2022-03-08
Total Pages: 482
ISBN-13: 1526133474
DOWNLOAD EBOOKSpenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.
Author: Giselle Frances Donnelly
Publisher: State University of New York Press
Published: 2022-08-01
Total Pages: 353
ISBN-13: 1438489862
DOWNLOAD EBOOKThe origins of the United States' distinct approach to war and military power are found in the colonial experience. Long before 1776 or 1619, Englishmen understood themselves to be a part of a larger, lost "British" empire that might disappear forever in the globe-girdling shadow of the Spanish Hapsburgs and their drive to extirpate Protestantism. A combination of geopolitical ambition and fear of Philip II propelled Elizabethan expansion into North America. During the queen's five decades on the throne, the British imperial impulse jelled into a distinct and widely shared strategic culture, anchored in a deeply held faith and political ideology that legitimized Tudor rule; increasingly centralized Tudor power across England, Scotland, and Ireland; forced attention to the continental European balance of power; and drew adventurers to explore the world and claim a toehold in North America. In Empire Imagined, Giselle Frances Donnelly traces the development of these enduring habits through a series of vignettes that reveal the interaction of a maturing strategic consensus and the contingencies inevitable in international politics and offers a unique perspective for understanding the current debate about America's role in the world.
Author: David Scott Wilson-Okamura
Publisher: Cambridge University Press
Published: 2013-06-06
Total Pages: 251
ISBN-13: 1107245222
DOWNLOAD EBOOKWhy did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto and Tasso.
Author: Chris Barrett
Publisher: Oxford University Press
Published: 2018-03-23
Total Pages: 304
ISBN-13: 0192548832
DOWNLOAD EBOOKThe Cartographic Revolution in the Renaissance made maps newly precise, newly affordable, and newly ubiquitous. In sixteenth-century Britain, cartographic materials went from rarity to household décor within a single lifetime, and they delighted, inspired, and fascinated people across the socioeconomic spectrum. At the same time, they also unsettled, upset, disturbed, and sometimes angered their early modern readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph dedicated to recovering the shadow history of the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain (in ways not dissimilar from the anxieties provoked by global positioning-enabled digital mapping in the twenty-first century). At the same time, writers saw in the resistance to cartographic logics and strategies the opportunity to rethink the way literature represents space—and everything else. This volume explores three major poems of the period—Edmund Spenser's The Faerie Queene (1590, 1596), Michael Drayton's Poly-Olbion (1612, 1622), and John Milton's Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts redefined concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy, and other elemental components of literary representations.
Author: Jennifer C. Vaught
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2019-09-23
Total Pages: 285
ISBN-13: 1501513095
DOWNLOAD EBOOKJennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches the interlacing of identity and place in terms of ecocriticism, posthumanism, cognitive theory, and Cicero’s art of memory. Architectural Rhetoric in Shakespeare and Spenser examines figures of the permeable body as a fortified, yet vulnerable structure in Shakespeare’s comedies, histories, tragedies, romances, and Sonnets and in Spenser’s Faerie Queene and Complaints.
Author: Emma Smith
Publisher: Routledge
Published: 2016-03-23
Total Pages: 284
ISBN-13: 1317034457
DOWNLOAD EBOOKEngaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
