As a new century approaches, Edinburgh is a city divided. The wealthy residents of New Town live in comfort, while Old Town's cobblestone streets are clotted with criminals, prostitution, and poverty. Detective Inspector Ian Hamilton is no stranger to Edinburgh's darkest crimes. Scarred by the mysterious fire that killed his parents, he faces his toughest case yet when a young man is found strangled in Holyrood Park. With little evidence aside from a strange playing card found on the body, Hamilton engages the help of his aunt, a gifted photographer, and George Pearson, a librarian with a shared interest in the criminal mind. But the body count is rising. As newspapers spin tales of the "Holyrood Strangler," panic sets in across the city. And with each victim, the murderer is getting closer to Hamilton, the one man who dares to stop him.
The prize-winning author of Edinburgh Twilight returns to the darkening shadows of nineteenth-century Scotland to track a killer on a profane mission of revenge. A wicked Scottish winter has just begun when pioneering female physician Sophia Jex-Blake calls on Detective Inspector Ian Hamilton to investigate the suspicious death of one of her patients--a railroad lineman who she believes succumbed to the horrific effects of arsenic poisoning. The most provocative aspect of the case doesn't escape Hamilton: the married victim's numerous sexual transgressions. Now, for the first time since the unexplained fire that killed his parents, Hamilton enters the Royal Infirmary to gain the insights of brilliant medical student Arthur Conan Doyle. Then a second poisoning occurs--this time, a prominent banker who died in the bed of a prostitute. It appears that someone is making Edinburgh's more promiscuous citizens pay for their sins. As the body count rises and public panic takes hold, Hamilton and Doyle delve into the seedy underbelly of the city, where nothing is as it seems, no one is immune to murder, and even trusted friends can be enemies in disguise.
Tales for Twilight offers a spine-tingling selection of unnerving tales by writers from James Hogg in the early eighteenth century to James Robertson, very much alive in the twenty-first. Scottish authors have proved to be exceptionally good at writing ghost stories. Perhaps it's because of the tradition of oral storytelling that has stretched over centuries, including poems and ballads with supernatural themes. The golden age was during the Victorian and Edwardian period, but the ghost story has continued to evolve and remains popular to this day. Includes stories from Sir Walter Scott, George Mackay Brown, Muriel Spark, Margaret Oliphant, Robert Louis Stevenson, Sir Arthur Conan Doyle, Guy Boothby, Algernon Blackwood, Eileen Bigland, Ronald Duncan, James Robertson and Ian Rankin.
Thomas Nelson's Parkside Works on Dalkeith Road was an institution on Edinburgh's Southside until well into the twentieth century. Nelsons was not only a place of work but also a social centre with a wealth of social relationships and networks, where 'many marriages were made'. The book conveys what it was like to work in one of the largest printing and publishing houses in Edinburgh in its twilight years. Thomas Nelson and Sons was a family-run firm with a keen interest in the welfare of its workforce.
Twilight of the Idols presents a vivid, compressed overview of many of Nietzsche’s mature ideas, including his attack on Plato’s Socrates and on the Platonic legacy in Western philosophy and culture. Polt provides a trustworthy rendering of Nietzsche’s text in contemporary American English, complete with notes prepared by the translator and Tracy Strong. An authoritative Introduction by Strong makes this an outstanding edition. Select Bibliography and Index.
It is May 1560. As sinister storm clouds gather overhead, twenty-six-year-old Queen Elizabeth dispatches William Cecil, her most trusted adviser, to Scotland for crucial negotiations. Handsome, ambitious Lord Robert Dudley is at her side. But their leisurely midsummer idyll is cut short when the court’s master lutenist plunges to his death from a parapet beneath the queen’s window. The loyal retainers of Elizabeth’s privy council do not accept the official verdict of accidental death. Their fears are borne out when another tragedy rocks the realm, and points the way to a conspiracy to bring down Elizabeth and seize the throne. As ill winds of treachery swirl around the court, and suspicion falls on those within Elizabeth’s intimate circle, a vengeful enemy slips from the shadows...a traitorous usurper who would be sovereign. With The Twylight Tower, Karen Harper brings a legendary era to life, drawing us into an intoxicating world of majesty and mayhem, political intrigue and adventure...where danger is everywhere...and where a young queen journeys to greatness in the long shadow of her bloodstained past.
When Stephenie Meyer’s first novel, Twilight, was published in 2005, it had an astounding reception, selling millions of copies. The three sequels that followed—New Moon, Eclipse, and Breaking Dawn—became international bestsellers as well. The worldwide success of the movie adaptations further cemented the series as a cultural force on par with other popular franchises such as Harry Potter. But why is this? What is it about Twilight that makes it so appealing to people? And what does Twilight’s success reveal about transnational cultural trends? In The Twilight Saga: Exploring the Global Phenomenon, Claudia Bucciferro has assembled a collection of essays that examine the series from a variety of perspectives. The essays in this volume consider both the books and the movies, emphasizing the relationships among the texts, the audience, the entertainment industry, and other aspects of the multimillion-dollar franchise. Organized into five sections, the chapters offer a contextualization of the series’ appeal, explore different types of Twilight audiences, analyze the cultural referents associated with the main characters, and present new ideas regarding representations of gender, sex, class, and race. Concluding essays examine the saga’s influence, unveiling its links to newer workssuch as The Hunger Games, True Blood, and Fifty Shades of Grey. Making sense of how the popular franchise fits within larger contexts, this collection addresses Twilight from an interdisciplinary framework, including insights from history, philosophy, literature, sociology, fan studies, intercultural communication, film studies, and more. Featuring contributions by scholars from the United States, France, Spain, Chile, and Australia, this book emphasizes the international and intercultural relevance of the Twilight phenomenon. The collection is aimed at scholars and students of media and popular culture, but it will also appeal to general readers who are familiar with the series.
