Accompanied by a full-length DVD, this full-color book creates a series of unforgettable echoes on America's long history of yearning, betrayal, victory, and relentless desire for educational justice. Includes teaching resources.
This memoir filled with “overwhelming emotions and power” (The Mary Sue) testifies to the disappointments and triumphs of a Black first-generation college student in this exploration of the first-year experience. There are many watchers and they are always white. That’s the first thing Echo notices as she settles into Dartmouth College. Despite graduating high school in Cleveland as valedictorian, Echo immediately struggles to keep up in demanding classes. Dartmouth made many promises it couldn't keep. The campus is not a rainbow-colored utopia where education lifts every voice. Nor is it a paradise of ideas, an incubator of inclusivity, or even an exciting dating scene. But it might be a portal to different dimensions of time and space—only accessible if Echo accepts her calling as a Chosen One and takes charge of her future by healing her past. This remarkable challenge demands vulnerability, humility, and the conviction to ask for help without sacrificing self-worth. In mesmerizing personal narrative and magical realism, Echo Brown confronts mental illness, grief, racism, love, friendship, ambition, self-worth, and belonging as they steer the fates of first-generation college students at Dartmouth. The Chosen One is an unforgettable coming-of-age story that bravely unpacks the double-edged college transition—as both catalyst for old wounds and a fresh start. Finalist for the Ohioana Book Award A Mary Sue Best YA Novel of the Year 2022 Catalyst Award Nominee for Best Memoir A Junior Library Guild Selection ★ “Powerful and vulnerable"—Booklist, starred review
School choice, widely touted as a system that would ensure underprivileged youth have an equal opportunity in education, has grown in popularity in the past fifteen years. The strategies and rhetoric of school choice, however, resemble those of segregationists who closed public schools and funded private institutions to block African American students from integrating with their white peers in the wake of the 1954 U.S. Supreme Court's Brown v. Board of Education decision. In Overturning Brown, Steve Suitts examines the parallels between de facto segregationist practices and the modern school choice movement. He exposes the dangers lying behind the smoke and mirrors of the so-called civil rights policies of Betsy DeVos and the education privatization lobbies. Economic and educational disparities have expanded rather than contracted in the years following Brown, and post-Jim Crow discriminatory policies drive inequality and poverty today. Suitts deftly reveals the risk that America and its underprivileged youth face as school voucher programs funnel public funds into predominantly white and often wealthy private schools and charter schools.
Echoes from a Distant Frontier is an edited, annotated selection of the correspondence of Corinna and Ellen Brown, two single women in their twenties, who left a comfortable New England home in 1835 for the Florida frontier. Within a month of their arrival, the frontier erupted in Indian war. The Browns witnessed the terror and carnage firsthand, and their letters paint a vivid picture of the Second Seminole War (1835-1842).
Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.
Trisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award."
This blistering, fearless, and unforgettable literary novel finds a woman with everything on the line and a life-or-death decision waiting for her—perfect for fans of Claudia Rankine and Jenny Offill. Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going. The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart? Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away. "Virginia Woolf's Mrs. Dalloway meets Claudia Rankine's Citizen...as breathtakingly graceful as it is mercilessly true.”—Olivia Sudjic, author of Sympathy and Asylum Road A woman confronts the most important question of her life in this blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo) “A quiet, measured call to revolution…This is the kind of book that doesn’t just mark the moment things change, but also makes that change possible.”—Ali Smith, author of Summer "Brilliant. Brown's gaze is piercing."—Avni Doshi, author of Burnt Sugar
On March 23, 1849, Henry Brown climbed into a large wooden postal crate and was mailed from slavery in Richmond, Virginia, to freedom in Philadelphia, Pennsylvania. “Box Brown,” as he came to be known after this astounding feat, went on to carve out a career as an abolitionist speaker, actor, magician, hypnotist, and even faith healer, traveling the United States, the United Kingdom, and Canada until his death in 1897. The Many Resurrections of Henry Box Brown is the first book to show how subversive performances were woven into Brown’s entire life, from his early days practicing magic in Virginia while enslaved, to his last shows in Canada and England in the 1890s. It recovers forgotten elements of Brown’s history to illustrate the ways he made himself a spectacle on abolitionist lecture circuits via outlandish performances, and then fell off these circuits and went on to reinvent himself again and again. Brown’s stunts included creating a moving panoramic picture show about his escape; parading through the streets dressed as a “Savage Indian” or “African Prince”; convincing hypnotized individuals that they were sheep who would gobble down raw cabbage; performing magic, dark séances, and ventriloquism; and even climbing back into his “original” box to jump out of it on stage. In this study, Martha J. Cutter analyzes contemporary resurrections of Brown’s persona by leading poets, writers, and visual artists. Both in Brown’s time and in ours, stories were created, invented, and embellished about Brown, continuing to recreate his intriguing, albeit fragmentary and elusive, story. The Many Resurrections of Henry Box Brown fosters a new understanding not only of Brown’s life but of modern Black performance art that provocatively dramatizes the unfinished work of African American freedom.
An exceptional picture book biography of Margaret Wise Brown, the legendary author of Goodnight Moon, The Runaway Bunny, and other beloved children’s classics, that's as groundbreaking as the icon herself was—from award-winning, bestselling author Mac Barnett and acclaimed illustrator Sarah Jacoby. What is important about Margaret Wise Brown? In forty-two inspired pages, this biography artfully plays with form and language to vivdly bring to life one of greatest children’s book creators who ever lived: Margaret Wise Brown. Illustrated with sumptuous art by rising star Sarah Jacoby, this is essential reading for book lovers of every age.
In this study, the engaging art created by children’s author Margaret Wise Brown receives the critical attention it deserves as a lasting contribution to American children’s literature. Through analysis of her dozens of titles published during the height of western Modernism, this scholarly text shares Brown’s importance and impact from the perspective of Brown’s work, rather than biographically. Moving beyond such popular titles as Goodnight Moon and The Runaway Bunny into deeper cuts reveals how Brown’s oeuvre bridges multiple disciplines, including writing, visual art, philosophy, and music. Her projects successfully experiment with artistic collaboration and synesthesia as a natural expression for a child readership while both contributing to and reflecting high Modernism amidst the two World Wars. The quality of Brown’s writing and the maturity of her themes reveal respect for her child audience and recommend her work to the generations of readers who followed her early death. As this book demonstrates, Margaret Wise Brown remains one of the truly great authors of children’s literature.