For thousands of years, ancient Egypt has echoed around the world. This full colour paperback is the catalogue of a current exhibition at the Yale Peabody Museum. "The exhibition takes you on a journey through two thousand years of fascination with ancient Egypt, the land of the pharaohs. Visitors will discover how a culture that flourished thousands of years ago has impacted on our own world. Echoes of ancient Egypt appear in art, architecture, and literature around the world from ancient Africa to medieval Europe and the Middle East, to modern North America." 0Exhibition: Yale Peabody Museum, New Haven, USA (13.4.2013-4.1.2014).0.
Israel’s exodus from Egypt is the Bible’s enduring emblem of deliverance. But more than just an epic moment, the exodus shapes the telling of Israel’s and the church’s gospel. In this guide for biblical theologians, preachers, and teachers, Bryan Estelle traces the exodus motif as it weaves through the canon of Scripture, wedding literary readings with biblical-theological insights.
The composition, which the editors entitle the "Book of Thoth", is preserved on over forty Graeco-Roman Period papyri from collections in Berlin, Copenhagen, Florence, New Haven, Paris, and Vienna. The central witness is a papyrus of fifteen columns in the Berlin Museum. Written almost entirely in the Demotic script, the Book of Thoth is probably the product of scribes of the "House of Life", the temple scriptorium. It comprises largely a dialogue between a deity, usually called "He-who-praises-knowledge" (presumably Thoth himself) and a mortal, "He-who-loves-knowledge". The work covers such topics as the scribal craft, sacred geography, the underworld, wisdom, prophecy, animal knowledge, and temple ritual. Particularly remarkable is one section (the "Vulture Text") in which each of the 42 nomes of Egypt is identified with a vulture. The language is poetic; the lines are often clearly organized into verses. The subject-matter, dialogue structure, and striking phraseology raise many issues of scholarly interest; especially intriguing are the possible connections between this Egyptian work, in which Thoth is called "thrice-great", and the classical Hermetic Corpus, in which Hermes Trismegistos plays the key role. The first volume comprises interpretative essays, discussion of specific points such as the manuscript tradition, script, and language. The core of the publication is the transliteration of the Demotic text, translation, and commentary. A consecutive translation, glossary, bibliography, and indices conclude the first volume. The second volume contains photographs of the papyri, almost all of which reproduce their original size.
The exodus—the story of God leading his chosen people out of slavery in Egypt—stands as a pivotal event in the Old Testament. But if you listen closely, you will hear echoes of this story of redemption all throughout God's Word. Using music as a metaphor, the authors point us to the recurring theme of the exodus throughout the entire symphony of Scripture, shedding light on the Bible's unified message of salvation and restoration that is at the heart of God's plan for the world.
The chapters of Middle Kingdom Palace Culture and Its Echoes in the Provinces discuss the degree of influence that provincial developments played in reshaping the Egyptian state and culture during the Middle Kingdom. Contributors to the volume are Egyptologists from around the world who have developed their research following a conference held at the University of Jaén in Spain.
Popular, authoritative look at the world of archaeoastronomy, the study of ancient peoples' observation of the skies and its role in their cultural evolution. 208 illustrations.
Exotic Ancient Egypt . . . Deciphering EgyptOCOs past, from pre-historic times until Rome''s conquest in AD 30, Ana Ruiz reveals countless details about one of the earliest civilizations, piecing together a mosaic that accumulates to give an intriguing portr"
From the Foreword by Nadine Gordimer: "These pieces are meditations which echo that which was, has been, and is the writer Mahfouz. They are--in the words of the title of one of the prose pieces--'The Dialogue of the Late Afternoon' of his life. I don't believe any autobiography, with its inevitable implication of self-presentation, could have matched what we have here." With more than 500,000 copies of his books in print, Naguib Mahfouz has established a following of readers for whom Echoes of an Autobiography provides a unique opportunity to catch an intimate glimpse into the life and mind of this magnificent storyteller. Here, in his first work of nonfiction ever to be published in the United States, Mahfouz considers the myriad perplexities of existence, including preoccupations with old age, death, and life's transitory nature. A surprising and delightful departure from his bestselling and much-loved fiction, this unusual and thoughtful book is breathtaking evidence of the fact that Naguib Mahfouz is not only a "storyteller of the first order" (Vanity Fair), but also a profound thinker of the first order.
Groups of burial mounds may be among the most tangible and visible remains of Europe's prehistoric past. Yet, not much is known on how "barrow landscapes" came into being . This book deals with that topic, by presenting the results of archaeological research carried out on a group of just two barrows that crown a small hilltop near the Echoput ("echo-well") in Apeldoorn, the Netherlands. In 2007, archaeologists of the Ancestral Mounds project of Leiden University carried out an excavation of parts of these mounds and their immediate environment. They discovered that these mounds are rare examples of monumental barrows from the later part of the Iron Age. They were probably built at the same time, and their similarities are so conspicuous that one might speak of "twin barrows". The research team was able to reconstruct the long-term history of this hilltop. We can follow how the hilltop that is now deep in the forests of the natural reserve of the Kroondomein Het Loo, once was an open place in the landscape. With pragmatism not unlike our own, we see how our prehistoric predecessors carefully managed and maintained the open area for a long time, before it was transformed into a funerary site. The excavation yielded many details on how people built the barrows by cutting and arranging heather sods, and how the mounds were used for burial rituals in the Iron Age.
