The works of Juan Miramar, presented in this book, are distinguished, as always, by sophisticated language, subtle humor, a unique philosophical perspective on life, and vibrant Eastern color. The novella “Echoes of Someone Else’s War” impresses with its captivating and dynamic plot. A scholar and writer, a former translator for international peacekeeping forces, suddenly finds himself in the midst of the events of a contemporary and mysterious war. The distant past extends its tentacles into the present, not only forcing the protagonist to recall his military experience but also compelling him to choose sides in unfamiliar Arab and non-Arab conflicts.
The world's most elaborate military missions have been conducted by mercenaries. They are highly trained soldiers that have participated in many of the world's elite military units and are capable of quick results, even though they may be outnumbered 100 to one. Featuring actual photos, this book details the work of mercenaries from 1960 to the present day. December '98 publication date.
Owen W. Gilman Jr. stresses the US experience of war in the twenty-first century and argues that wherever and whenever there is war, there will be imaginative responses to it, especially the recent wars in Afghanistan and Iraq. Since the trauma of September 11, the experience of Americans at war has been rendered honestly and fully in a wide range of texts--creative nonfiction and journalism, film, poetry, and fiction. These responses, Gilman contends, have packed a lot of power and measure up even to World War II's literature and film. Like few other books, Gilman's volume studies these new texts-- among them Kevin Powers's debut novel The Yellow Birds and Phil Klay's short stories Redeployment, along with the films The Hurt Locker, American Sniper, and Billy Lynn's Long Halftime Walk. For perspective, Gilman also looks at some touchstones from the Vietnam War. Compared to a few of the big Vietnam books and films, this new material has mostly been read and watched by small audiences and generated less discussion. Gilman exposes the circumstances in American culture currently preventing literature and film of our recent wars from making a significant impact. He contends that Americans' inclination to demand distraction limits learning from these compelling responses to war in the past decade. According to Gilman, where there should be clarity and depth of knowledge, we instead face misunderstanding and the anguish endured by veterans betrayed by war and our lack of understanding.
"Someone Else's Yesterday" is an amazing journey as seen through the eyes of two people: one a Georgian, the other a Connecticut Yankee. Gathering information from records, wartime reports, and love letters, Keene uncovers parallels between his life and that of General Gordon.
This book analyses soldiers’ memoirs from the Great War of 1914-18 from Britain, France and Germany. It considers both the authors’ composition of the memoirs and the public response to them. It provides contextual analysis through a survey of the different types of contemporary writing about the Great War, through an analysis of changes in the language used to describe combat, and through an analysis of those people whose accounts of the war were either excluded or marginalised. It also considers the international response to the most successful of the texts. The purpose of the analysis is to show how soldiers’ memoirs contributed to the collective memory of the war and how they influenced public opinion about the war. These texts are both autobiographical and historical and their relationship to the fields of autobiography and historical writing is also considered, as well as to the distinction between fact and fiction.
Commonwealth Literature Today Stands For Literature(S) In English Written In The Commonwealth Countries Outside The Anglo-American Tradition. What Is Common Between The Diverse Members Of The Commonwealth In Spite Of Their Different Calendars Of Independence And Ethnological, Cultural, Political As Also Topographical Set-Ups Is That All These Countries Shared The Common Colonial Experience. So, From India To Nigeria, Canada To Kenya, Australia To Pakistan We Can Discern The Varying Patterns Of A Common Human Experience And Emergence Of Cultural Nationalism Leading To An Emphasis On Their Distinctiveness In Literary Heritage And Assertion Of Cultural Identity. Commonwealth Literature Thus Presents A Rich Variety Of Aesthetic And Cultural Experience.The Essays Collected In This Volume Spanning Different Countries And Periods Try To Offer A Taste Of This Interesting Variety. The Range Covered Here Stretches From West African Drama To South African Fiction, Australian And Caribbean Literature To That Of Indian Diaspora And South Asian Poetry Of The Saarc Countries. Discussions On Indian Literature Cover The Varied Areas From Devotional Mysticism To Realistic Social Satire, Myth-Oriented Novel To Feminism, Dialogism And Reassessment Of Postcolonial Theories.The Authors Focused In This Discussion Promises A Colourful Spectrum; They Include Wole Soyinka, Ahmed Essop, Salman Rushdie, David Malouf, Wilson Harris, Patrick White, Rohinton Mistry, G.V. Desani, Aurobindo, Manohar Magonkar, R.K. Narayan, Gurcharan Das, Arundhati Roy, Jhumpa Lahiri, Kamala Das, K.V. Venkataramani, Margaret Craven, Along With A Host Of Saarc Poets.The Volume Will Be Useful For The Students And Scholars Of Commonwealth Literature, And Will Also Prove Interesting To The Common Reader.
The articles in this special issue represent the findings of researchers working in classroom settings to explore key issues in learning through problem solving. Although they vary in the domains being studied, the age of students, and the methods they employ, there are numerous common themes that can inform both theory and practice. The authors have grappled with the complex task of putting problem-based curricula into practice. They report here the difficulties they faced, the factors contributing to their successes, and the lessons they have learned.
Focusing on television media reporting of the 1994 genocide in Rwanda and its aftermath, this book explores how African states directly involved in conflict, western states with geopolitical interests in Africa's Great Lakes region, militia groups, human rights activists and NGOs use gendered media narratives strategically, often engaging in politics of revisionism and denial, to change the behaviour of other actors in the international system. Critically analysing BBC documentary films and news features and drawing on interviews with British, Rwandan and Congolese journalists, filmmakers, political commentators and human rights activists Georgina Holmes argues that documentary films and political discussion programmes are postcolonial contact zones, wherein competing actors perform in an attempt to influence international political decision-making on military and humanitarian intervention and public perceptions of genocide and war. The book breaks new ground in understanding how Rwandan and Congolese women actively engage in producing and shaping international public discourse on genocide and war, despite being depicted as silent, passive victims of conflict. This book is essential reading on the gendered dynamics of media reporting on conflicts and will appeal to anyone with an interest in Feminist Security Studies, Political Communication, Media and Film Studies, African Studies, Genocide Studies and International Relations.
A guide to Gene Wolfe's series The Book of the New Sun, and the sequel The Urth of the New Sun, as well as four shorter "New Sun" works. Designed for use by first-time readers as well as those returning to the text.
A matchless warrior is pitted against a near-God in the second epic installment of the Raven’s Blade series. It has long been our lot in life, brother, to do what others can’t. Vaelin Al Sorna was known across the realm as the greatest of warriors, but he thought battles were behind him. He was wrong. Prophecy and rumor led him across the sea to find a woman he once loved, and drew him into a war waged by the Darkblade, a man who believes himself a god—and one who has gathered a fanatical army that threatens all of the known world. After a costly defeat by the Darkblade, Vaelin’s forces are shattered, while the self-proclaimed immortal and his army continue their terrible march. But during the clash, Vaelin regained some of the dark magic that once gave him unrivaled skill in battle. And though the fight he has been drawn into seems near unwinnable, the song that drives him now desires the blood of his enemy above all else…
